Sturgill Simpson / Tyler Childers Tour Adds Additional Dates
Presale demand for the upcoming Sturgill Simpson / Tyler Childers A Good Look’n Tour has been so robust that additional shows have been added to the schedule, with the possibility of even more coming in the future. Dates in Knoxville, Asheville, Detroit, Minneapolis, and even Nashville have been doubled up ahead of the official release of tickets to the general public on Friday, November 8th. Posting two dates at the Bridgestone Arena in Nashville puts this tour pairing in very rare company.
The sale of tickets via Ticketmaster’s Verified Fan program commenced on Tuesday, November 5th, with some fans commending the program, and others complaining they either couldn’t get tickets, or the system seemed rigged against them. Tickets appear to be ranging from between $50.00 to $100.00 in face value depending on seating and venue, with many fans saying they entered the presale ticket cue as quickly as they could, only to find hundreds, or even over a thousand people ahead of them in line.
Another question some fans have is if Ticketmaster’s Verified Fan program was supposed to keep scalpers at bay, why have tickets for every stop and in almost every price tier in each venue already been posted to reseller sites such as StubHub and Vivid Seats? Unlike the tickets for the teaser club shows Sturgill Simpson performed in late September and early October, tickets are still electronically transferable through their Verified Fan program, and fans won’t have tickets tied to their names upon purchase.
There was some question of whether the tour pairing of Sturgill Simpson and Tyler Childers would be able to fill the type of larger arena-sized venues that were revealed on the tour calendar. Perhaps this still may be a concern for certain markets. But for now, promoters are trying to ramp up to meet demand as opposed to worrying about supply. Only names such as Luke Combs, Kenny Chesney, and Blake Shelton have previously needed to add second shows at Nashville’s Bridgestone Arena to accommodate fans. Perhaps this tour pairing is even bigger than the initial hype led us to believe.
Tickets go on sale Friday, November 8th at 10 a.m. local time.
The new dates are:
February 23 — Asheville, North Carolina – US Cellular Center
February 26 — Knoxville, Tennessee – Knoxville Civic Coliseum
March 1 — Detroit, Michigan – Masonic Temple Theatre
April 5 — Minneapolis, Minnesota – Armory
May 21 — Nashville, Tennessee – Bridgestone Arena
A Good Look’n Tour Dates:
February 21 — Birmingham, Alabama – Legacy Arena at the BJCC
February 22 — Asheville, North Carolina – US Cellular Center
February 23 — Asheville, North Carolina – US Cellular Center – New
February 25 — Knoxville, Tennessee – Knoxville Civic Coliseum
February 26 — Knoxville, Tennessee – Knoxville Civic Coliseum – New
February 28 — Lexington, Kentucky – Rupp Arena
February 29 — Detroit, Michigan – Masonic Temple Theatre
March 1 — Detroit, Michigan – Masonic Temple Theatre – New
March 4 — Pittsburgh, Pennsylvania – Peterson Events Center
March 6 — Charlotte, North Carolina – Spectrum Center
March 7 — Duluth, Georgia – Infinite Energy Center
March 10 — North Charleston, South Carolina – North Charleston Coliseum
March 13 — Hampton, Virginia – Hampton Coliseum
March 14 — Philadelphia, Pennsylvania – The Met Philadelphia
March 15-16 — Washington, D.C. – Anthem
March 18 — Toronto, Ontario, Canada – Coca-Cola Coliseum
March 20 — Columbus, Ohio – Nationwide Arena
March 21 — St. Louis, Missouri – Chaifetz Arena
March 22 — Southaven, Mississippi – Landers Center
March 27 — Dallas, Texas – American Airlines Center
March 28 — Austin, Texas – Frank Erwin Center
March 29 — Sugarland, Texas – Smart Financial Centre
April 1 — Independence, Missouri – Silverstein Eye Centers Arena
April 3 — Chicago, Illinois – United Center
April 4 — Minneapolis, Minnesota – Armory
April 5 — Minneapolis, Minnesota – Armory – New
April 9 — Omaha, Nebraska – Baxter Arena
April 10 — Madison, Wisconsin – Alliant Energy Center
April 23 — Tulsa, Oklahoma – BOK Center
April 25 — Denver, Colorado – Pepsi Center
April 28 — Salt Lake City, Utah – Maverik Center
April 29 — Missoula, Montana – Adams Center
May 1 — Portland, Oregon – Veterans Memorial Coliseum
May 2 — George, Washington – Gorge Amphitheatre
May 5 — San Francisco, California – Bill Graham Civic Auditorium
May 8 — Inglewood, California – The Forum
May 15 — Boston, Massachusetts – TD Garden
May 16 — New York City – Madison Square Garden
May 21 — Nashville, Tennessee – Bridgestone Arena – New
May 22 — Nashville, Tennessee – Bridgestone Arena
May 24 — Louisville, Kentucky – KFC Yum! Center
Jonathan H.
