We ask a lot of our independent country and roots artists. We want them to release new music early and often, even though it stings them in the pocketbook to record. We want them to play our stupid town, even though it is way out of their way and the turnout will be light. We want them to perform in small, intimate venues, even though it’s not financially feasible for trying to take care of themselves, or God forbid, raise a family. We don’t want them to be too successful, lest their music loses its pain and soul. We don’t want them to age. We want them to see all the places, and do all the things we can’t, and maintain a party-filled lifestyle so we can then live vicariously though them as our own legs grow roots and our lives prosper from stability.
We want them to sleep on floors and eat like shit and sweat on stage and drive 700 miles to entertain us for three hours before passing out in their own filth for very little money. Our favorite artists roll into town and we reach deep in our pockets and hand them over all manner of items to fuel this madness and bring misfortune to them because they trend toward addictive, self-destructive personality to a greater degree. Then we sit back and watch them fall apart right in front of our faces, because for some reason, we find a certain beauty in their struggle and undoing. We shed the desire to slowly kill ourselves in our youth, so we ask our favorite musicians to do it for us in our stead. And the musicians, driven by their dreams, are more than happy to oblige.
And for what? If they sober up and try to find the straight and narrow, or solicit the suits for help with their music, we label them a sell out. If they don’t, it’s not very likely their music will ever afford them a sustainable living. And about the only way they will find suitable recognition for their artistic contributions is if they die young.
“Deadman’s Blues” is written and performed by Matt Woods from Knoxville, TN.
Video produced by Loch & Key Productions.
Two guns up.
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