Each year the release of the Stagecoach Festival lineup is a point of intrigue as people sift though the names and remark on the font sizes, and see who has been tapped to play the 3-day event in Indio, CA in April. As arguably one of the biggest country music festivals all year, the artists booked say a lot about who is rising in country music.
Another glass ceiling has just been shattered in mainstream country music’s monopoly on the independent side of music. Jason Isbell has just been nominated for Album of the Year by the Country Music Association, or CMA’s, for his most recent album The Nashville Sound. This is a virtually unprecedented feat for an independent artist.
This week, Florida Georgia Line’s collaboration with the Backstreet Boys called “God, Your Mama, and Me” hit #1 on Billboard’s Country Airplay Chart, meaning The Backstreet Boys—a washed-up boy bad who otherwise had not received a #1 distinction for over 18 years—is now the owner of a country music #1.
Ashley Monroe, Backstreet Boys, Brandy Clark, Cam, Chris Stapleton, David Allan Coe, Florida Georgia Line, God Your Mama and Me, Jamey Johnson, Jason Isbell, Kacey Musgraves, Marty Stuart, Sturgill Simpson
The prospects of a new incarnation of the long-running country music-themed television show Hee-Haw being in the works opens up a whole realm of delicious possibilities of how the show could take shape, and who could comprise the cast. So if a new Hee-Haw show comes to pass, who should be part of the cast?
An all-star cast will come together to celebrate the life and music of country music icon and Hall of Famer Don Williams in a new tribute album with the proceeds going to a good cause. ‘Gentle Giants: The Songs of Don Williams’ will be released on May 26th via Slate Creek Records.
Alison Krauss, Amanda Shires, Brandy Clark, Chris Stapleton, Dierks Bentley, Don Williams, Garth Brooks, Gentle Giants: The Songs of Don Williams, Jason Isbell, John Prine, Keb Mo, Lady Antebellum, Morgane Stapleton, Pistol Annies, Trisha Yearwood
They’ve decided to divide opening duties among a total of 26 separate openers across the 65 total tour dates, as opposed to taking the usual stance with openers, which is to drag the same two or three lightweight mainstream up-and-comers around with them for six months. Even more surprising are the names selected to open.
She didn’t choose the title Puxico for the way it popped for focus group audiences. It’s the name of her less than 1,000 population hometown in southeastern Missouri that sets the scene for an album that feels devoutly personal, humble in approach, and eager to express things a professional songwriter just can’t with total fulfillment through the voices of others.
If 90% of mainstream country music is garbage, then it stands to reason that 10% of it is at least decent, if not good or great. That calculus hasn’t really changed much recently, even as mainstream country has improved. What has changed is that 10% is actually finding traction on radio, at awards shows, and is making fierce inroads into the 90%’s monopoly.
A song can change a life, and a song can change the world. And if you’re a real music fan, you know this to be true because you’ve felt it, and seen it yourself. We’re not looking for fanciful ditties that get stuck in your head here. There is a time and a place for those, but that’s not here. We’re looking for songs that barrel you over.
It has once again come that time of year for reflecting back on some of the best albums released in the last 12 months or so, not to treat country music as competition per se, but as an exercise undertaken with the intent of expanding your musical knowledge in hopes the gaps that formed due to the busy lives we all live get filled in with joyous little music projects.
Austin Lucas, Blackberry Smoke, Brandy Clark, Cody Jinks, Courtney Marie Andrews, Dori Freeman, Doug Bruce, Honest Life, I'm Not The Devil, I've Got a Way, Jack Ingram, Justin Wells, Kelsey Waldon, Like An Arrow, Lori McKenna, Luke Bell, Mark Chesnutt, Midnight Motel, Nick Dittmeier, Nick Dittmeier and the Sawdusters, Sturgill Simpson, The Bird & The Rifle, The Cactus Blossoms, Tradition Lives, Unsung, You're Dreaming
Sturgill Simpson is currently in the running and being voted on by members of the Country Music Association for three of the 50th Anniversary presentation’s biggest prizes. Also surprising since she’s not on a major label, Margo Price has made the top 20 females being considered for Female Vocalist of the Year.