November 7, 2019 @ 11:29 am
I got in the verified fan line for the Lexington, KY show behind about 200 people and it took me about ten minutes to be able to select my seats. I chose the “best available” option and got two pretty good seats in my basket. They were right under $100 each and after taxes and fees it was almost $250 for both tickets. I let them go. I’ve seen both of them enough times and I’m not willing to fork over that kind of cash to see them again. Especially in an arena like Rupp. I’m still happy for them though
Killen Thyme
November 7, 2019 @ 12:22 pm
I did the same thing Jonathan. I got in the verified line for the Yum Center show in Louisville. Once I saw the bottom line for two tickets, somewhere around $200 plus i think, I passed. I was reminded of seeing Tyler playing solo at The Breakroom in Lexington for free a few years ago, or attending the High Top Mountain release show at the old Cosmic Charlies. I’m very happy for their success and still love their new albums but I need to pay my mortgage.
jb
November 7, 2019 @ 11:47 am
Hi Trigger– Longtime reader, first-time commenter here.
I had no problem getting a pit ticket in Southaven, MS via Verified Fan. I got in at 10 on Tuesday and only one person was listed as being in line ahead of me.
Trigger
November 7, 2019 @ 2:34 pm
Thanks for reading jb!
Scott
November 7, 2019 @ 11:51 am
Smells like vindication to me. The Ticketmaster process should be seriously looked at for a total revamp. I did the package supporting the Special Forces Foundation to support the cause and to avoid Ticketmaster altogether.
Jared S.
November 7, 2019 @ 12:20 pm
For the St Louis show, there were very few tickets available Tuesday at noon, and they were all upper balcony, so I passed. Wednesday morning I looked again and there were tons of seats available. I got 2 in the 4th row floor seating $80/each.
Dennixx
November 7, 2019 @ 12:40 pm
$203.68 for 2 general admission in Minneapolis..
I’m out.
jjazznola
November 7, 2019 @ 1:03 pm
So they should be free? It’s 2019-20.
hoptowntiger94
November 7, 2019 @ 1:58 pm
No one said that. It’s high for a “country music” concert. You can pay that or go and support two reasonably priced shows (and there are a ton of them).
Trainwreck92
November 7, 2019 @ 2:14 pm
Yep, I’m going to see Mike & the Moonpies tomorrow night for $12 five minutes from my apartment at a bar where cans of Lonestar and PBR cost $3 instead probably $10+ at the American Airlines Center where Simpson and Childers will be playing. As much as I like those two Kentucky gentlemen, the Moonpies show holds a much bigger appeal to my frugal nature.
Dennixx
November 7, 2019 @ 5:04 pm
We support live music to the tune of about 20 shows per year on average.
That particular show is overpriced and most who supports live music would concur.
I’m not against any artist charging any price they can for their product but as the consumer, I make the call on value.
Having seen each twice, all 4 of the separate shows cost less than this one show.
Corb Lund tonight.
$36 for 2 tickets.
Trainwreck92
November 7, 2019 @ 2:04 pm
Maybe it’s just because most of my favorite artists are on the smaller side, but $200 a ticket seems exorbitant for someone like Sturgill or Tyler. Obviously there are people willing to spend that kind of money, so I can’t begrudge them too much for charging such prices, but they’ve definitely priced out some of their fans.
Sam Cody
November 7, 2019 @ 3:01 pm
Shit. Only cost $30 to see him back when he was worth seeing.
Travis
November 8, 2019 @ 7:48 am
Hipster Comment of the Week!
Nick
November 7, 2019 @ 3:42 pm
The fact that they’re adding more shows seems like the pricing is right in line. If they were priced too high nobody would be buying them.
hoptowntiger94
November 8, 2019 @ 8:05 am
Let’s not get carried away. Secondary market got a high percentage of these tickets (HIGH). Pull up the Pittsburgh show on Vivid. There are thousands of tickets available. Many are selling qty 1-16 (16 must have been the max buy).
