Man, the Academy of Country Music sure knows how to soft pedal the excitement behind some of their awards. Recently they’ve been unveiling their ‘Decade’ awards, stringing them out over months instead of having an event to announce them, surprising artists backstage at gigs and shoving an award in their face as a few flashbulbs go off.
Florida Georgia Line
Don’t ask Charlie Daniels a straight question unless you want a straight answer. Recently while celebrating the 40th Anniversary of his signature song “The Devil Went Down To Georgia,” Daniels was asked if he was okay with bands like Florida Georgia Line changing the sound of country, to which he responded emphatically and succinctly, “No.”
Dear NFL Fans, As the true disciples and aficionados of actual country music, we want to formally apologize to you all for the bad country music and doltish characters you will be forced to endure during this week’s NFL Draft coverage. Please accept our deepest apologies.
Spearheaded by the positively Wallen received for his Jason Isbell “Cover Me Up” cover, he’s just released a studio version of the song, and surprisingly, it’s lossless in quality compared to the original acoustic version. Tastefully produced and arranged with sparse accompaniment, it’s arguably even better.
The debate about what is country music and what isn’t is an eternal one. But a 1:53-long viral “song” that is really nothing more than an internet meme entitled “Old Town Road” by rapper “Lil Nas X” has rekindled the debate anew, with critical implications behind it.
It’s said that time is the harshest critic of all. If that’s the case, time has not been very kind to the music of Florida Georgia Line at all. The title of their new album ‘Can’t Say I Ain’t Country’ isn’t fooling anybody, and apparently the fickle pop country music fan has moved on en masse to the likes of Luke Combs and others.
When it comes to popular music, every generation has its goat. And no, we’re not talking about the hip social media acronym for the “Greatest of All Time.” We’re talking about the sacrificial kind—the one synonymous with an ornery horned land animal that eats your garden and shits everywhere.
Pop star turned country music carpetbagger Bebe Rexha made headlines last Thursday evening (2-7) during a Spotify party held in Los Angeles to honor all of the women up for the Grammy’s New Artist of the Year award, when she stopped down her performance of “Meant To Be,” and went on an expletive-fueled tirade.
All the information about the 2019, 61st Annual Grammy Awards you need in one place, including the performers, the presenters, the nominees, and the important narratives the night will present in country and roots music, and beyond.
You shouldn’t have to tell anybody how country you are. It should be patently obvious in the first few bars of a song that an artist or song is country. Unfortunately though, with the loss of country instrumentation, the pervasiveness of electronic beats, performers feel the need to explain how they’re country.
Here we are with a nice, tidy little bow wrapped around 2018, with the barrage of end-of-year lists finally published and in the past, the confetti from New Year’s celebrations all swept up, and the promise of an exciting new year of country music on the way. But how good or bad really was country music in 2018?
Brent Cobb, Chris Stapleton, Cody Jinks, Florida Georgia Line, Kacey Musgraves, Luke Combs, Marty Stuart and His Fabulous Superlatives, Midland, Miranda Lambert, Sam Hunt, Turnpike Troubadours, Tyler Childers
Of course people are different. We learn that at six-years-old. Of course everyone should be respectful to each other, and try to see other people’s perspectives. But this is the premise for a nursery rhyme, not a country song. Adults use subtly, nuance, and story to get important points across they wish to convey in music.
Cute, Florida Georgia Line, cute. Call your latest album Can’t Say I Ain’t Country and act as if this somehow insulates you against what any country music fan worth their salt already knows inherently. I can, and will say you ain’t country if I damn well please, as will the rest of us.
That’s right, I’m going here. And no, it’s never cool to put your hands on another man’s shit, so don’t @ me because that’s not what I’m getting at. But the idea that somehow Brian Kelley of Florida Georgia Line and his wife Brittney are victims is ridiculous.
It’s now been two months since purely pop star Bebe Rexha eclipsed the all-time record on the 70-year-old Billboard Hot Country Songs chart for consecutive weeks at #1, and there is still no end in sight for the song’s reign. 43 weeks now the song has remained in the top spot, with challengers coming and going with no real threat.
Kane Brown and Luke Combs couldn’t be more different. But they are both a new style of country star who made their ascent into mainstream stardom 100% during the streaming era, and due to the streaming era specifically. Last week, both artists announced their own arena tours.
Now that the 2018 CMA Awards nominations have been announced, the people who care about the awards can pour over the lists and find things to complain about, while the people who complain about the awards can pour over the lists while professing to not care. This is the way of things, and what happens every year.
Country isn’t the only music community scratching its head while a fairly innocuous and forgettable pop song rewrites history by hitting record marks for its time at #1 on a genre specific chart, or a performer or group who doesn’t even seem to belong in the genre dominates that genre’s most important chart metrics.
Any proper country music fan should know and love the rock band Ween’s foray into country music in the mid 90’s called 1’2 Golden Country Greats.’ Recorded at Owen Bradley’s legendary Bradley’s Barn studio at his farm just outside of Nashville, the album featured a stable of notable Nashville musicians dubbed “The Shit Creek Boys.”
Game over. All efforts to stave off the irrelevancy of Billboard’s Hot Country Songs chart in the face of installing a pop star in the history books as the owner of the most successful single in the genre’s history ultimately failed. This week, the song “Meant To Be” by pop star Bebe Rexha with Florida […]
“Meant To Be” recently helped Florida Georgia Line shatter what once was thought a bulletproof record—George Strait’s cumulative frames for songs cresting a week at #1. With a whopping 45 total #1’s spanning over a quarter century in the business, there’s a reason Strait earned the nickname “King” George over his Hall of Fame career.