If someone is apt to not pay attention to female artists, whether that’s a garden variety country fan or a major label executive, bunching female artists together is probably not going to garner their attention, it’s probably going to turn them off even more, especially if the premise of putting these artists together is an attempt to break through a gender bias.
The next trend in country may not be defined by a style or a sound, but who is involved in it. But if collaborations will be the next big trend, how about putting out just a little bit of effort to make sure that the great talent that is going unrecognized in country music itself gets some love?
Ashley Monroe, Blake Shelton, Brad Paisley, Brandy Clark, Chris Stapleton, Demi Lovato, Dierks Bentley, Dolly Parton, Elle King, Gwen Stefani, Johnny Bush, Kenny Chesney, Kenny Rogers, Little Big Town, Lori McKenna, Miranda Lambert, Pharrell, Pink, Pitbull, Steve Fromholz, The Pistol Annies, Tim McGraw, Townes Van Zandt, Willie Nelson
Once again the success of California Sunrise demonstrates that traditional country fans are more likely to vote with their dollars and support their favorite artists compared to many mainstream performers. Jon Pardi has also been helped with the continued success of the album’s first single “Head Over Boots.”
As was said in reference to the Best Albums of 2016 So Far, it has been fairly slim pickings for the first part of the year for finding music that really touches the heart, and has the fortitude to last beyond the calendar year. But that doesn’t mean there aren’t exceptions, and 2016 already boasts a number of serious, gut-punching songs.
Austin Lucas, Brandy Clark, Chris Stapleton, Dori Freeman, Dry Up or Drown, Evan Webb and the Rural Ramblers, Heaven Sent, Jeff Shepherd, Lew Card, Lydia Loveless, Parker Millsap, Ryan Scott Travis, Since You've Gone to Heaven, Someday, The Cactus Blossoms, Wrong Side of the Dream
After careful consideration of “Big Day in a Small Town,” it feels fair to say that this effort by Brandy Clark and producer Jay Joyce is worthy of being considered right up there with a very select few others as one of the best mainstream country music albums released in the last two or three years, and arguably trumps Clark’s previous effort that was also well-received.
A big issue with the Grand Ole Opry in recent years has been trying to get standing members to meet their performance obligations. Though the Opry loves to add high-profile names from country’s current radio stars, these performers tend to sign on to receive the distinction of being Opry members, but don’t actually want to play the appointed number of slots for membership.
"Cousin" Kenny Vaughan, Brandy Clark, Carrie Underwood, Chris Janson, Chris Scruggs, Chris Stapleton, Daryle Singletary, Elizabeth Cook, EmiSunshine, Gene Watson, Grand Ole Opry, Holly Williams, Jamey Johnson, Jim Lauderdale, Kacey Musgraves, Kellie Pickler, Mark Chesnutt, Miranda Lambert, Mo Pitney, Radney Foster, Rhonda Vincent, Rodney Crowell, Rosanne Cash, Sam Bush, William Michael Morgan
New religious freedom laws in North Carolina and Mississippi, and pending legislation in Tennessee, has the South and the United States in an uproar over religious and civil liberties in an already contentious political season. And all of a sudden, music, and country music specifically, is getting caught in the crossfire.
The big news in country music Tuesday (3-22) was that critically-acclaimed songwriter and performer Brandy Clark would be releasing her sophomore studio album ‘Big Day in a Small Town’ on June 10th. But one question some Brandy Clark fans are asking is why the album has been delayed. It was originally scheduled to be released on April 1st.
The “South” is the setting for the songs, and where the respective artists hail from, but “Family” is what makes this record universal for all listeners. And unlike many other concept records that may only have one or two songs that can be separated from the material, every song on “Southern Family” can exist independently, and many will go on to mark top-level career contributions to the artist’s musical canon.