After a quarter century, and a very messy last eight years or so, Gary Allan has just made it official: he’s leaving his long time label home of Universal Music Group Nashville. And though we won’t know for a while just where he’ll land or how everything will shake out, it feels like it can only be a positive development.
Genre is not really the big issue with “Humble Quest.” It’s the energy, or lack thereof, and the generally uninspired matter-of-fact approach to the lyrics and really the music too that make Humble Quest just kind of pedestrian, especially for pop country.
If you feel like you’re experiencing déjà vu with Gary Allan lashing out at country music’s radio system, it’s because you’re more dialed into the doings of country music than the writers over at Rolling Stone. Yes, we have been at this exact spot with Gary Allan before.
Many true country fans were ecstatic at the news, but I fear some folks have visions of getting a slew of new songs from Gary along the lines of “Nothing On but the Radio” and “Smoke Rings in the Dark” when we already have multiple indications that’s unlikely the direction Gary Allan will be taking.
We’ve known for a while now that Carly Pearce has the heart, and the history to become something special in the country mainstream. Now with her new 7-song album ’29,’ the Carly Pierce we’ve been impatiently waiting to reveal herself finally emerges.
It’s an interesting case study to track the career trajectory of a prodigy musician. Often times they take a terrible spill that is impossible to recover from when they go from the cute kid who can sing well or play fast, and attempt to transition to a full-time career. In fact, that’s the most common […]
You may have never heard of Carly Pearce or her debut single “Every Little Thing,” but you soon will. As the latest benefactor of iHeartMedia’s “On The Verge” radio program that puts a shot of adrenaline behind the single from an emerging star, it’s virtually guaranteed to rocket to the top of the charts.
Even taking into consideration the monstrosities from pop stars calling themselves country because they’d get their asses handed to them in pop like Sam Hunt and Chris Lane, “The Fighter” very well may be the most non-country “country” song released as a single in the history of the genre.
Apologies to any die hard Lady Antebellum fans out there, but I just don’t see the value of them coming back from their extended hiatus. From the beginning, Lady Antebellum has felt so forgettable, so superfluous, so fleeting of impact and falling short of any serious contribution to country music or popular music in general, would anybody really miss them if they never reunited?
I guess I got the wrong album, because all I’m hearing is derivative, rehashed pop diva hip-hop crap from a honky chick hailing from white flight suburbia trying to exude too much attitude in songs that mix rap cadences with cultural misappropriations in an attempt to pander to a new demographic of music listeners since mainstream country has abandoned its core audience.
Ripcord is a synthy, shallow, rhythmic-centric gaggle of immediately forgettable efforts that is obsessed with the doings of early adulthood in an unhealthy manner for a 49-year-old perfomrer, and offers absolutely no type of statement or expression either sonically, lyrically, creatively, or otherwise.