Ever had a smoke alarm, or maybe one of those crazy blooming birthday candles from China that even after you remove the batteries and take a sledge hammer to them they have the uncanny ability to keep chirping away no matter what manner of holy hell you inflict upon their plastic existence? Well that’s Billy Ray Cyrus and his song “Achy Breaky Heart.”
Achy Breaky Heart
“Achy Breaky 2” allows us once again to face the new music dilemma of whether a song is successful despite being bad, or because of it, and what this could mean for the future of music. Because of the amount of YouTube views “Achy Breaky 2” achieved, the song debuted at #11 on Billboard’s Hot Rap songs chart, and #16 on the Streaming Songs chart.
As first reported by Saving Country Music on New Years Eve of 2013, Billy Ray Cyrus has had a hip-hop version of his legendarily terrible song “Achy Breaky Heart,” and now unfortunately this nightmare has become a reality. Released as a video collaboration with hip-hop artists “Buck 22,” the “Achy Breaky Heart 2” video is complete with scantly-clad twerking backup dancers with the backdrop being an alien spaceship.
Yes folks, you read that right. According to media personality Larry King, Billy Ray Cyrus, King of the Atomic Mullet and father of devil spawn Miley Cyrus, is recording a hip hop version of his everlasting, demonically evil, and historically bereft scourge of Western Civilization known as “Achy Breaky Heart.” “Just spoke with @billyraycyrus on the phone – he’s recorded a hip-hop version of ‘Achy Breaky Heart’, Larry King tweeted out.
Reports have Jamie Lynn Spears, famous teen mom and sister of Brittney Spears, releasing a debut country album soon. I’m sure that Jamie Lynn Spears is a very sweet girl, and by all accounts she is blessed with remarkably white teeth and excellent skin. But the simple realities of running a website like Saving Country Music is that you can’t listen to every single piece of recorded music released in the greater country music pantheon.
We all know them and we all hate them, those ubiquitous and ridiculous pop country songs that make us hang our heads in shame, embarrassed to call ourselves country fans, constantly making us having to explain that no, we don’t listen to that type of country. They pursue us doggedly, on the radio, over the speakers at the grocery store, blaring from a car full of high school kids at a red light.
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