You may have not known his name or who he was, but it would be hard not to notice the tall, lanky, dreadheaded dude in big white glasses behind the drums backing up a dozen or so different independent country artists from Nashville over the years as they toured through your town, and doing his best to not just keep the beat, but bring the energy.
Cale Tyson has been one of the hottest names in independent country and Americana for the last couple of years, yet with no full-length album to back it up. Usually it’s the other way around—an independent artist riding rave reviews of a debut LP to big opportunities.
Alt-country perennials The Old 97’s have been making the late night rounds to promote the release of their latest record Graveyard Whistling, and have been sharing that opportunity with some worthy east Nashville artists. Tuesday evening, The Old 97’s will be enjoying the company of Caitlin Rose on stage when they make an appearance on Conan O’Brien.
There’s not much worse than having a hankering for some new music from one of your favorite artists, but feeling like you’ve been waiting forever for it to happen. There are many reasons an artist or band may have a delay in output. But dammit, sometimes you feel like you just can’t wait. Here’s a few folks that it feels like are past due for new projects.
Boy how the entertainment media loves to ruminate on country music’s female dilemma, and how unfair it is that so many fine and talented female voices are going unheard. It’s the perfect topic for Northeast-based periodicals to piggy-back their political and sociological parallels onto, to prove the patriarchal oligarchy is still very much alive in America’s rural and Southern landscapes.
Country throwback and old soul Daniel Romano has just announced he’s got a brand new album on the way. Self-produced, and recorded in his hometown of Welland, Ontario, the album is said to include strings, horns, piano, pedal steel, accordion, and be much more than your average neo-traditional release from its countrypolitan feel and exploration of nostalgia. Romano himself calls it “Mosey” music.
Have you ever been scanning through photos of your favorite (or least favorite) artists and thought, “Hot damn! That dude look just like this other dude!” From eery similarities like Sturgill Simpson and Javier Bardem’s creepy character from the movie No Country For Old Men, to Johny Paul White and Johnny Depp who I am pretty much convinced are the same exact person…
Brian Kelley, Caitlin Rose, Colt Ford, David Allan Coe, Florida Georgia Line, Jason Isbell, Jeremy Fetzer, John Paul White, Kristian Bush, Seth Avett, Steelism, Sturgill Simpson, Sugarland, The Avett Brothers, The Civil Wars, Tyler Hubbard
Acting as a guide through both the explanation of the roots of country music and the streets of Nashville, Justin Townes Earle and many others try best to define “country” for a foreign audience in the film. The Country Roads DVD also includes an entire Justin Townes Earle concert performed at Pace University on October 26th and 27th of 2012 called “The Spirit of Woody Guthrie.”
Amanda Shires, Angaleena Presley, Artic Monkeys, Ashley Monroe, Brazilbilly, Caitlin Rose, Country Roads The Heartbeat of America, George Hamilton IV, John Carter Cash, Johnny Cash, Justin Townes Earle, Kevin Costner, Lisa Marie Presley, Liz Rose, Marieke Schroeder, Miranda Lambert, Norah Guthrie, RCA Studio B, Review, Robert's Western World, The Carter Family, The Carter Family Fold, The Pistol Annies, The Ryman Auditorium, Woody Guthrie
If you have a strong penchant towards wondering about the untold stories of music’s most adept sidemen like I do, then perhaps you have already pondered upon Telecaster player Jeremy Fetzer and pedal steel player Spencer Cullum Jr. from seeing them on stage with artists like Caitlin Rose, Andrew Combs, and Jonny Fritz just to name a few.
It’s that penultimate moment—that tipping point—when a town or neighborhood known for it’s cool, rich, and creatively-vibrant culture becomes so awash with interlopers, gentrifying hipsters, and retiring baby boomers that the critical mass point is reached in redevelopment, rising rents, and real estate prices and the entire thing implodes.
