Kacey Musgraves didn’t fail because country radio ignored her. She succeeded because she ignored country radio. This is the lesson of Kacey Musgraves, ‘Golden Hour,’ and the 2018 CMA Awards. Of course country radio sucks, and is inequitable when it comes to women. But what are you going to do about it?
It was a good night for Chris Stapleton, Kacey Musgraves, Carrie Underwood, and Keith Urban, who all picked up significant trophies. But the ratings for the 52nd Annual CMA Awards took a nosedive in the overnight numbers, dropping over 1/3rd from the previous year among key audience numbers, and falling to the lowest head count […]
The snark machine is up and running, the censors have been bound and gagged in the back room, and we’re ready to get the 2018 installment of the Saving Country Music CMA Awards LIVE blog up-and-running. So as you watch along with the awards, keep your refresh fingers at the ready.
Leave it to Garth to do the most Garth-y thing when it comes to the 2018 CMA Awards. Instead of just accepting a performance slot from the CMAs and performing a relevant song like everyone else is expected to do, he once again has used his celebrity status to strong arm an organization to get his way.
Everything you need to know about the 2018 CMA Awards, including the performers, collaborations, songs, tributes, presenters, nominees with predictions, early winners, and what to watch for. All the information about the 52nd Annual CMA Awards in one place.
Now that the 2018 CMA Awards nominations have been announced, the people who care about the awards can pour over the lists and find things to complain about, while the people who complain about the awards can pour over the lists while professing to not care. This is the way of things, and what happens every year.
Nominations for the 52nd Annual CMA Awards were announced Tuesday morning (8-28) on Good Morning America between recipe reviews and celebrity gossip. Leading the nomination charge is Chris Stapleton with five nominations. All the nominations, plus observations and predictions.
This is all especially concerning since Country Music USA is the basis of the new Ken Burns film on country music, which will reach a much wider audience than this final chapter, and like all Ken Burns films, be referenced by many generations to come as a master work of country music history.
Sturgill Simpson and his busking set outside of the CMA Awards will be forever etched into not just the memory of the 51st Annual CMA Awards, it will be ensconced into the annals of country music history as one of the greatest moments of protest against the country music command and control structure of all time.
You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
The 2017 CMA Awards could have been a disaster, and for a host of reasons. It was obvious heading into the presentation that forces from outside the genre, fueled by political fervor and fanned by bias media, were hellbent on attempting to make the presentation a political spectacle. But the upper lip stiffened.
What an embarrassing moment for the CMAs, country music, and Garth, since he was so very clearly lip syncing his performance Wednesday night (11-8). Social media exploded, especially after a moment where Garth was clearly facing away from the mic, but the lyrics kept rolling.
Here we go once again ladies and gentlemen, getting the snark machine up and running, doing our best as disgruntled country music fans to let our voices be heard and our vehement displeasure be registered, while also giving credit to whatever few fleeting moments of positivity or actual country music graces our eyes and ears.
If you’re looking for further evidence that the tide may be turning more in the direction of a deeper appreciation of traditional country, we just received quite a significant sign. Yes, the sympathy vote most certainly factored into this, but the achievement and its symbolic and subsnative importance shouldn’t be understated.
Everything you need to know about the 2017, 51st Annual CMA Awards, including the reasons to watch, a breakdown of the presenters, a list of the performers and collaborations, all the nominees, predictions, and the early winners.
A bevy of headlines from numerous country music media sources incensed about the restrictions being put on media emerged in the aftermath of the CMA asking media to not focus on the Las Vegas tragedy or politics in the CMA red carpet, cascading into the internet fury we so regularly see in the current political climate.
Jason Isbell is not country. He is decidedly Americana. But Jason Isbell deserves his nomination for Album of the Year by the CMAs just as much as anyone has ever deserved that distinction. When songwriting is as good as Jason Isbell’s, it transcends genre. Every genre wants to call it their own.
In wanton disrespect of the Labor Day holiday (aren’t journalists laborers too?), the Country Music Association announced their nominations for the 2017 CMA Awards on Monday (9-4) morning, with Miranda Lambert leading all nominees with five total nominations.
Another glass ceiling has just been shattered in mainstream country music’s monopoly on the independent side of music. Jason Isbell has just been nominated for Album of the Year by the Country Music Association, or CMA’s, for his most recent album The Nashville Sound. This is a virtually unprecedented feat for an independent artist.
To try and illustrate why it is important to keep the influences of America’s founding genres pure, I’ve always used one tried and true illustration. And to prove that this illustration precedes Beyonce at the CMA Awards, instead of presenting it anew here, I’ll transcribe it from a recent podcast from Wide Open Country.
Alan Jackson has been known throughout his career for putting his foot down for the integrity of country music, regardless of the ramifications. That’s what happened at the 1994 ACM Awards when Jackson instructed his drummer to play without sticks when the producers insisted his band mimic playing to a backing track.
Nearly a week removed from the 2016 CMA Awards, and what are we still talking about? We’re not talking to each other at all. We’re shouting. We’re yelling. We’re digging into our predisposed positioning stances and blaming the other side. We’re not discussing the music.
“As I see it, country music has appealed to millions for many years. We can stand on our own and don’t need pop artists on our awards shows,” Tritt said in a series of tweets on November 3rd. “I love honest to God country music and feel the need to stand up for it at all costs. We don’t need pop or rap artists to validate us.”