One sector of country music’s history woefully under-represented by younger artists looking to preserve a specific discipline is the late 60’s, early 70’s style of folk country. Dee White is just now reaching his 20’s, but an old soul comes welling up through the 10 songs of his debut album, ‘Southern Gentleman.’
Kentucky songwriter and performer Tyler Childers has just released what might as well be considered his debut album ‘Purgatory’ via Thirty Tigers, and for an independent artist with virtually no radio play and no national television exposure, ‘Purgatory’ has sold through surprisingly well.
Sturgill Simpson is such an enigma, to see his name crop up as the producer on the album from someone else is shocking and intriguing. Stugill has made a career out of saying “no” to reporters, industry professionals, and opportunities some artists would kill for. So how and why did he say “yes” to Tyler Childers?
Over the decade of conducting business under the heading of “Saving Country Music,” no artist has created more anticipation and intrigue into what their future prospects may be, yet with so few national accomplishments and recognition than Tyler Childers.
Alaska via east Nashville is not a narrative you normally see play out in the itineraries of country records. But who would question whether the wilds of Alaska have enough wide open spaces, scenic vistas, or snarly honky tonks and hard times to inspire a good country song? Nobody would after listening to Todd Grebe & Cold Country’s new record Citizen.