Amy Lashley, Caitlin Rose, Chuck Mead, Cory Branan, East Nashville, Guy Clark, Jason Isbell, Joe McMahan, Justin Townes Earle, Kevin Gordon, Lindi Ortega, Liz Rose, Marty Robbins, Mike Grimes, Nashville, Otis Gibbs, Roy Acuff, Sergio Webb, Skip Litz, Steve Earle, Sturgill Simpson, Susanna Clark, Todd Snider, Townes Van Zandt, Tristen, Waylon Jennings
If you’re looking for the country music female revolution’s representative for true neotraditional country, Kelsey Waldon might just be your perfect match. If this album was released in the 70’s, it would have birthed a slew of indelible country standards. Such inconsolable heartbreak, such sorrow-drenched insight is captured on these tracks and then embellished with tasteful production…
Brandy Clark, Brett Resnick, Caitlin Rose, First Aid Kit, Holly Williams, Jeremy Fetzer, Kacey Musgraves, Kelsey Waldon, Kitty Wells, Lindi Ortega, Merle Haggard, Michael Rinne, Rachel Brooke, Review, Skylar Wilson, Steelism, Tammy Wynette, The Gold Mine
“The No-Hit Wonder” is old school country rock at its finest, with exquisitely-crafted, cunning lyrical runs that make you laugh, amazing insight enhanced by brilliant timing and pentameter, and musical clothing that enhance each song’s strengths and endear them to the audience, pointing them the way to the album’s enjoyment. This is the album Cory Branan needed to release.
Last year about this time, music periodicals left and right were falling over themselves to declare 2013 the “Year of the Woman” in country music. Music Row in Nashville may be dumb, but it’s not stupid. They saw the need to ramp up the female quotient to restore some diversity. Here in the summer of 2014, we’re very much seeing the results of those efforts. And unfortunately, it’s not very pretty.
Ashley Monroe, Brandy Clark, Brantley Gilbert, bro-country, Caitlin Rose, Carrie Underwood, Cole Swindell, Dierks Bentley, Eric Church, Florida Georgia Line, Holly Williams, Kacey Musgraves, Kellie Pickler, Lindi Ortega, Luke Bryan, Miranda Lambert, Raelynn
The draw of traditionally-poor East Nashville as a haven for musicians looking to make it in music and collaborate with like-minded artists has been one of the ingredients not just to Nashville’s current output, but to its allure. But all that is in jeopardy now as development bulldozes much of the city’s affordable housing inventory, and rents and real-estate prices continue to spike.
Oh you poor little non-SXSW goers, you’re social network feeds are about to get positively inundated with South By Southwest information, riddling your psyche with scores of free music events you’re unfortunately missing out on, resulting in an experience for you somewhere between the teasings of a cruel temptress, and Chinese water torture. Here’s a list of artists that all happen to be attending SXSW…
Andrew Combs, Caitlin Rose, David Rawlings, Gillian Welch, Hurray For The Riff Raff, Jeremy Fetzer, John Fullbright, Lydia Loveless, Old Crow Medicine Show, Possessed by Paul James, Robbie Fulks, Robert Ellis, Shakey Graves, South by Southwest, Spencer Cullum, Steelism, Sturgill Simpson, SXSW, Townes Van Zandt, Turnpike Troubadours, Willie Watson
Tristen is not a hunter, she’s a gatherer, listening intently to any song or influence regardless of format or era, and eagerly mining the little nuggets of nostalgic, retro gold that allow the warmth of memories to flow freely from the inner mind of listeners to lovingly embellish a song. She then embeds this warmth into her completely original, modern-day compositions resulting in music that is both fresh and hauntingly familiar.
The modern-day music video is a really strange enterprise. Lots of money is spent by artists, and sometimes labels to produce something special; something that really represents the spirit of a song well. But when you look at what people watch, especially when it comes to independent musicians, many times it’s the fan video captured on a consumer-grade piece of technology that draws the most interest.
Caitlin Rose, Elephant, Eric Church, Follow Your Arrow, Fred Eaglesmith, Jason Isbell, Johnny Cash, Josh Abbott Band, Kacey Musgraves, Kenny Chesney, Lindi Ortega, Matt Woods, Only A Clown, Sturgill Simpson
When you sit down to assemble a list of candidates for Song of the Year, you almost start to tremble in the face of so much creativity, inspiration, and insight, and grow humbled by how fortunate we are to live in such a bountiful time for music. Candidates for Song of the Year can’t just be songs we enjoy, they are songs that make you change the way you see the world, or change the way you see yourself.
