Oh the irony of so many people demanding all music sound the same in the name of “diversity.” The only reason we’re even having a discussion of where Lil Nas X’s “Old Town Road” should be placed on the charts is because you can’t tell the difference between most any given piece of popular music anymore.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.
Let’s face it. For a host of reasons, it’s pretty rare to see African Americans making country and roots music. But when they do, more often that not, they’re doing it the right way, pushing the music forward creatively while fiercely helping to preserving the past, becoming part of the solution instead of prolonging the problem.
It may be a stretch to call My Own Way Aaron Vance’s “Outlaw” album, but he certainly uses it as his opportunity to tell Nashville, his fans, and maybe himself that he’s not changing for anything. He came to Music City to make country music, and that’s what he’s going to do. He’s not changing course, or shifting what the term “country” means just to make his way easier.
Whenever you find an artist who doesn’t fit in the stereotypical mold of what we expect certain music artists to be, that’s when you know you’ve found someone with true passion because they’ve had to overcome those stereotypes and sideways glances when it might be easier to just fold and move on to something else.