As tax season approaches and we get the opportunity to tie a bow around the doings of 2019, it’s always interesting to look back on the year at the Grand Ole Opry to see which performing members are paying their proper dues to country music’s most historic institution, and which one’s aren’t.
At 65-years-old and coming off serious health issues, John Anderson is feeling a little reflective these days. The caramel-voiced country crooner who we could talk about having a strong candidacy for the Country Music Hall of Fame in the coming years is being coy about what exactly the health scare was, you can tell he’s lost some weight.
There are those highly-anticipated albums that are hinted at for years by artists or labels, yet it seems like it takes forever for them to ever see the light of day, or albums whose release dates keep getting pushed back. And then there’s the very curious case of Garth Brooks and his latest album simply entitled “Fun.”
One sign that mainstream country music continues to improve is the decrease in “country” songs that were worthy of rants in 2019 compared to previous years. However there were a few exceptions in 2019, and songs worthy of taking out back to the woodshed. Our full-throated opposition to these monstrosities misappropriated as “country.”
The name of the tour is definitely a little dubious for the venues Garth has selected to play so far. But those complaining about Garth’s efforts here are missing the bigger picture. “I think he recognizes the significant role that smaller venues play in keeping country music going.”
The entirety of Blake Shelton’s career just devolved quicker than a political discussion with your drunk and racist uncle at Thanksgiving dinner. All the headway country music has made over the last couple of years, and now we have to figure out how to maneuver around this “Hell Right” bullshit.
None of this is real ladies and gentlemen. From the fake controversies, to the gaming of the meme culture and social media to make 30-second snippets somehow compete with actual songs on charts, to the paying for streams to create false positives on breakout hits, the malfeasance in the monogenre space with country music as the heel…
Singer, songwriter, performer, and Pistol Annies member Ashley Monroe is no longer singed with Warner Music Nashville, Saving Country Music has confirmed. Monroe exited the label on May 1st. No reason has been given by Monroe’s management, or Warner Nashville for the departure.
“I don’t want to put out an album. I really don’t,” Blake Shelton says. “I’m sure that at some point my record company people are going to pressure me into it, but as of now, I’m not putting out an album this year. I know that.” According to Shelton, he didn’t even want to record “God’s Country,” or go into the studio at all.
Earl Thomas Conley, one of the most successful country music artists through the 80’s decade, and known for his “thinking man’s country” style of country where heartbreak, story, and character played a critical role in creating the deep appeal for his music, has passed away. He was 77-years-old.
Judged among its peers and the patterns that Blake Shelton has carved for himself in now nearly 20 years of releasing music, “God’s Country” is unexpected, expressive, passion-filled, and hard not to feel the power of. But it won’t be interesting enough to assuage Johnny Cash hipsters to pay attention to commercial radio.
Yes, Captain Old Farts & Jackasses has given traditional country fans plenty of reasons to give him a hairy eyeball over the years or curse his name under their breath (anyone remember the tractor rapping of “Boys ‘Round Here”?) But I’ll be damned if Blake Shelton hasn’t been on some prolonged traditional country kick lately.
The guilty verdict for bar owner Chris Michael Ferrell who was convicted of 2nd Degree Murder in the death of country artist Wayne Mills on March 6th, 2015 has been confirmed by a Tennessee Court of Appeals. Now a motion for “post conviction relief” has been filed as Ferrell’s legal remedies are running out.
Life rarely works out the way you plan it, and this is especially true when it comes to marriages and divorces. In the world of power celebrities, marriage is often its own occupation in leveraging the attention of the masses via celebrity gossip rags to make one’s popular culture brand more compelling to the wide population.
Miranda Lambert was involved in an incident in Nashville on Sunday evening (2-10) at the Stoney River Steakhouse on the west side of the city, where she reportedly dumped a plate of food in someone’s lap, and eventually the police were called. Neither Miranda Lambert, nor anyone else was arrested, and no charges have been filed.
Grrrrrrr, Blake Shelton! He’s the guy who said that “Old Farts and Jackasses” thing and is on that stupid reality show! Plus we’re supposed to hate him if we like Miranda Lambert, or something. But if you believe in reform and forgiveness, Blake Shelton would be one of the select few who would be worthy of it in the mainstream.
The CMT Awards transpired Wednesday night, June 6th at the Bridgestone Arena in downtown Nashville. Did you notice? Most likely not. Did you tune in and follow along? Even more unlikely. But this isn’t just about ratings. This is about the overall impact of the awards, or the lack thereof.
For contestant Kyla Jade who was part of Blake Shelton’s team, the original song selected was a tune called “The Last Tear.” The reason “The Last Tear” cannot be passed off as an original song is because it’s actually a song originally recorded by Garth Brooks called “Leave A Light On.”
Brent Cobb’s latest album Providence Canyon is set to be released on May 11th though the Elektra imprint of his cousin Dave Cobb’s label, Low Country Sound. Dave Cobb also produced the effort named for a natural wonder in in Southwest Georgia. But it’s a man from Alabama who is the focus of the album’s […]
The mood has shifted on mainstream country radio, at least for the moment. And as spring rounds the corner, so does a renewed sense that perhaps a rebirth is occurring as better songs are blooming on the radio charts all over the place. If you’re stuck like a broken record saying all mainstream country sucks, you’re missing the bigger picture
While in the independent realm of country music, 2017 went down as a record year for quality projects, the mainstream was downright abysmal pretty much across the board for both songs and albums. There actually were quite a few pretty good songs, but most struggled to gain traction in the charts.
Blake Shelton’s latest record ‘Texoma Shore’ is not really that great, and it would be a stretch to even call it good. Yet as enjoyable as it might be to trash this effort for all the ills Mr. “Old Farts and Jackasses” has sowed over the years, the truth is this might be Blake Shelton’s best album since he uttered those now notorious words in 2013.
In the process of criticizing modern country music, sometimes we lose sight of the bigger picture, or fall into “old man’s syndrome” where the past of the genre seems pristine and idyllic in our mind’s eye, and today’s smutty music perpetrated by sellout stars is an abomination to our beloved genre.
What sucks about “Doing It To Country Songs” is that there’s actually a lot of positives going on here, and it could have turned out to be something decent. But the innuendo here is worn out in the first 30 seconds, and the double entendres just don’t have the potency or levity to land a punch or crack a smile.