Quick question for you. How many women need to accuse Nelly of rape and sexual assault before he becomes a persona no grata in country and roots music similar to Ryan Adams, Morgan Wallen, Winston Marshall of Mumford & Sons, and the like? Your answer must be greater than three.
Florida Georgia Line
Breland is back, and collaborating closely with Keith Urban in the hopes of giving him some credibility in country’s mainstream. Jokes on him though, because Keith Urban has no credibility to lend. Don’t believe me, just recall when he accidentally won Entertainer of the Year in 2018.
To be country again, you had to have been country in the first place, at least at some point. And country is as country does. You want to be country? Then be country. Don’t tell us about being country. Chances are if you’re telling us how country you are, it’s because it’s not self-evident you’re country.
The transformation of this guy from pandering for radio play to a dude writing and singing good ol’ country songs is quite remarkable. It’s not a traditional country record. But it’s not exactly pop country either. It’s Canaan country.
There are only a handful of truly powerful positions in country music where one individual can make or break a career, or influence the direction of the genre at large. The Global Director of Country Music at Spotify is most certainly one of them.
If Morgan Wallen was a young male suitor in pursuit of your sister or daughter, he would be one of those beaus where it is undeniable they are trouble, with not just red flags flying right out in the open, but a rap sheet to back up these presuppositions. This is Morgan Wallen’s career and music in a nutshell.
You can palpably feel the IQ points fleeing your gray matter while in audience with this audio monstrosity. It is not scientifically possible to engineer a conflagration of audio signals that is more indolent, and damaging to the psyche and intellect than this abomination.
It’s not what Florida Georgia Line said. It’s what they didn’t say, and what they felt compelled to answer when really nobody was asking any questions. Now many are wondering about the future of one of country music’s most popular and vilified duos.
The accolades keep pouring in for Tyler Childers and his 2017 album Purgatory. The latest distinction is the album itself officially being Certified Gold by the RIAA for selling 500,000 copies in physical sales and streaming equivalents. It is the first independently-released title to achieve this distinction in over 18 years.
Due to COVID-19, and then the protests and riots, the Saving Country Music snark machine has been pretty much powered down and collecting dust for the better part of 2020. But there has been as few instances of country music malfeasance so egregious, it would be unconscionable to not address.
Country legend Charlie Pride passed away on Saturday, December 12th due to complications from COVID-19, his family and representative have confirmed. Amid his death, much speculation arose of where Charley Pride may have contracted the virus, and if it was at the 2020 CMA Awards on November 11th
The 2020 CMA Awards will transpire on Wednesday, November 11th (make sure to follow along with Saving Country Music’s LIVE blog), and this year it will be a tribute heavy affair. Tributes, remembrances, and the marking of anniversaries will be a big part of the presentation.
Brian Kelley, Carrie Underwood, Charley Pride, Charlie Daniels, Chris Stapleton, CMA Awards, Darius Rucker, Eric Church, Florida Georgia Line, Joe Diffie, Kenny Rogers, Lee Brice, Luke Combs, Mac Davis, Miranda Lambert, Tyler Hubbard
Morgan Wallen, Chase Rice, Brian Kelley and others were wrong to advocate for big shows. But when it comes to the claims of these artists of hypocrisy, they’re completely right. Since the beginning of the pandemic there has been a glaring double standard in how social distancing is demanded, and excused.
Five years ago today—on November 4th, 2015—the biggest event and paradigm shift in country music occurred most certainly in the last 10 years, likely in the last quarter century, and possibly one of the biggest moments in the totality of country music history.
In 2013, rock icon Tom Petty had some unsavory words for what was happening in modern country music. “Well, yeah I mean, I hate to generalize on a whole genre of music, but it does seem to be missing that magic element that it used to have.” Chris Stapleton responded with a letter, and an offer.
Despite George Strait officially retiring from full-time touring in 2014—a commitment he’s actually stuck to unlike other superstars, only playing sporadic stadium shows and limited-run Las Vegas residencies—Strait surprisingly walked away with Billboard’s “Top Country Tour” award.
Here comes the Brothers Osborne’s new record ‘Skeletons,’ which most certainly has it’s moments. But where Port Saint Joe surprised us for all the right reasons, Skeletons is decidedly much more rock than country, more boisterous than understated, and more riff-driven than lyric-driven.
Dozens of TikTok videos of the 27-year-old’s maskless partying with college-aged girls emerged, and specifically of Morgan Wallen sucking face with half a dozen of them. This has resulted in ‘Saturday Night Live’ canceling his appearance.
Florida Georgia Line has the #1 song on country radio this week with their latest single “I Love My Country.” But buried deep in the songwriting credits and the history of this song is one of the most uncovered scandals in country music in 2020.
There should be no shame in major music outfits taking money through the government’s Paycheck Protection Program, or PPP, to keep their road crew and support staff financially stable, despite it being characterized as the cash grab of millionaires by some, aided by certain embellished and misleading headlines in the media.
Due to COVID-19, and then the protests and riots after the George Floyd killing, the Saving Country Music snark machine has been pretty much powered down and collecting dust for the better part of 2020. But there has been as few instances of country music malfeasance so egregious, it would be unconscionable to not address them.
They always say to watch out for a hillbilly with a hit record, and the week that the mustachioed and mulleted Morgan Wallen minted a #1 at country radio with the R&B-infused and derivative “Chasin’ You,” he was arrested by Nashville’s finest outside of Kid Rock’s “Big Ass Honky Tonk” bar.