I’m going to be watching those buyers with 16 tickets because they will be the first to unload below face value closet to showtime.
Digs
November 7, 2019 @ 6:38 pm
I made the same exact decision. I respect that these two artists have reached a level where can, and deserve, to charge more. I just wish it was 40-50 bucks a ticket which would be affordable for me. Like someone else said ive got bills to pay. I can also admit i am pretty ignorant in regards to how prices are determined.
Luckily there are plenty of affordable shows in Minneapolis/St. Paul. Plenty of great local bands – Charlie Parr, Cactus Blossoms, Dead Man Winter – and national touring acts – i just saw Brent Cobb for 18 bucks at the Cedar which is about a 600 person capacity venue and it was phenomenal.
Im not bitter about it, and ultimately am happy that teo artists who i respect and enjoy are having this level of success, the Sturgill/Childers show being out of my affordability just hurts because its such an exciting double bill, and I think “Sound and Fury” will sound awesome live. I will keep an eye on the secondary market (if anyone has tips let me know) and otherwise enjoy their music at home.
Chef in Mpls
November 9, 2019 @ 8:26 am
We looked at tickets for the April 4th Armory show and they were close to $150 each. I don’t care to spend that for general admission tickets.
Jayson
November 7, 2019 @ 1:34 pm
Got great seats to the Southhaven show for 90 apiece. I’ll pay that all day for this pairing.
Hillbilly
November 7, 2019 @ 1:45 pm
Right past Arizona again Sturgill?
Trainwreck92
November 7, 2019 @ 1:58 pm
I was hoping to go to the Dallas show since I haven’t had the chance to see Sturgill since he was in Sunday Valley (at the old Austin Moose Lodge with maybe 2 dozen other people including Trigger), but I just can’t justify spending $100+ for a concert, even a couple of my favorite artists. I live in a college town with a thriving local music scene that also gets it’s fair share of small to mid-level touring acts, so I’m used to $40 being the upper limit of what I’ll spend on a show.
staind620
November 7, 2019 @ 2:19 pm
I paid $32 after taxes and fees to see Tyler Childers at the Charleston Music Hall earlier this year. I don’t see Sturgill adding $90 in value to the ticket. For a good seat they want $99.50 in the shitty North Charleston Coliseum. After taxes and fees that’s $122 for a single ticket. They can keep it. I’d think about it if Sturgill guaranteed that he’d only play his country songs.
JB-Chicago
November 7, 2019 @ 3:05 pm
Earlier in the year I paid about $80 fees included for a balcony reserved seat for Cody Jinks & The Steelwoods in Madison (floor gen admission was $65). Then when tickets went on sale for Milwaukee Pabst theater I got a 4th row center seat $110.00 (Cody & Ward Davis) I knew I’d probably never get to sit (not stand) that close for Cody again so it was a no brainer decision. The point is if you think a price for a certain seat or GA is worth it you buy it. In this day and age you pretty much know exactly what songs you’ll be hearing in advance thanks to Setlist.fm Like many on here I prefer smaller intimate shows that cap out at 2000 so that leaves me out of the United Center by a good margin regardless of price. Did anyone on here see the Aragon Ballroom show Halloween night? Curious to know how crowded it was.
Bdub
November 7, 2019 @ 6:43 pm
I went to the Aragon show! It wasn’t officially a sell out, but holy hell, it sure felt like it. I barely know anyone in the area who knows who Tyler is to begin with, so it was a cool thing to see. Aragon itself is a cool looking venue, but the sound quality wasn’t great (especially for the start of REK’s set and Courtney Marie Andrews).. Tyler sounded great though all the problems though! I’ve got pit tickets to the UC, and can’t wait to see the boys tear it up.
Wicket
November 7, 2019 @ 3:39 pm
So I guess the hater brigade is going to stay home in their pajamas, eat ham sandwiches & bitch online.
Not really looking like you’ll be missed.
Sturgill’s band playing this record in these venues is going to be nothing short of legendary & it’s encouraging to see a lot of people appreciate that.
Sir Adam the Great
November 8, 2019 @ 4:22 am
For real. My favorite part was that they added a second show in Nashville. They should make a victory lap around town.
