Garrett T. Capps is the city of San Antonio’s resident cosmic country gonzo honky tonk weirdo freak, and if you’re looking to unwind from, well, pretty much everything these days, cue this thing up and you’ll immediately be letting loose and losing your long face.
Croy and the Boys
When it comes to top-tier releases in the country and roots realm, 2019 was a year like we’ve never seen before. Though it feels like we say that every year, 2019 truly was exceptional. The albums selected to be considered for Saving Country Music’s Album of the Year are so elite, all of them should be considered the winners.
Aaron Watson, Caroline Spence, Chane Smith and the Saints, Charles Wesley Godwin, Charlie Marie, Chris Knight, Cody Jinks, Croy and the Boys, Emily Scott Robinson, Erin Enderlin, Ian Noe, Jason Hawk Harris, Michaela Anne, MIke and the Moonpies, The Steel Woods, Tyler Childers
Saving Country Music’s Top 25 Playlist is all about trying to keep you up-to-date with the best in the latest songs and albums being released, and we got a few doozies for new additions. Let’s first start off with the earthy new selection from Cody Jinks called “Same Kind of Crazy As Me.” It’s the first taste of new music from him.
Croy and the Boys are the true sound of Austin, TX paid forward over the decades, with the permanent stench of the honky tonks soiling their pearl snap shirts, and the 10,000 hours spent twirling the shit kickers of central Texas around dance floors logged and certified, thank you very much.
The effort to save country music must be a pragmatic one. Classic country like the stuff Midland is peddling has become a hot commodity in the mainstream and beyond in the last couple of years, and don’t question for a second that Midland and their big radio singles haven’t been a catalyst for this positive development.
It’s Leo Rondeau’s understated nature, both in the studio and on the stage that create a slow, rolling boil of appeal in him. There’s no pretense to Leo, no show, no lofty ambitions that would inhibit him from being himself. There’s no latency between Leo Rondeau and what he sings about. What you see is what you get.
The biggest takeaway from SXSW 2017 will be that for the first time since the very inception of the idea over 30 years ago, the annual music gathering experienced a palpable draw down in attendance and industry participation to a degree that it fundamentally changed many of the dynamics and rigors one must endure to attend.
A. Michael Uhlmann, Alice Wallace, All My Exes Live in Texas, Beth Lee and The Breakups, Billy Joe Shaver, Brennen Leigh, Brent Cobb, Brooklyn Country Cantina, Cale Tyson, Cary Baker, Croy and the Boys, Elle King, G&S Lounge, Giddy Ups, High Plaines Jamboree, Jenni Finlay, Jimmy Samon, John Conquest, Kelsey Waldon, Kem Watts, Leo Rondeau, Luck Reunion, Lukas Nelson, Lustre Pearl, Margo Price, Nate Boff, Noel McKay, Not SXSW, Parker Millsap, Paul Cauthen, Ray Wylie Hubbard, Sarah Shook, Shinyribs, Simon Flory, Spring Fling, Sunny Sweeney, SXSW, Teri Joyce, The Defibulators, The Wild Reeds, Threadgill's, Whitney Rose, Wide Open Country, Willie Nelson