Over 112 artists and counting have been confirmed as victims of a sweeping intellectual property theft by having their recordings directly stolen and repurposed by fake artist accounts operating on all major streaming services, including Spotify, Amazon Music, Apple Music, Google Play, YouTube, and others. The theft includes at least 831 songs.
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett
The underlying problem is that free music is quickly becoming seen as an inalienable right for all Americans, and all of the world’s consumers, if we haven’t reached that dangerous plateau already. And the even more dangerous step of expecting musicians to pay to have their music heard is becoming more of a reality every day—evidenced by this Super Bowl Halftime news.
37 years ago, Austin City Limits was founded to be the visual accompaniment to a book called The Improbable Rise of Redneck Rock by Texas author Jan Reed. The book set out to chronicle the formation of the Austin, TX music scene that transpired in the late 60’s and into the 70’s, along with its many artists and side characters.
ACL, ACL Fest, Austin City Limits, Cheap Trick, Coldplay, Dale Watson, Dave Matthews Band, Gary P. Nunn, Hayes Carll, Jan Reed, Kacey Musgraves, Pearl Jam, Ray Wylie Hubbard, The Improbable Rise of Redneck Rock
This album is good both because it is Willie, and because it is good. After years of navigating through a gray area in his career and having to dabble with some record labels probably less able to do a Willie release justice, he’s back with the same company who released Red Headed Stranger, and back to making albums worthy of the world stopping down to pay attention to.
Country and folk music have a long history of joining forces to create infrastructure to help support music, principally in festival gatherings. And as the corporate music world continues to crumble and is able to support fewer artists, while capital and infrastructure to develop upcoming acts continues to contract, hip-hop and indie rock bands have been flocking to traditional roots festivals for support.
That’s right folks. On the weakness of the universally-panned and box office flopping movie “Country Strong”, Gweyneth Paltrow has decided to “Go Country”, openly shopping for record labels. Paltrow played a post-reheb pop country starlet in the movie, and has performed the title track “Country Strong” at award shows.
According to hank3.com, the new band lineup for the upcoming tour will be: Andy Gibson – Steel Guitar, Dobro Daniel Mason – Banjo Adam McOwen – Fiddle Shawn McWilliams – Drums Zach Shedd – Upright Bass, Electric Bass (for Assjack) Gary Lindsey – Vocals (Hellbilly/Assjack) Most notable is Adam McOwen is back with the band, […]