Whitney Rose has relocated to Austin and can be regularly seen playing the famous haunts in the heart of Texas such as Austin’s Continental Club, and Luckenbach. Whitney Rose’s new EP ‘South Texas Suite’ finds her standing on her own two feet as producer, not just songwriter, and putting together what is tantamount to a love letter to her newfound home.
Earl Poole Ball
Lew Card then took his song “Condo Town Rag” and teamed up with Seymour.tv to create a brilliant depiction of how when a city’s identity changes, so do our memories and sense of home and place. Using historical photos matched up with modern-day perspectives, it shows the troubling way the Austin skyline has been retooled in recent years…
Tuesday, February 18th was the inaugural Ameripolitan Music Awards at the Wyndham Garden Hotel in Austin, TX. To see a complete list of winners, a play by play account of the night, and more pictures, please check out the 2014 Ameripolitan Awards LIVE Blog. Here are some photographs of the night from photographer C. C. Ekström of the excellent website Almost Out Of Gas.
2014, Ameripolitan, Ameripolitan Music Awards, Big Sandy, Dale Watson, Dawn Sears, Earl Poole Ball, Elizabeth Cook, James Hand, Jason Roberts, Jim Heath, Johnny Bush, Mike Bernal, Mojo Nixon, Pearls Mahone, Redd Volkaert, Reverend Horton Heat, Rosie Flores, Sarah Gayle Meech, Tonya Watts, Wayne Hancock, Whitey Morgan
Texas country music legend James Hand will be releasing his brand new studio album Mighty Lonesome Man on October 16th. The 12-track album will include all original material, and contributions from an All-Star cast of Austin, TX’s country music talent. It will be released digitally, and on CD and vinyl. James Hand recorded the album this spring at Summit Street Studios in Austin, and has a busy year ahead of him.
What do we mean when we say “country” music? Well take a listen to Mississippi native and Texas transplant Jason Eady’s new album AM Country Heaven, and that should give you the strongest of all possible clues. And what do people mean when they say “Texas” country? This album isn’t a bad example of that either. Where I distance from a lot of other music writers is in the project’s originality.
For all the harmonizing and gospel and good old-time vibes, the heart of the Marty Stuart show is still high-octane, Outlaw-era, rock n’ roll-inspired hard driving country music. This is what Marty Stuart is doing. He’s slinging guitars, he’s kicking ass, and he is doing it with class. If anybody, no matter what stripes they wear, walks out of a Marty Stuart show shrugging their shoulder with a “meh” attitude, they don’t deserve the right to have an opinion.