Many pop artists want to be included in country these days through collaborations or remixes to skim some of those fans off for themselves. But country music should be careful of continuing to allow this to happen. The music world was much better when pop was too sugary for country, and country was to corny for pop.
Completely unexpected, but absolutely welcome, Country Music Hall of Famer Alan Jackson is the beneficiary of a brand new documentary called Small Town Southern Man that has just been released via multiple streaming services (iTunes, Amazon Prime, etc.), and will receive a DVD release on June 28th.
Alan Jackson, Alison Krauss, Barry Coburn, Bruce Rutherford, Carrie Underwood, Cindy Mabe, Cody Deal, Danny Groah, Denise Jackson, Easton Corbin, Gary Overton, Keith Stegall, Lee Ann Womack, Mike Dugan, Peter Cooper, Small Town Southern Man, Tim Dubois
Jason Aldean will receive the Dick Award for the Decade from the ACMs come April—“Dick” being for Dick Clark, who this decade award was just renamed after, and who luckily is dead so he doesn’t have to see his name besmirched by being associated with the likes of Jason Aldean.
It’s said that time is the harshest critic of all. If that’s the case, time has not been very kind to the music of Florida Georgia Line at all. The title of their new album ‘Can’t Say I Ain’t Country’ isn’t fooling anybody, and apparently the fickle pop country music fan has moved on en masse to the likes of Luke Combs and others.
The ACM Awards announced their 2019 nominees on Wednesday (2-21), and it felt so liberating to not feel the need to immediately deliberate over the organization’s conclusions, and instead regard them with the tacit relevance they probably deserve.
It was a night to honor the women of country music, rally support behind them, and remember the legacy of many of the women who have come before. The problem is, very few people witnessed it. Ratings for the 2018 CMT Artists of the Year were poor to put it mildly.
Alison Krauss, Carrie Underwood, CMT Artists of the Year, Hillary Scott, Karen Fairchild, Kelsea Ballerini, Kimberly Schlapman, Lady Antebellum, Leslie Fram, Little Big Town, Loretta Lynn, Maren Morris, Margo Price, Miranda Lambert, Pistol Annies
Carrie Underwood has set a slew of new landmarks with her new album ‘Cry Pretty,’ setting highs for her career, highs for a country artist, and highs for a woman making music in the country realm. And she does it with little support from country radio, which allowed the title track to stall on the format as her album was nearing release.
When you first heard about Carrie Underwood’s unfortunate fall and her need for hospitalization in November of 2017, it was hard not to feel bad for the country star regardless of how you felt about her music. Releasing the song “Cry Pretty” as part of the personal revelations about the injury made the story especially […]
A couple of days after Carrie Underwood called out country radio for not supporting strong women, it’s become official that Carrie Underwood’s latest single “Cry Pretty” is done at radio, will be the worst-performing single of her career, and has tanked two weeks ahead of her new album being released.
The role of mainstream country music in this contentious time of ever-present social cataclysm and perennial political polarization is starting to materialize, and in pretty conclusive form. Country music is seeing all the turmoil, and wanting to be a calming, unifying voice, instead of choosing sides, and lending to the discord.
Carrie Underwood co-produced her entire new record out in September. This takes Carrie Underwood—a top tier country performer—into virtually uncharted territory in the mainstream, at least in the near term. This move by Carrie Underwood is incredibly audacious for country, mainstream or otherwise, from a man or a woman.
When the Miranda Lambert camp announced the next single they’d be sending to country radio was the mid-tempo “Keeper of the Flame,” it didn’t leap off the page as a smart pick for today’s radio landscape. But that probably wasn’t the most important consideration that worked itself into the calculus.
Carrie Underwood and songs like “Cry Pretty” will never be the cup of tea of many of country music’s more traditional fans. But it’s a far cry from the terrible pursuits of the Bro-Country era that now feel far in the past, and are quickly being replaced by a regime of more expressive, heartfelt, and enriching songs closer akin to country’s roots.
The news coming out of the Carrie Underwood camp is that she will be debuting a brand new single at the ACM Awards on Sunday (4-15), and regardless of how good or godawful the song is, I couldn’t be more happy, regardless of what the song turns out to be.
Country music needs Carrie Underwood right now. I don’t know that I would ever have fathomed typing those words a few years ago. But over the years, Carrie Underwood has gone from defining the edge of pop in country, to being one of the final remaining bright spots of talent in the mainstream.
Yes, this topic again. And if you don’t like reading about it, tough titty. Perhaps if mainstream country radio put out a modicum of effort to even try to hide the fact they’re outright excluding certain artists from radio play strictly due to their gender, we could shut the hell up about all of this.
The 2017 CMA Awards could have been a disaster, and for a host of reasons. It was obvious heading into the presentation that forces from outside the genre, fueled by political fervor and fanned by bias media, were hellbent on attempting to make the presentation a political spectacle. But the upper lip stiffened.
Tired on hearing people whining about the lack of women on country radio? Perhaps it’s because despite all of the protestations and constant focus on the issue, it still is a huge lingering problem that continues to get worse instead of better. And now Miranda Lambert, who has spoken out about the issue before, is getting hopping mad.
Give it some thought Timberlake, if the wheels aren’t already in motion. Give the fans of true country and good music in general a reason to tune into the Super Bowl halftime show in 2018, even if it’s just for a few minutes. That’d be much more entertaining that a few seconds in the audience of a nipple tassel.
Oh man are these some stinkers. Not only does an elite and highly-trained group of mainstream country artists seem to be like devoted experts at defining new lows for the genre, in 2017 the amount of non-country-ness of some of these “country” songs is so off the charts, it’s like they’re purposely challenging each other.
Body Like a Backroad, Canaan Smith, Carrie Underwood, Chris Janson, Craving You, David Allan Coe, Dustin Lynch, Fix A Drink, Florida Georgia Line, Keith Urban, Lady Antebellum, Like You That Way, Sam Hunt, The Chainsmokers, The Fighter, The Moonshine Bandits, Thomas Rhett
The new deal brings Carrie Underwood full circle. In 1996, when Carrie Underwood was just 14, she had auditioned for Capitol Records. When the company was forging a contract with the fledgling star, the management at the company changed and the deal fell through.
The prospects of a new incarnation of the long-running country music-themed television show Hee-Haw being in the works opens up a whole realm of delicious possibilities of how the show could take shape, and who could comprise the cast. So if a new Hee-Haw show comes to pass, who should be part of the cast?
‘A Sailor’s Guide to Earth’ rocketed to the top of the iTunes charts, landing at #1 in country, and #7 overall. And that wasn’t the only album that saw a sales spike. What’s also a bit surprising is how the country music industry seems to be ignoring the surge, while talking about the surge for other artists.
Even taking into consideration the monstrosities from pop stars calling themselves country because they’d get their asses handed to them in pop like Sam Hunt and Chris Lane, “The Fighter” very well may be the most non-country “country” song released as a single in the history of the genre.