Nashville’s Gaylord Opryland Resort and the greater Music Valley portion of the city filled up this weekend with thousands of revelers in throwback duds celebrating the annual Nashville Boogie Vintage Weekender presented by Muddy Roots. Over 90 acts on 5 different stages and at three separate venues.
Tuesday, February 17th, 2015 was the time, and the beautiful Paramount Theatre in downtown Austin was the place for the 2nd Annual Ameripolitan Music Awards. Socialites and artists from all over the United States, and a few from foreign lands made their way to the Texas capitol for the festivities.
Amber Digby, Ameripolitan, Big Sandy, Chris Casello, Dale Watson, Elana James, Hot Club of Cowtown, James Burton, James Hand, James White, Joe Ely, Johnny Bush, Paramount Theatre, Paul Pigat, Ray Benson, Redd Volkaert, Rosie Flores, Sarah Gayle Meech, The Broken Spoke, The Cactus Blossoms, The Derailers, Wayne Hancock
Tuesday, February 18th was the inaugural Ameripolitan Music Awards at the Wyndham Garden Hotel in Austin, TX. To see a complete list of winners, a play by play account of the night, and more pictures, please check out the 2014 Ameripolitan Awards LIVE Blog. Here are some photographs of the night from photographer C. C. Ekström of the excellent website Almost Out Of Gas.
2014, Ameripolitan, Ameripolitan Music Awards, Big Sandy, Dale Watson, Dawn Sears, Earl Poole Ball, Elizabeth Cook, James Hand, Jason Roberts, Jim Heath, Johnny Bush, Mike Bernal, Mojo Nixon, Pearls Mahone, Redd Volkaert, Reverend Horton Heat, Rosie Flores, Sarah Gayle Meech, Tonya Watts, Wayne Hancock, Whitey Morgan
Before we get too far, I’ll reveal that my take on this album is somewhat contrary from the others you will find. Many folks will preach to you how this is one of the standouts in the roots world for 2011, and though I like this album and it has some great elements, I find myself in a position I never enjoy: attempting to balance the hype.
The Pickathon Festival, Aug 5-7 out in Portland, OR boasts of having “The best festival experience in the country.” And having been a participant of it in 2009, I can vouch personally for this bold statement. But Pickathon and others don’t throw this statement out to create a rabid desire for tickets with the idea of shattering previous attendance numbers in a yearly cash grab. . .
Like JD Wiles of Th’ Legendary Shack Shakers said in part 2 of this series, the revitalization of lower Broadway started in the mid 90’s, but it was in the late 90’s when it really became “special.” Part of the reason for that was undoubtedly the presence of hillbilly royalty, from the bloodline of the man who helped build those buildings.