Luke Combs didn’t just put Zach Bryan, Morgan Wade, and Cody Johnson on a poster. He put out a whole promotional video featuring these artists as part of the announcement, and splattering it all over social media. Even if people don’t attend these events, the damage is done.
Even in this confounding day and age in country music, it all still starts with a song. Not a beat, not a riff, but a song. Words, music, and melody. Story and inspiration. It’s what separates country music from certain other musical art forms, no matter how much it may get boiled down.
Austin Moody, Brandy Clark, Brian Callihan, Channing Wilson, Curtis Grimes, Dave Kennedy, David Adam Byrnes, Dean Dillon, Erik Dylan, George Strait, Key West SOngwriters Festival, Lee Brice, Liz Rose, Lori McKenna, Love Junkies, Luke Combs, Rob Snyder, Taylor Swift
Every year, Saving Country Music goes through the exercise of choosing the “best” song in its humble estimation. In 2016, this winner happens to be a song about losing and defeat. A song like this is only made possible from the total collapse and unrelenting broken heart of a musician at the end of their rope.
A song can change a life, and a song can change the world. And if you’re a real music fan, you know this to be true because you’ve felt it, and seen it yourself. We’re not looking for fanciful ditties that get stuck in your head here. There is a time and a place for those, but that’s not here. We’re looking for songs that barrel you over.
‘Heart of a Flatland Boy’ is refreshingly raw and energetic, with tightly-wound songs all written or co-written by Dylan, and a straightforward but effective production approach, blurring the lines between country and heartland rock in both the sound and themes, and painting a mental picture of places and people that are filled with a meaningfulness…