Jack Williams
November 8, 2019 @ 5:52 am
Not seeing “haters” so much on this thread. I do see a people opting not to go because they can’t justify the paying the high price to see Sturgill/Tyler in larger venues. I can relate to that. I pass on arena and stadium shows regularly these days, even if I love the artist (e.g., Bruce). I can see artists that I love just as much or more in smaller venues at cheaper prices. I am going to one of the DC shows. A combination of being on board with Sturgill at the beginning of his solo career (pre-ordered HTM and saw a no cover show in DC in 2013) and strangely not having seen Childers yet, even though I pre-ordered Purgatory. And as far people that are not interested in Sturgill right now after his last album, that’s personal taste and I think it’s understandable.
hoptowntiger94
November 8, 2019 @ 8:08 am
I’m waiting too. Pull up the Pittsburgh show on Vivid and there are thousands of tickets available. Many are selling qty 1-16 in the Pitt. If those get unloaded at a reasonable price (and it’s not snowing), I’ll grab two closer to showtime.
jb
November 8, 2019 @ 10:05 am
Yeah– they’re playing in larger venues–and the price is higher. My justification for purchasing a general admission pit ticket at Southaven, MS is that this is going to be a one-time experience for me to see Sturgill much closer than I have previously (balcony seat at the Tivoli in Chattanooga, about twenty rows back at the Saenger in New Orleans, and further back at Booth Amphitheatre in Cary, NC) & I’m very cool with that.
Wicket
November 8, 2019 @ 10:57 am
The problem specifically with the comments section of this website is that it is a silo of opinions that have nothing to do with reality.
This show for instance is an arena rock show by a pretty popular award winning artist, being opened by a little known but talented country singer. That’s the reality.
But if you dip your toes in the water of this website (which I do less frequently all the time because of its lack of foothold on reality) you would think that it’s going to be a bunch of country fans watching bar bands at hyper inflated ticket price. It’s such a weird version of what’s going on and it’s somewhat fascinating that y’all think your the only people on earth.
I honestly wonder if you might faint from shock when you see young people, and black people & women at these shows, none of whom know who Tyler Childers is or bought any of Sturgill’s albums before sailors guide.
Jack Williams
November 8, 2019 @ 12:07 pm
This show for instance is an arena rock show by a pretty popular award winning artist, being opened by a little known but talented country singer. That’s the reality.
No, not exactly. For example, they will be playing two shows in DC at The Anthem (capacity 6,000). Childers will be headlining the same venue in December and the show has been sold out for quite a while. His rise after Purgatory has pretty much matched Sturgill’s rise after MMSICM and Isbell’s rise after Southeastern, at least in the DC area.
I honestly wonder if you might faint from shock when you see young people, and black people & women at these shows…
You “honestly wonder,” huh?
Wicket
November 8, 2019 @ 1:16 pm
The narrative that Jason Isbell & Sturgill are similar at all & that Tyler is heading in that direction is baseline SCM bullshit & sets up a lot of unnecessary comparisons & expectations. Like the whole “Sturgill turned his back on country!” & “And Tyler’s going to be bigger than Sturgill because he stuck to the music I like.”
Reality is Tyler would still be playing dive bars if Sturgill didn’t produce his records & the NFL just licensed Sturgill’s new record, (that should be doing very poorly if you believe anything you read in these comments).
I don’t know why I bothered saying anything at all as y’all don’t & won’t see the bigger picture. You’re stuck with the view you get when you live in a dollhouse & this comments section is definitely a dollhouse.
Jack Williams
November 8, 2019 @ 2:23 pm
According your version of reality, Childers is “little known.” I think that’s not true and presented evidence to that effect. Then you change the subject and now “the reality is” he owes all his success to Sturgill. Typical argumentative internet commenter bullshit.
Jack Williams
November 9, 2019 @ 6:11 am
And then there’s this:
The narrative that Jason Isbell & Sturgill are similar at all & that Tyler is heading in that direction is baseline SCM bullshit & sets up a lot of unnecessary comparisons & expectations. Like the whole “Sturgill turned his back on country!” & “And Tyler’s going to be bigger than Sturgill because he stuck to the music I like.”
