Just like how Taylor Swift’s big 2009 sweep of the awards caused a dramatic pop-oriented shift in the genre, an Aldean sweep could cause a shift to Aldean’s calling cards of checklist songs and country rap. And a win for the song “Dirt Road Anthem” would all but make the formation of the mono-genre complete.
Country and folk music have a long history of joining forces to create infrastructure to help support music, principally in festival gatherings. And as the corporate music world continues to crumble and is able to support fewer artists, while capital and infrastructure to develop upcoming acts continues to contract, hip-hop and indie rock bands have been flocking to traditional roots festivals for support.
First country sold its taste, then its heritage to keep the dinosaur corporations that run country music afloat. Now it has sold it’s greatest the asset that has always given country music a distinction from the rest of popular music. It has sold its values, and is creating a generation of knuckle-chucking assholes in Affliction T-Shirts, and the girls who love them.
Yesterday I was fortunate enough to attend the most talent-rich event I have ever been to, as the convergence of Willie Nelson’s 38th Annual 4th of July Picnic met up with the finale of this year’s Willie Nelson Country Throwdown tour at the largest honky tonk in the world, Billy Bob’s Texas, in the historic Ft. Worth stockyards.
Amy Nelson, Arlo Guthrie, Austin Lucas, Billy Bob's Texas, Billy Joe Shaver, Brantley Gilbert, Caitlyn Smith, Cathie Guthrie, Folk Uke, George Reiff, Jamey Johnson, Jason Aldean, Lee Brice, Lucas Hubbard, Lukas Nelson, Ray Benson, Ray Price, Ray Wylie Hubbard, Rick Richards, Willie Nelson