As if answering a distress call sent out over the airwaves or via a spotlight beamed over Music City, the Highwomen have assembled in the form of the Grammy-winning Brandi Carlile, fiddlemaster Amanda Shires, songwriting markswoman Natalie Hemby, and superstar Maren Morris. “Redesigning Women” is their first taste.
An album is something you listen to. A song is something that can change a life. The places a song can take you, the realizations and perspectives it can impart, the way it can touch something inside of you to make you feel something you never have before, or haven’t felt for a long time is the reason we cherish music so much.
“This dude puts out a song with kind of quasi country lyrics? Something about a horse, boobies and some shit? Don’t create controversy and expect that to give you a hall pass. We need great songs. Go listen to Kris Kristofferson, and then go listen to that song, and if you tell me they have anything to do with each other.”
Usually the themes of heartbreak in country music revolve around relationships, death, or perhaps the erosion of small town life or the family farm. But in the current environment in country, another type of heartbreak has emerged that is more intimately tied to the music itself.
Watch out ladies and gentlemen because the female revolution overtaking country in the aftermath of tomato-gate is about to get some fresh and young reinforcements in the coming months with major debuts from some promising young artists, and first up to bat is the ravenesque and hungry Aubrie Sellers. Aubrie starts off with a proven musical pedigree that’s nothing to smirk at. She’s the daughter of Lee Ann Womack…