While Nashville country was awash in strings and suffering under the oppressive thumb of producers such as Chet Atkins and Billy Sherrill, the dim lights, thick smoke, and loud loud music of The Bakersfield Sound was keeping boots shuffling and country twangy. Unheard Merle Haggard tracks and other rarities are included in new box set.
As much as Marty Stuart is a student of country music, he’s also a teacher. And with a refreshing boldness, and frankly a little bit of guts from running the risk of being misunderstood by some of the fuddy duddy fans of traditional country, Marty Stuart encapsulates a critical time in country and all of American music when country music became cool.
When The Byrds played the Opry in 1968, they were heckled from the gallery of the Ryman Auditorium. Today it is a much different story. Pharrell Williams, Kiefer Sutherland, and even Chewbacca Mom have made appearances with not just the approval of the Opry management, but to ovations from the Opry crowd.
Flatt Lonesome, The Earls of Leicester, Balsam Range, The SteelDrivers, and Sam Bush emerged Wednesday (7-27) as the leading nominee getters for the 2016 installment of the International Bluegrass Music Awards, or IBMA’s, while Clarence White was announced as the latest inductee into the Hall of Fame.
Though maybe not as recognizable of a name as many of the artists Gib shared lineups with, including Gene Parsons and Clarence White, his unique approach to music, influenced by his distinctly Cajun flavor and upbringing, made Guibeau seminal to the sound that would become West Coast country rock.
Bill Keith many be known by just as many people by the name “Brad” Keith because of the nine months he spent as a member of Bill Monroe’s illustrious Bluegrass Boys in 1963. Though it was a very short stint in Bill Monroe history, the result was some of the most iconic, groundbreaking, and beloved bluegrass banjo recordings ever captured, regularly prefaced by Bill Monroe introducing “Mr. Brad Keith” on the banjo.
When it comes to the preservation of the history and sound of country music, you can make the case there is nobody who does it better and with more passion and dedication than Marty Stuart. Tireless and true to his convictions, from his music, to his archive of memorabilia, to his presence on television and the Grand Ole Opry stage, and to some of the thankless things he does well out of the public eye…
B-Bender, Badlands Ballads of the Lakota, Brandy Clark, Clarence White, Connie Smith, Corb Lund, Del McCoury, Don Maddox, Gene Parson, Hummingbyrd, Jim Lauderdale, Johnny Cash, Justin Townes Earle, Lester Flatt, Let There Be Country, Marty Stuart, Merle Haggard, Old Crow Medicine Show, Porter Wagoner, Roland White, Stonewall Jackson, Sturgill Simpson, The Byrds, The Grand Ole Opry, The Kentucky Colonels, The Marty Stuart Show
George Strait might have put out an album called Twang, but Ghost Train is the one that delivers it. This album is heavily guitar-driven from the start, turning the twang on the Telecasters to 10 and leaving it loud in the mix. Its the kind of twang that makes the hair stand up on the back of your neck. Then add some Ralph Mooney pedal steel on top and Ghost Train might be the freshest, funnest and truest traditional country album to come out of Nashville in years.
Clarence White, Connie Smith, Dale Watson, George Strait, Ghost Train, Hank III, Johnny Cash, Lester Flatt, Marty Stuart, Merle Haggard, Rainy Day Woman, Ralph Mooney, Studio B, The Byrds, The Quebe Sisters, Waylon Jennings