Jan Howard’s death was marked with obituaries enumerating her many accomplishments in country music, including her hits, her collaborations with John Anderson, and her long tenure at the Grand Ole Opry. But when it comes to Jan Howard, it was just as much about the work she did off the stage, and out of the spotlight.
The big tribute show at Nashville’s Bridgestone Arena for Willie Nelson that transpired on January 12th, 2019 is finally set to be broadcast for the rest of us who couldn’t attend, and it will include some behind-the-scenes footage and interviews as well. Specials for Dolly Parton and Kenny Rogers are also on the way.
We’ve already run down the Greatest Country Albums of the Decade, and in there, albums in the mainstream were given fair competition to be included, and some made the cut. But in the spirit of inclusiveness and impartiality, let’s make sure the great records from the mainstream get their due as well.
George Strait has minted yet another career milestone that puts him in an elite class of musical performers, not just in country music, but anywhere in the world. He’s now officially sold over 10 million tickets to events since first reporting touring revenue officially, only the 2nd country artist to ever do so.
All country albums, regardless if they emanate from a major label or receive radio play, are considered for Saving Country Music’s Album of the Year nominations. But not every year does a mainstream album make it. Even though one didn’t make it to the top of the heap in 2019, we had a bumper crop of quality mainstream country releases.
On the day after the CMA Awards, it’s always important to take a deep breath, and remind yourself, “It’s just the CMA’s.” But it does feel important to address what turned out to be the biggest controversy Wednesday night, which was Garth Brooks winning Entertainer of the Year over Carrie Underwood.
Eric Church’s latest album Desperate Man will win the CMA Album of the Year in 2019, beating out Thomas Rhett’s Center Point Road, Dan + Shay’s self-titled release, Girl by Maren Morris, and Carrie Underwood’s Cry Pretty. This is the bold prediction Saving Country Music is putting out there right here and now.
All of a sudden Hootie & the Blowfish—not just Darius Rucker—is signed to Universal Music Group’s country imprint in Nashville, is planning to release a new record on November 1st, and just released a straight up pop rock Hootie & the Blowfish single called “Hold On” that has just become the “most added” song on COUNTRY radio.
Not as a rebuke of the work of the documentary, but as an addendum for those who watched and might want to dig deeper into the history of country through some of its more important personalities not represented well in the film, here are some of the Country Music film’s biggest oversights.
If you’re a country music fan and are disappointed that your favorite artist didn’t get enough screen time in the Ken Burns film on country music, well guess what, your favorite genre did, and by the most revered documentary filmmaker of our time, and before rock n’ roll, pop, the blues, soul music, or hip-hop.
In an era when law enforcement is often repudiated by many, George Strait runs counter to that by speaking about the seriousness and sacrifices police officers, sheriff department personnel, and anyone who dons a shield and sidearm to go to work every day must endure. Written by George Strait himself, with son Bubba and Dean Dillon.
In many respects, the CMAs did that this year with their 2019 nominations, or at least better than many years. But the Album of the Year nominations were especially easy to pick apart in 2019. The biggest reason to second guess these nominations is that this current awards shows cycle has been exceptional for excellent mainstream albums.
You won’t find many country music fans who have a discouraging word to share about “King” George Strait. But the one point of contention some have brought up in rebuttal of Strait’s greatness over the years has been that he doesn’t write his own songs. This opinion deserves a little context of course.
The numbers are in at the midway pole of 2019, and “King” George Strait has the best selling album in all of country music so far this calendar year. ‘Honky Tonk Time Machine’ has moved more copies than any other offering, speaking to the honky tonk resurgence country music has been experiencing across the board.
In yet another positive sign that the appeal for traditional country music is waxing instead of waning, and that “King” George Strait has weathered the effort by some in the country music establishment to be put out to pasture, the financial disclosures from a couple of his recent shows are not only eye popping, they’re record breaking.
Tracy Lawrence has a new album coming out on August 16th called Made in America, and though we don’t have many details on it at the moment, the 90’s country star who put together seven #1’s and twenty-one Top 10’s into the 2000’s says it’s going to be “very country,” and hopes it’s part of the recent return to country’s roots.
No, it’s not 1989, it’s 2019. But looking at the top of the Billboard Country Albums chart this week, you would have thought you’d been transported back 30 years in time. But it’s quite okay if you’re a traditional country music fan. No need to figure out how to generate the 1.21 gigawatts it takes to fire the flux capacitor and get you back to the present.
It’s not just wishful thinking, and it’s not skewing the numbers to paint a sunny picture. With his new album ‘Honky Tonk Time Machine,’ “King” George Strait is back at the top of the country genre, and in multiple ways. And that’s not all George Strait fans have to celebrate. He’s showing surprising traction on radio as well.
This tour will be an all female affair, with Miranda Lambert’s supergroup with Ashley Monroe and Angaleena Presley, a.k.a. The Pistol Annies opening up select tour dates, along with Elle King, Caylee Hammack, Tenille Townes, Maren Morris, and Ashley McBryde. Each date will feature three openers, with a revolving cast for each stop.
It seems strange to characterize George Strait’s latest record Honky Tonk Time Machine as a return to his roots. After all, this is George Strait. But nonetheless, it’s a fair accreditation to make, and a welcome conclusion to settle upon when you appreciate the authority with which George Strait can deliver a honky tonk heartbreaker.
Most any true country fan can likely quote you at least a couple of the verses of the now classic country music song “Murder on Music Row.” Originally written by Larry Cordle and Larry Shell, and recorded by the bluegrass group Larry Cordle & Lonesome Standard Time as the title track to their 1999 record, […]
Jason Aldean will receive the Dick Award for the Decade from the ACMs come April—“Dick” being for Dick Clark, who this decade award was just renamed after, and who luckily is dead so he doesn’t have to see his name besmirched by being associated with the likes of Jason Aldean.
“Stunning” is the only way to put this. “A shot out of the dark” might be another. “Awesome” would be a third. But however you want to put it, “King” George Strait is back on country radio, and in a big way with his brand new single “Every Little Honky Tonk Bar.”
Some very big names, and some names to discover are included in the newest additions of the Saving Country Music Top 25 Playlist. Fresh off her four wins at the Grammy Awards including for Album of the Year, Kacey Musgraves has released her first proper radio single from ‘Golden Hour’ in the form of “Rainbow.”