To help in the COVID-19 recovery effort, the Hall of Fame is planning a special live streaming event that will match up many of the iconic instruments in the “Precious Jewels” collection and other displays with many of the best artists and players of today.
When the COVID-19 shutdowns began in mid March, the Grand Ole Opry was one of the only live music institutions that endured, with the first non-audience show transpiring on March 14th with the evening’s regular scheduled slate of performers.
Look, lobbying for Carrie Underwood among the classic country crowd has always been an uphill battle. But the career of Carrie Underwood is a perfect example of why you can’t paint all pop country with the same broad brush.
From 2008 to 2018, Brad Paisley and Carrie Underwood hosting the CMAs together was one of the few bright spots on a presentation that otherwise offered you a steady diet of bad pop country being crammed down your throat. They won’t be hosting the CMAs again, but they are pairing up for the Grand Ole Opry Saturday night.
Another quality lineup will grace the Grand Ole Opry stage Saturday night, August 22nd as mainstream traditionalist Jon Pardi, upstart singing trio Runaway June, and Grand Ole Opry member Pam Tillis will help keep the circle unbroken by performing and streaming live from the Opry House in Nashville.
Jan Howard’s death was marked with obituaries enumerating her many accomplishments in country music, including her hits, her collaborations with John Anderson, and her long tenure at the Grand Ole Opry. But when it comes to Jan Howard, it was just as much about the work she did off the stage, and out of the spotlight.
Alan Jackson, Brad Paisley, Connie Smith, George Strait, Grand Ole Opry, Hal Ketchum, Jan Howard, Jean Shepard, Jimmy C. Newmann, Keith Urban, Little Jimmy Dickens, Mack McKenzie, Marty Stuart, Patty Loveless, Stonewall Jackson, Terri Clark
The world has been shuttered and turned upside down by the Coronavirus. But the Opry will continue on, refusing to break its storied tradition with its 4,916th consecutive Saturday night broadcast. There will be no backup band and no audience obviously. But the Opry will bring out the stars.
The amount of cancellations tied to the Coronavius outbreak can be dizzying to keep up with, even within the confines of independent country and roots. But a few important cancellations are worthy of note, including two dates on the Sturgill Simpson / Tyler Childers tour, and the Mike & The Moonpies Europe tour.
Brad Paisley, Chris Stapleton, Cody Johnson, Coronavirus, Dierks Bentley, Jon Pardi, Kane Brown, Keith Urban, Luck Reunion, Luke Bryan, MIke and the Moonpies, Old Settler's Music Festival, Rodeo Houston, Sturgill Simpson, SXSW, Tyler Childers, Zac Brown Band
Sorry to barge in on all your Holiday revelry, but the news just came down that Carrie Underwood won’t be returning to host the CMA Awards in 2020, which she’s done for the last dozen years. And yeah, it kind of feels like a thing that’s worth remarking on.
Look, the semi controversy over the CMAs choosing to replace Brad Paisley as the long-time host in 2019 with Dolly Parton and Reba McEntire is water under the bridge at this point. But it is kind of amusing that the CMAs and ABC recently announced that Brad Paisley will be getting his own television special later this season.
Call me sexist, I don’t care. And on paper, a supposed “purist” such as myself (ha!) would much prefer Brad Paisley being swapped out for a couple of country music broads of such legendary status as Dolly Parton and Reba McEntire to host the 2019 CMA Awards. But this was a bad move to pull Brad Paisley from hosting the 2019 CMAs.
The release of the Rodeo Houston main stage lineup is always a highly-anticipated event in Texas and beyond, and this year Oklahoma’s Turnpike Troubadours have earned an opportunity to play on arguably the biggest stage in Texas, and native Texan Kacey Musgraves has been selected to open the rodeo in 2019.
This is all especially concerning since Country Music USA is the basis of the new Ken Burns film on country music, which will reach a much wider audience than this final chapter, and like all Ken Burns films, be referenced by many generations to come as a master work of country music history.
While in the independent realm of country music, 2017 went down as a record year for quality projects, the mainstream was downright abysmal pretty much across the board for both songs and albums. There actually were quite a few pretty good songs, but most struggled to gain traction in the charts.
A bevy of headlines from numerous country music media sources incensed about the restrictions being put on media emerged in the aftermath of the CMA asking media to not focus on the Las Vegas tragedy or politics in the CMA red carpet, cascading into the internet fury we so regularly see in the current political climate.
One would be hard pressed to find another industry that is as insular, antiquated, and downright embarrassing as the one that is in charge of managing the affairs of mainstream country radio. Despite checks and balances that are supposed to be in place, the amount of backroom deals and dirty practices is unconscionable.
When Brad Paisley included a song called “Gold All Over The Ground” on his recent album Love and War, we thought it was just a one-off occasion where one of today’s country artists took a poem from Johnny Cash and turned it into a song. The poem “Gold All Over The Ground” was first composed […]
Two titans of country and bluegrass music who helped make The Grand Ole Opry and the Ryman Auditorium the storied institutions they are, were repaid with eternal markers for their contributions when life-sized bronze statues of the two men were unveiled on the grounds of the Ryman this week in Nashville.
The poem “Gold All Over The Ground” was first composed in March of 1967 about Johnny Cash’s wife June Carter, and was published in 2016 in the posthumous Johnny Cash poetry collection called Forever Words. It’s not just Johnny Cash’s 50-year-old word that make Brad Paisley’s “Gold All Over The Ground” traditional though.
Not only was it a DJ comprising the afterparty entertainment, of which attendees had to pay £15 to get in, but the music selected wasn’t even country. “DJ Bad Ash,” a.k.a. Ashlee Willis, who is a DJ from Los Angeles, thought Snoop Dogg, Miley Cyrus, and other non-country selections would be the perfect music for the afterparty.
The prospects of a new incarnation of the long-running country music-themed television show Hee-Haw being in the works opens up a whole realm of delicious possibilities of how the show could take shape, and who could comprise the cast. So if a new Hee-Haw show comes to pass, who should be part of the cast?
“Today” isn’t particularly great, but it’s actually aimed at adults instead of children, features steel guitar, mandolin, and fiddle, and if we’ve figured out nothing else about Paisley’s still unnamed upcoming album (of which this is the second single), it appears he’ll at least have opportunities to unsheathe the Telecaster again.
The next trend in country may not be defined by a style or a sound, but who is involved in it. But if collaborations will be the next big trend, how about putting out just a little bit of effort to make sure that the great talent that is going unrecognized in country music itself gets some love?
Ashley Monroe, Blake Shelton, Brad Paisley, Brandy Clark, Chris Stapleton, Demi Lovato, Dierks Bentley, Dolly Parton, Elle King, Gwen Stefani, Johnny Bush, Kenny Chesney, Kenny Rogers, Little Big Town, Lori McKenna, Miranda Lambert, Pharrell, Pink, Pitbull, Steve Fromholz, The Pistol Annies, Tim McGraw, Townes Van Zandt, Willie Nelson
Brad Paisley’s old enough to be Demi Lovato’s father, but let that be no object to them singing a song together about makeup sex. Demi Lovato has no business in country, and we know where this is all headed. Surprisingly though, “Without A Fight” is not as terrible as one would suspect.