2013, Adam Hood, Alone In Memphis, Ashley Monroe, Austin Lucas, best songs, Brandy Clark, Brennen Leigh, Brian Keane, Caitlin Rose, Charlie Robison, Deadman's Blues, Disappear On Down The Line, Drinkin', El Camino, Elephant, Hank3, Holly Williams, I'll Sing About Mine, Jason Isbell, JB Beverley, John Moreland, Josh Abbott Band, Lindi Ortega, Matt Woods, Noel McKay, Shane McAnally, Song of the Year, Stripes, Sturgill Simpson, Tin Star, Valerie June, Wade Bowen Songs About Trucks
ABC’s Wednesday night drama Nashville just entered its second season, and though like many network television dramas, the drama can feel over-the-top and contrived, the show’s impact on a wide range of issues that fall under the charge of Saving Country Music is undeniable, if not unprecedented. Though I wouldn’t necessarily recommend the show, it’s still important to understand Nashville’s impact.
Country music in 2013 feels like the best of times, and the worst of times. While a few top male performers perpetrate untold atrocities on the integrity of the genre, the rise of independent music and infrastructure in the marketplace is now almost to the point where it equals its corporate counterpart. Quality songs and worthy artists are beginning to see more and more support…
Ashley Monroe, Austin Lucas, Avett Brothers, Blake Shelton, Bobb Bare, Caitlin Rose, CMA Awards, Cory Branan, Country Music Hall of Fame, Dale Watson, Darius Rucker, David Letterman, East Nashville, Gary Allan, Grand Ole Opry, Guy Clark, Hellbound Glory, Jack Clement, Jason Isbell, Kacey Musgraves, Keith Urban, Kid Rock, Lindi Ortega, Mumford and Sons, Nashville, Old Crow Medicine Show, Old Farts and Jackasses, Outlaw Country Music Hall of Fame, Pokey LaFarge, Rascal Flatts, Ray Price, Ray Wylie Hubbard, Shovels and Rope, Sturgill Simpson, Taylor Swift, The Lumineers, Tom Petty, Twones Van Zandt, Valerie June, Zac Brown
Everywhere in the independent music world you’re seeing songwriters who have struggled for years finally starting to get singed to record labels and releasing career-caliber albums. Whereas other sectors of the music industry seem to be gripped by the fear that digitization and streaming may ultimately doom the business of music, talented songwriters are benefiting from the search for the next writer to break out.
Amanda Shires, Ashley Monroe, Austin City Limits, Austin Lucas, Caitlin Rose, Dale Watson, Drive By Truckers, Jason Isbell, Kacey Musgraves, Pokey LaFarge, Ray Wylie Hubbard, Rolling Stones, Shovels & Rope, Stevie Ray Vaughan, Sturgill Simpson, Valerie June
Much ado has been made about Rolling Stone giving accused Boston Marathon bomber Dzhokhar Tsarnaev rock star treatment by putting his mug on their latest issue. Though it’s a free country with free press and I would fight for the right of Rolling Stone to put whatever they want on their cover, here are some simple, friendly, alternative ideas of what could have graced the front of Rolling Stone’s July 2013 issue.
Black Sabbath, Boston, Caitlin Rose, Chet Flippo, Cover, David Bowie, George Jones, Hank Williams, Jason Isbell, Johnny Paycheck, Mavis Staples, Paul McCartney, Pokey LaFarge, Randy Travis, Ray Charles, Rick Rubin, Rolling Stone, Staple Sisters, Taylor Swift, The Band, The Rolling Stone, West TX, Willie Nelson
Exquisitely antiqued and strikingly original, old school country singer and native Canadian Lindi Ortega is the northern emissary for country music’s current female revolution. A class act all around that is regarded just as highly for her self-penned songs as her heavenly (or devilish) voice, Lindi is a creative maelstrom that sends the room spinning from her ability to expose the most blinding beauty from life’s inherent darkness.
You know how you may root for a hometown sports team for years even though they’re terrible, and then out of the blue when they start to get good you don’t know how to behave because you’ve identified with losing for so long? Well that is what is happening in 2013 with many of the artists Saving Country Music and so many loyal fans have been following for years.