Man did Music Row in Nashville turn in a whole slew of stinkers this year, setting new lows for the substance, and non-country-ness of “country” songs in 2017. This year was a great example of how you should never think it can’t get any worse, because it can, and did, and by a long stretch.
This is a formulaic, Mad Lib-style, paint-by-the-numbers, women as a possession truck rap with fake piano imposed on a generic pop song, propped up solely by the perfectitude of Dylan Scott’s pectoral muscles and the come hither sturdiness of his jaw.
At the moment there are exactly zero women in country radio’s Top 20, and a whopping total of 4 in the entire Top 50 for an abysmal 8% representation. In fact this 4 out of 50 ratio has been pretty consistent now for the entirety of the “Body Like A Backroad” reign at #1.