Nominees for the 28th Annual, 2017 International Bluegrass Music Awards were announced Wednesday in Nashville, with The Earls of Leicester and Balsam Range leading all nominees with eight nominations each, and Entertainer of the Year noms for both. Flatt Lonesome also picks up big nominations for Entertainer and Vocal Group of the Year.
Justice has finally been done, and the current King of Americana finally has his Grammy. Actually, he now has two of them. Alabama-born songwriter Jason Isbell walked away with Best Americana Album honors at the 58th Annual Grammy Awards for his latest record Something More Than Free during the pre-telecast awards Monday afternoon (2-14), as well as Best American Roots song for “24 Frames.”
Bill Keith many be known by just as many people by the name “Brad” Keith because of the nine months he spent as a member of Bill Monroe’s illustrious Bluegrass Boys in 1963. Though it was a very short stint in Bill Monroe history, the result was some of the most iconic, groundbreaking, and beloved bluegrass banjo recordings ever captured, regularly prefaced by Bill Monroe introducing “Mr. Brad Keith” on the banjo.
“Country must evolve” is the way it is sold to the country music public when pop and hip-hop influences are invited into the country music fold. What these folks fail to point out is that country has been trying to evolve for 30 some odd years right under their noses. Are you looking for true progress and evolution in country music? Look no further than this list of women.
Abigail Washburn, Amanda Shires, Anderson Family Bluegrass, Asleep at the Wheel, Be Good Tanya's, Bela Fleck, Brandi Carlile, Caitlin Rose, Dale Watson, First Aid Kit, Hank Williams, Jolie Holland, Kacey Musgraves, Kasey Chambers, Liz Rose, Neko Case, Paige Anderson, Rachel Brooke, Rounder Records, Ruby Jane, Sara Watkins, Sarah Jarosz, The Beach Boys, The Carter Family, The Trishas, Tom Waits, Uncle Earl, Willie Nelson
The war vs. pop influences and progress in country music, and the purity yearned for by the traditional elements of the genre is almost as old as the genre itself. In an attempt to power through the rhetoric, here is a cool-headed attempt to explain some of the differences between the traditional and mainstream mindsets.
If your looking for that one bluegrass ensemble that is defining our generation’s take on the discipline, it’s hard to argue against the Punch Brothers. Though Punch Brothers talk usually trends toward the talent of mandolin maestro Chris Thile, the troupe boasts overarching, rabidly accomplished skill across the front line, and a far superior instrumental adeptness that is undeniable.