Jerry Jeff Walker died on October 23rd, 2020, but not before becoming a folk hero from the song “Mr. Bojangles,” and helping to set up the conditions in Austin, TX that would ultimately make it the Live Music Capital of the World, and an alternative to Nashville.
Normally a video for a cover song may not be cause to stop down and request your undivided attention. But anything that involves the always elusive Luke Bell these days is worth stopping down for, and he proves why when he teams up with the equally impressive Martha Spencer.
The songs of Noel McKay, they’re like those one of a kind items, carefully crafted with their dovetailed joints and beveled edges, and proudly engraved with a maker’s mark. They’re well-loved, and presented to the world without commercial concern, and more for the memories they hold.
Another guy that paid all the dues and left a crater of an impact, even though he never hit the big time has passed onto that honky tonk in the sky. His name was Chris Wall, and even if you’ve never heard of him or his music, you’ve certainly heard his influence in many of your favorite artists.
Many know the “perfect Country & Western song” is “You Never Even Called Me By My Name” performed by David Allan Coe, and written by Steve Goodman. Or at least, that’s how David Allan Coe and Steve Goodman presented it. But what many don’t know is that John Prine was a co-writer of the song.
John Lomax III continued in the family business, but in a way that ultimately had major impacts in country music through the many Texas-born songwriters that would shake country music up as part of the 70’s Outlaw movement, and later in the emergence of alt-country.
“80’s Ladies” spoke to women both young and old, and became an anthem. It also made K.T. the first ever middle-aged woman to launch a country career in history. “80’s Ladies” was her signature, but subsequent songs would become bigger hits.
Chris Stapleton has always been the most unlikely of superstars. Slightly overweight 36-year-olds with beards and a burly countenance aren’t supposed to be the beneficiaries of the confluence of positive circumstances that powered Stapleton so high into the stratosphere of country music, he’s transcended the genre.
Though we’ll never forget, it will be impossible to not remember all those good times Jerry Jeff afforded us, and feel a rush of incredible sadness proportionate to the impact Jerry Jeff Walker had on music, and people, and places, which was infinite.
From contributing one of the most important folk songs of the American songbook in history, to becoming a seminal member of the Austin, TX music scene and founding father of Texas country music, there is no comparing, and no replacing the impact of performer, songwriter, musical icon, and gonzo musician Jerry Jeff Walker.
Steve Earle and his backing band The Dukes will be releasing a record of songs written by Steve Earle’s late son Justin Townes Earle who passed away in late August at the age of 38. Though details are still coming together, Steve Earle announced the album on Wednesday, September 16th.
The new record will include 14 new songs, 11 of which Stapleton wrote or co-wrote himself, along with a few notable covers, specifically John Fogerty’s “Joy of My Life,” and two covers of Guy Clark songs—“Worry B Gone” and “Old Friends.” He also collaborates with members of Tom Petty and the Heartbreakers.
Though Dean Dillon has written songs for scores of artists, including Chris Stapleton, Gary Stewart, Vince Gill, Vern Gosdin, Lee Ann Womack, and so many others, it’s his partnership with George Strait that has gone on to become legendary, and is the undeniable impetus for putting him in the Hall of Fame.
With the recent death of John Prine at the hands of COVID-19, the question has been posed by many about the legendary songwriter’s prospects of ever being inducted into the Country Music Hall of Fame. It’s an interesting discussion point for sure, and one with a few important qualifiers.
The 7th Episode in the series was unique in that 30 more minutes were added to give Ken Burns and his team the time to delve into a decade of the music, explain the important influence of Texas songwriters and the emergence of the Outlaw movement in the early and mid 70’s, all while keeping up with the goings on in popular country in Nashville.
Canadian country and Western artist Colter Wall was one of the fortunate ones to be selected to perform for the new season of the long-running and highly-revered PBS music show Austin City Limits for their 45th season. And if you want to catch the taping, you better be on your toes because it’s coming up this Friday.
‘Red Bandana’ is anything but typical, for Aaron Watson or anyone else. When Watson says this is his most involved and personal work that he rates at the top of the heap, believe him. When others say they’re shocked or ecstatic about how good this record is, take their word for it. With Red Bandana, Aaron Watson defies his own odds.
Willie Nelson turned 86-years-old last week, but don’t expect to see him slowing down anytime soon. If anything, he’s putting his foot down on the gas for 2019, announcing a new album, and recently extending his Outlaw Music Festival dates which will keep him busy well into the summer.
Willie Nelson’s latest album will be called ‘Ride Me Back Home,’ and will once again be produced by Buddy Cannon, with a release date forthcoming sometime in June. This is the news coming out of an exclusive SiriusXM taping that occurred at Willie’s ranch outside of Austin on April 13th in the chapel of his own private Western town, Luck, TX.
Songwriter and Texas music wildman Jack Ingram has a new album on the way called ‘Ridin’ High … Again.’ It will be Ingram’s tenth studio record overall, and was recorded at Austin, TX’s iconic Arlyn Studios in just two days in what Ingram describes as one “forty-eight hour party.”
This album is a story of America, and who better to tell it than Tom Russell. His years have only embellished and refined his wit and craftsmanship, and he never lost his hunger along the way. There are good reasons why Russell is so revered by his musical and literary peers, and those reasons remain evident on “October in the Railroad Earth.”
The long wait for fans of the Randy Rogers Band is about to be over. The Texas country band’s much talked-about eighth record produced by Dave Cobb will finally see the light of when ‘Hellbent’ makes its way to stores. “We’re in it for the long haul,” Randy Rogers says.
A new posthumous collection of Townes Van Zandt recordings is on its way from Fat Possum and TVZ Records. Made in early 1973, the songs come from a recording session with journalist, musician, and close Townes Van Zandt friend, the late Bill Hedgepeth. They were recorded in Hedgepeth’s home studio in Atlanta.
“No way I could get out of doing this record,” Steve Earle says. “When I get to the other side, I didn’t want to run into Guy having made the ‘TOWNES’ record and not one about him … Townes Van Zandt and Guy Clark were like Kerouac and Allen Ginsberg to me.”