“Kentucky Blue—both the song and the album—is so indicative of love and life and Kentucky,” Taylor says. “Whether you are mourning the death of a relationship, of a dream, of a family member or even of a personal idol such as Loretta Lynn, ‘Kentucky Blue’ speaks to your heart in that unique musical language.”
The fact that this tribute starts off with an unheard recording of John Prine who’s been gone now for two years now speaks to just how long it takes to put something like this together. It’s also one of the multiple reasons this is not just ‘another’ tribute record. A lot of love went into this one.
Ashley McBryde, Bobby Bones, Dan Auerbach, David Ferguson, David Rawlings, Easy Eye Sound, Eric Church, Gillian Welch, Grand Ole Opry, John Anderson, Luke Combs, Natalie Stovall, Sierra Ferrell, Sturgill Simpson, Tyler Childers
There are run-of-the-mill tribute albums, and then there’s this tribute album due out August 5th called ‘Something Borrowed, Something New: A Tribute to John Anderson.’ What makes it remarkable is that a rather incredible list of contributors are coming together.
Ashley McBryde, Brent Cobb, Brothers Osborne, Dan Auerbach, David Ferguson, David Rawlings, Easy Eye Sound, Eric Church, Gillian Welch, Jamey Johnson, John Anderson, John Prine, Luke Combs, Nathaniel Rateliff, Sierra Ferrell, Sierra Hull, Sturgill Simpson, Tyler Childers
So often when an artist or band announces or releases an album with a star producer assisting them, it’s the star producer whose name preempts the actual artists themselves in headlines and promotional copy. That’s never happened with the projects the Grammy-winning David Ferguson has produced.
Sturgill Simpson in conjunction with Oh Boy Records has released a rendition of the classic John Prine song “Paradise.” The song will appear on the John Prine tribute album ‘Broken Hearts & Dirty Windows Vol. 2,’ but there is a deeper story behind how the track came about.
With little room for noodling or improvisation, and not a ton of conversation or rehearsal before heading into the studio, Cuttin’ Grass is still finely crafted and deftly executed by all involved, offering good to excellent bluegrass renditions of Sturgill Simpson songs.
Sturgill Simpson will be appearing in a free live stream event via webcast on Friday, June 5th at 7 p.m. Central from the Ryman Auditorium in Nashville. Plus he also has an album on the way of old songs recorded new, and a note on Sturgill coverage moving forward.
At 65-years-old and coming off serious health issues, John Anderson is feeling a little reflective these days. The caramel-voiced country crooner who we could talk about having a strong candidacy for the Country Music Hall of Fame in the coming years is being coy about what exactly the health scare was, you can tell he’s lost some weight.
One sector of country music’s history woefully under-represented by younger artists looking to preserve a specific discipline is the late 60’s, early 70’s style of folk country. Dee White is just now reaching his 20’s, but an old soul comes welling up through the 10 songs of his debut album, ‘Southern Gentleman.’
Kentucky songwriter and performer Tyler Childers has just released what might as well be considered his debut album ‘Purgatory’ via Thirty Tigers, and for an independent artist with virtually no radio play and no national television exposure, ‘Purgatory’ has sold through surprisingly well.
Sturgill Simpson is such an enigma, to see his name crop up as the producer on the album from someone else is shocking and intriguing. Stugill has made a career out of saying “no” to reporters, industry professionals, and opportunities some artists would kill for. So how and why did he say “yes” to Tyler Childers?
Over the decade of conducting business under the heading of “Saving Country Music,” no artist has created more anticipation and intrigue into what their future prospects may be, yet with so few national accomplishments and recognition than Tyler Childers.
Alaska via east Nashville is not a narrative you normally see play out in the itineraries of country records. But who would question whether the wilds of Alaska have enough wide open spaces, scenic vistas, or snarly honky tonks and hard times to inspire a good country song? Nobody would after listening to Todd Grebe & Cold Country’s new record Citizen.