I mean, sure, both Isbell and Simpson have been embraced by the larger roots music community, gotten significant airplay on Americana radio and both have won multiple AMA awards. No doubt that’s because Americana/Roots Music World is and has been in the SCM orbit. And yes, there was that one time that Sturgill said that Jason Isbell was his hero, but that was probably the weed talking. And yes, maybe I was there to there witness both Isbell and Simpson headline one show at The Birchmere, then one show at the 9:30 Club, then a show a small theatre before they moved on to even bigger venues. And maybe I did notice that Childers’s trajectory in the DC area was similar (actually, he skipped The Birchmere and went right to The 9:30 Club). But these events are all unrelated and I am clearly under the sway of that Svengali at SCM. You are the one who REALLY GETS Sturgill and truly has a grip on reality.
There was a bit on SNL a while back about two Weezer fans going at it. Leslie Jones only liked the old stuff and Matt Damon thought the new stuff was more interesting. You’re Matt Damon. A type.
Trigger
November 8, 2019 @ 1:25 pm
Wicket,
I get what you’re saying, and most certainly there are the anti-Sturgill reactionaries out there that are probably too hard on him. But I’m not really seeing that much at all in this comments section. I’m seeing a lot of fans who have seen both Tyler Childers and Sturgill Simpson in smaller venues, and are conflicted at pulling the trigger on high priced tickets. I’m also seeing other people who are excited for the tour and were more than glad to plop money down on it. I feel like your opinion is more on what you assume the “SCM” reaction will be as opposed to what people are saying.
I myself am very conflicted over all of this. I’m very glad both of these guys have found this level of success, but most independent fans are not used to paying three figures for tickets to see their favorite artist from 100 yards away. I don’t think that’s either weird, or unfair.
Wicket
November 8, 2019 @ 3:29 pm
I was speaking to the comments section of this site in general even though there are the same old insults in this thread.
I don’t see a conflict. Arena shows are huge productions that are pricey. It’s not going to be some dickhead in a cowboy hat singing your favorite covers for $12. They are two very different things. I think I already made these points though.
Anyway good talk guys. Really proud of the work we did here today.
KathyP
November 7, 2019 @ 3:58 pm
I was late to the party this morning but still managed to get 2 decent seats at Rupp. We’ve seen both bands multiple times, but playing on tour together was too good to resist.
Toddxolsen
November 7, 2019 @ 4:18 pm
I’ve been a fan of both of these artists since I saw them play in rooms with less than a hundred people. I paid the $122 for pit tickets with a buddy of mine. That’s the most I’ve ever paid for a concert in my life. I realize it’s very normal if you’re going to see Black Sabbath it Childish Gambino but if I added up the three times I’ve seen Sturgill and the three times I’ve see Tyler it might add up to $122 and I live in a pretty expensive market.
The reason I talk about the price is because these crap venues the shows are at are good for rap concerts but I honestly think these two fine musicians will sound terrible there.
The question you’ll be asking yourself is then why are you spending the dough just to complain about it?
Loyalty I guess. Glutton for punishment?! Who knows.
Crum
November 7, 2019 @ 5:16 pm
I’ve missed out on several opportunities to see both these guys. I, like most people commenting, prefer more intimate shows, but I’m happy to pay $63 for my upper level seats. Tyler and Sturgill are arguably in the peaks of their careers, so seeing them in the same venue, regardless of size, feels like a once in a lifetime opportunity.
Ellsworth Tinant
November 7, 2019 @ 6:06 pm
I didn’t have an issue getting in on the fan verified presale for the Forum (L.A.) but I was a little bummed about the prices… Not only did I pass on $250 for two floor seats, but it was a little hard to believe that the “nosebleeds” were $100 face.
I ended up getting seriously awful seats side of the stage for $50 after fees, don’t know why there weren’t more at the price tier.
Mark Moretti
November 7, 2019 @ 7:29 pm
Still no shows in NY State…
AndrewEsq
November 7, 2019 @ 9:40 pm
I’m glad the tickets are so high and selling well enough to justify adding more shows. However, I’m still happy to have spent my money on great Cody jinks seats. Still a fan of Tyler and the Foodstamps but, perhaps a better articulation of the problem some folks are having is that this may be half a country show to begin with at triple the price of the last tickets the bought to hear Tyler run through that same old “in Miami he was known as the Miami kid, too much man for one mic stand” spiel. I think he’s probably worth the prices I’m seeing and Sturgill probably once was also in my view. However, while I don’t think anyone’s expecting too much between the songs, I do think those willing to pay those prices deserve some new banter. It doesn’t have to be gold but, it’s definitely time to, at the very least, change the pre-written band introductions some. I think I’ve heard the exact same wording the past 4 shows I’ve seen. I’ll throw my hat in and say new tour, new ticket prices, fine but, please give these folks some new banter for that extra cost. Then again, I passed on account of Sturgill’s new records so maybe it’s not my place to suggest anything. What’s really interesting is how big this thing would’ve been if Sturgill played country and hadn’t pissed so many people off. I’d imagine many of us who are passing would do the math quite differently if we were getting the old Sturgill we all loved. Seems like a ton of people passing amidst the large number of sales. Nonetheless, for Purgatory, Red Barn, High Top Mountain, and Metamodern Sounds, I’m happy these guys are gonna make some serious money. Notwithstanding being a bit turned off on at least one of them, I’ll play those albums until the day I die. (For whatever reason, Country Squire hasn’t had the staying power for me even though I think it’s a fine record. It just didn’t speak to me the same I guess. I recently returned to shake the frost after a burned out break though and, damn that’s a great song!)
