There’s a reason Williams waited five years before releasing his second record. Now a seasoned journeyman who’s paid his dues on the road and tacked some skins on the wall, Williams was ready to write, sing, and perform with the kind of conviction you need to sell your songs to the audience.
Big Machine Records
Here comes this surprise EP from upstart country artist Brock Gonyea that will deliver you and your country-loving heart smack dab into 1950’s country music bliss, warming your cockles about the prospects for the future of the country genre.
Through the Bro-Country era, Tim McGraw became one of the surprising saving graces in mainstream country music by entering his late career stage doubling back to his roots and releasing quality songs that were surprisingly more country than even some of his earlier stuff, and even finding success with them on the radio.
To some it was much ado about nothing. But to many in Austin, TX, the Midland trio conducted a grave offense when a photo featuring the band ended up in a recent Washington Post feature with the sign of the legendary Sam’s BBQ in east Austin changed to the name of one of their songs.
Ray Wylie has parleyed his many years of peddling mad influence in country and roots music into a collaborative album hosting a heavy dose of cool names. Called “Co-Starring,” it is preceded by the new song “Bad Trick” that itself sees Ringo Starr, Don Was, Joe Walsh, and Chris Robinson of The Black Crowes all show up to support Hubbard.
Aaron Lee Tasjan, Ashley McBryde, Bad Trick, Big Machine Records, Chris Robinson, Co-Starring, Don Was, Elizabeth Cook, Eric Church, Joe Walsh, Pam Tillis, Paula Nelson, Peter Rowan, Ray Wylie Hubbard, Ringo Starr, Ronnie Dunn, Scott Borchetta, The Cadillac Three, Tyler Bryant and the Shakedown
When it comes to saving country music in the mainstream, Tim McGraw and Reba McEntire both have played important roles recently. During Tim McGraw’s time at Big Machine, he showed a somewhat unexpected but welcomed turn to his roots, and Reba’s “Stronger Than The Truth” was one of the best mainstream albums in years.
Well, if you thought you were already swimming through an upside down world where the NBA and NHL seasons have just been suspended along with pretty much every major music tour and festival to speak of at least until April, well try this development on for size: Ray Wylie Hubbard has signed with Big Machine Records.
“It has been four years since we’ve released an album,” says Maddie Marlow. “For us, this is a lot more than just an album release. This sophomore album will always be a reminder that no matter the setbacks and struggles, we will come out stronger and better. We are so proud of this 15-song story.”
Riley Green’s “Bury Me in Dixie” has returned to streaming services after it was pulled due to a controversial line in the song. “I wish Robert E. Lee could come and take a bow” is the line that was deemed too incendiary to continue to serve to the public, and the song was pulled from streaming services in late October.
The Country Music Antichrist Scott Borchetta is hellbent on world domination ladies and gentlemen, and in the process expect him to pull country music in the pop direction more than ever before. In an interview, he downplayed Luke Combs and Kane Brown, while touting Thomas Rhett as the only true 20-something headliner.
You’re a music fan. And sure, you know a little something about labels and producers and how all this stuff is necessary to get the music to you. But it so quickly gets bogged down in minutia and detail, does the sale of one huge music company to another really affect you, or affect the music in some significant way that you should care?
There is no way to sugar coat it for Scott Borchetta, Big Machine Records, and the two one-way streets just west of downtown Nashville known as Music Row where the heart of the country music industry resides. Taylor Swift leaving is huge. But she also leaves behind a legacy of how women can still succeed in country.
Since the tender age of 11, fraternal twins Sarah and Savannah Church from the coal mining region of Dickerson County, Virginia have been spellbinding listeners with their close sister harmonies evoked in classic bluegrass and gospel arrangements worthy of consideration right beside the all-time greats of the discipline.
The first shoe has fallen in what promises to be a prolonged period of massive reorganization and debt restructuring in America’s radio landscape, as one of the largest radio station owners has filed for Chapter 11 bankruptcy. Cumulus Media has filed voluntary petitions to reorganize under Chapter 11.
There is no need to mince words here or parse expectations. Alex Williams debut record Better Than Myself is traditional country music. And if it needs any qualifiers, it would be that it leans more toward the Outlaw style. There’s no compromise, no songs getting intro’d with a drum machine beat. It is true country music in every sense.
Calling this year’s race the “Big Machine Brickyard 400” is probably not the most savory development for true country music fans in itself. But Big Machine has announced they’re going the extra mile with their 2017 Brickyard sponsorship, at least for one of their artists: Brantley Gilbert.
Mainstream country is not stupid. They see the rising tide of Americana artists cresting the country albums charts on a regular basis, the big Americana names selling out large venues and headlining festivals, and doing it all without the help of Music Row or corporate radio, and continuing to encroach into their overall market share.
You may have never heard of Carly Pearce or her debut single “Every Little Thing,” but you soon will. As the latest benefactor of iHeartMedia’s “On The Verge” radio program that puts a shot of adrenaline behind the single from an emerging star, it’s virtually guaranteed to rocket to the top of the charts.
As time has gone on, I find myself disliking these dudes more and more because I can’t beat back the obvious reality that we’re being misled about these guys. Midland is a machination of the big Music Row industrial complex, no different than most major label artists.
What we know for sure is that Dot Records is no longer a label, at least for now. What we don’t know about is the fate of some of the artists that called the label home. Maddie & Tae, Drake White, and Staind frontman turned country artist Aaron Lewis have an uncertain future.
Chivalry may be dead, but it’s alive and well in the McGraw/Hill household. In a press release, the couple announced they will release a new single together called “Speak to a Girl” that will be shipping to country radio on March 23rd. It will be the first single off of a joint album with McGraw and Hill.
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
What’s so strange about the news is Tim McGraw seemed to be doing so well on Big Machine after fleeing Curb Records. There was a lot of symbolism in McGraw moving to Big Machine after a lengthy court battle with Curb, which tried to keep him on the label indefinitely and was ruining his career.
Meghan claims that in 2010 at the beginning of Steel Magnolia, a “very powerful man in the music business” reached under her skirt and groped her, and then tried to pick her up by her butt while numerous other important people in the music industry watched. The context of the revelation from Meghan Linsey was the release of Donald Trump’s off-camera comments.