On Thursday, September 13th, Whitey Morgan and the 78’s played a show at The Apollo near Rockford, Illinois when they had an unexpected visitor stop by in the form of Cheap Trick Rick, a.k.a. Rock and Roll Hall of Famer Rick Nielsen. “Apparently he is a fan,” Whitey Morgan tells Saving Country Music. “He’s a great dude.”
For the benefit of the Bowen Family Foundation, the Bowen MusicFest has raised over $3.25 million for charity just since 2009, and the event raised $500,000 in 2018 alone. Expanding every year since 1998 into one of the premier events in Texas and Red Dirt music, Bowen MusicFest has assembled an impressive lineup.
Timed to coincide with the Rock and Roll Hall of Fame announcement was the Cheap Trick news that they have a new album on the way called Bang Zoom Crazy…Hello. It will be the band’s 17th total album, and their first album in over five years. And it will be released on country music’s fastest-growing major label—Big Machine Records.
On November 12th, artists from across the country and Southern rock world will be coming together to pay tribute to Lynyrd Skynyrd in a unique way. Not your typical tribute concert, and not your typical tribute album, One More For The Fans! — Celebrating The Songs & Music of Lynyrd Skynyrd will be a combination of both ideas taking place on the stage of the famed Fox Theatre in Atlanta.
Austin City Limits has slated a scrappy young country music artist to appear during their latest season. Though you may have never heard of him, all that might change after he makes his Austin City Limits debut. His name is Eric Church, and despite only winning the Country Music Association and Academy of Country Music awards for Album of the Year once….
37 years ago, Austin City Limits was founded to be the visual accompaniment to a book called The Improbable Rise of Redneck Rock by Texas author Jan Reed. The book set out to chronicle the formation of the Austin, TX music scene that transpired in the late 60’s and into the 70’s, along with its many artists and side characters.
Indie doesn’t really have its own traditions, its own infrastructure like country, blues, or even Texas music. And in this music climate of massive contraction, this is not the time to be creating new infrastructure that may not be sustainable moving forward. So the solution appears to be to incorporate existing infrastructure that was built years ago for roots and country artists, ostensibly squeezing the support for these types of artists out of the picture.
Sure, the attrition is slow and calculated.But over time, as you look at the yearly schedules for things like Austin City Limits, or ACL Fest, or Pickathon…