Big Daddy
November 8, 2019 @ 7:03 am
I look at the ticket price this way…
I paid $240, including fees, for 2 tickets, GA in the pit, for Detroit. $120.ticket. Tyler/Sturgill are arguably headliners on their own,, so that breaks downs to $60 for each artists. Which is about standard for a bigger name.
I also have tickets to Tyler’s solo show in December here in the D and those cost $50. So again, prices are right in line. You cant get two big draws on the same stage on the cheap.
I’ll have a great memory after and like they say, you only live once and you cant take it with you when your gone!
hoptowntiger94
November 8, 2019 @ 8:32 am
We are coming up for that show in Detroit on the 6th. We came up last year in October and had a great time. The show last year was a makeup show for us because I got into a fight in Morgantown.
Big Daddy
November 8, 2019 @ 8:51 am
I was at that show too. The Majestic is okay, I prefer the Fillmore. I’ve seen so many great shows at the Fillmore.
Hopefully you don’t get into any fights lol
Billy Wayne Ruddick
November 8, 2019 @ 11:13 am
At least you always own up to being “that guy” at concerts, hoptown. Gotta respect that!
hoptowntiger94
November 8, 2019 @ 11:46 am
I told this story before on here, but the concert was in a small listening room in Morgantown- 123 Pleasant St – way over sold, no air conditioning (even Tyler comment about the AC). Some asshole took exception to me raising my fist in appreciation between songs (instead of clapping … drink in my hand). After a few words, we decided to move to the back of the room (it actually sounded better in the back). A couple songs later, I noticed the idiot leaving the floor to use the bathroom. I went in there and tried dragging him out and putting his ass back on the floor. The funny thing was when he saw me approaching him in the bathroom he stuck his hand out to shake mine. I said “oh no, this isn’t going to be that kind of conversation.”
MostlyMetal
November 8, 2019 @ 4:22 pm
I’m not sure folks understand all of the production costs, insurance, etc. that comes with taking a show on the road like this in arenas. Also, when both of these guys were playing small gigs and selling out left and right, folks were playing well over $200 a ticket to see them on the secondary market. I think they’re trying to balance demand and the price of tickets to accommodate everyone and not lose money in the process.
Joseph P
November 9, 2019 @ 6:50 pm
So the site is Saving country music… and you’re talking Sturgill Simpson? That’s funny as hell.. I wouldn’t pay $10 to walk across my yard to hear that LSD driven shit… saving country music? Is this a joke?
Trigger
November 10, 2019 @ 9:51 pm
Joseph P,
A very strong case can be made that Sturgill Simpson is one of the most important artists in country music in the last decade, and if you don’t at least understand that argument, that is what is funny as hell. I don’t expect everyone to understand the long history of Saving Country Music covering Sturgill Simpson, or perhaps you’re not even aware of his history with Sunday Valley or his first two records. But you might want to get a little bit more informed before calling into question the reason a country music site would cover Sturgill Simpson.
Besides, this is not an article about Sturgill Simpson. This is an article about Sturgill Simpson and Tyler Childers, and Tyler Childers is country as hell, unless you’re a hipster hating on him now that he’s popular.
Katie
November 12, 2019 @ 7:57 am
To everyone complaining about ticket prices… I initially felt the same a few years ago when prices started to increase, but among this age of streaming, live shows and merch are the main revenue sources for these artists. So, I don’t mind paying more for artists I really like and want to support. I do, however, go to more smaller shows than I do arena shows. It is the price we pay for our favorites climbing the ladder.