Jon Pardi is calling it the “Mr. Saturday Night World Tour,” but let’s just go ahead an label it the “mainstream country that doesn’t suck and actually sounds country” tour. That’s been Jon Pardi’s calling card for a while now, and he even kicked it up a notch with his recent album “Mr. Saturday Night.”
Similar to Dierks Bentley, Miranda Lambert has been one of those mainstream artist that delineates herself from most mainstream contributors by following her heart, sometimes to the detriment of her commercial appeal or success, while then sliding right back into the good graces of the industry.
Dierks plays both sides of the country music cultural divide, and in the past he’s put out albums that very much appeal to folks who wouldn’t be caught dead listening to corporate radio. But that’s not exactly what “Gravel & Gold” is. It’s definitely not like his 2016 album “Black” either.
There have been busier release days in the past year or so with 20+ albums on the Saving Country Music radar hitting the shelves all at once. But it’s who is releasing albums, and what those albums are that makes Friday, February 24th feel like an especially important release day that is worth highlighting.
Comedian Rob Schneider’s daughter has hauled off and made herself a country record. And just like Elle King herself, it’s a little much and all over the place. That’s not to say there isn’t any entertainment value to be had. On the contrary. Elle King turns in some real quality songs.
20 years in the business now, Dierks Bentley should be at the point where he can call his own shots. And seeing him paling around with Charlie Worsham lately, and hanging out in the rain to watch Molly Tuttle and Golden Highway play their set at Telluride last summer are all good signs.
On December 18th after Zach Bryan had three of his songs featured on Season 5, Episode 7 of the Paramount series Yellowstone, singer and songwriter Rich O’Toole took to social media to say that Zach’s song “Motorcycle Drive By” had borrowed/stolen the guitar/melody part from his song “Take My Heart” released in 2014.
April 26th, 2023 will be the 10th Anniversary of the death of George Jones, and on the day before—Tuesday April 25th—artists and fans will be congregating in Huntsville, Alabama at the Propst Arena to remember George Jones in a one night only event billed as “Still Playin’ Possum.”
Written by Tyler Childers some 10 years ago, and cherished to the point of being worn out via video renditions by many dedicated Childers fans, “Jersey Giant” is a unique composition for Childers since it features a bridge within the verse/chorus structure.
Alan Jackson is being honored as the 2022 recipient of the Country Music Association’s Lifetime Achievement Award. One of the top honors in country music, the Lifetime Achievement Award was established in 2012 with Willie Nelson as the inaugural recipient. Alan Jackson will be on hand at the CMA Awards.
It’s a remarkable achievement that an album like this was even made under the otherwise repressive jurisdiction of the Music Row system in Nashville. No, you should not consider this like a conventional album release by Ashley McBryde, meaning a succession of potential radio singles and album cuts.
The final months of 2022 are here, and just like the first portion of the year, it is jam packed in an increasingly cluttered environment for new releases. Instead of being overwhelmed, use this guide to help you navigate through the crush of titles, with the first 20 albums listed considered some of the top releases.
It’s going to be hard for some distinguishing music fans to acknowledge that the paradigm in mainstream country is shifting. At this point, lashing out at any artist on corporate radio is an act of muscle memory, and often unlearning those motions is harder than learning them. This most certainly doesn’t mean there still isn’t […]
As times goes on and today’s consumers continue to grow increasingly frustrated with the lack of creativity, roots, and soul in today’s music, expect to see the back catalogs of guys like George Strait and other older country acts continue to remain popular.
The enthusiasm Molly Tuttle has rekindled for bluegrass is conferred to the crowd, and has helped light a spark under the entire genre. This was in top form when she took the stage for the 49th Annual Telluride Bluegrass Festival in Colorado on Friday, June 17th.
Texas music couple Bruce Robison and Kelly Willis announced the end of their marriage late last week, and with everything else going on, it may have been easy to miss the news, or to maybe gloss over just how significant this news is, and regard it simply as gossip.
Four of the six security guards at Dierks Bentley’s Whiskey Row bar on Lower Broadway in Nashville charged in the death of 22-year-old Dallas Jordan “DJ” Barret were not properly licensed to work as security guards in the State of Tennessee.
Tyler Childers might not be going bluegrass, but he is going to Telluride as one of the headliners of the 2022 Telluride Bluegrass Festival in beautiful Colorado. Along with Molly Tuttle, Béla Fleck’s My Bluegrass Heart, Rhiannon Giddens and Francesco Turrisi, and others.
The incident occurred after security guards at Whiskey Row had reportedly told Dallas Barret to leave the premises prior to the altercation, but he refused. Security then reportedly restrained Barret and held him down until officers arrived.
A man is dead and a homicide investigation is ongoing after an incident at Dierks Bentley’s Whiskey Row restaurant and bar at Fourth Avenue on Lower Broadway in Nashville. Metro Nashville police were called to the scene Monday night (8-16) just before 11 a.m.
The implications for this mischaracterization are serious. Such widespread negative media coverage can and will have a chilling effect on promoters, performers, local health and elected officials, and could directly result in the postponing, canceling, or refusing to approve live outdoor events.
“Set In Stone” feels like a really solid and inspired mid career selection from Tritt, well-produced by Cobb, with some great instrumental performances, and no signs of rust or heavy wear from the time away. Undoubtedly though, this is a Boomer record, and in more ways than one.
It wasn’t just the arrangement, the cool special guests, the poignant setting, and the timing of it all, it’s how it all conspired to create a special moment and a rather spectacular performance that in the throes of the otherwise mediocre ACM Awards really shined out as something sincere.
Now let’s not get too ahead of ourselves here. But if you know anything about Alan Jackson and awards shows, you know he’s the ultimate wild card. He’s got no truck or patience for your pedantics, and dog and pony awards show nonsense.