Look, you can make too much of these kinds of things for sure. But coming from a big platform and going completely unchecked, a little bit of marketing could turn into a big aberration of the truth, so some spirit dissent is warranted in this situation. Blake Shelton is not the “King of Country.”
Also as part of the reopening, the Hall of Fame is planning a special live streaming event on October 28th, and one they hope will be one of their biggest fundraisers ever, called “Big Night (At The Museum)”. It will match legendary instruments with many of the legendary artists of today.
Let’s be honest. Do we really need yet even more new versions of old country songs? But the wildcard here, and what makes this record worth turning your attention to is that you have the once-in-a-lifetime voice of the great Josh Turner gracing these classic songs.
You may ask yourself why we need even more new versions of old country classics. The answer is that Josh Turner is singing them. From well-known standards to some deeper album cuts, Turner is ready to grace them with his signature bass tone, and will be joined by Randy Travis for his first studio work since 2013.
The current “Queen of Bluegrass” Rhonda Vincent will be the next member of the Grand Ole Opry. Surprised on stage by mentor Jeannie Seely Friday night (2-28) during the Grand Ole Opry presentation, Vincent had to ask Seely twice if she was serious (which of course she was), before Vincent responded “Absolutely, 100%. Oh my gosh.”
The new vice president and executive producer of the Grand Ole Opry said this week in an interview that Hank Williams will not be reinstated to the institution he helped popularize. But while casting aside the idea of Reinstating Hank, he inadvertently mentioned the reason why the case for Hank’s reinstatement is warranted.
Dolly Parton’s approach to archiving songs for a future she’s no longer living in is something completely unique. “I’m one of those people that believe in being prepared. I don’t want to ever leave my stuff in the same shape like Prince or Aretha or anybody that don’t plan ahead … I’ve got hundreds, hundreds, even thousands of songs.”
If you’re wondering what to look forward to hearing in country and Americana music in early 2020, let this be your guide. Here’s all the information Saving Country Music has been able to compile on the most anticipated upcoming releases, along with a more extensive catalog of releases to have on your radar & the always fun “rumor mill.”
Boy howdy. It takes all of 12 seconds to fly by in this new Jason James record before you decisively know that you made the smartest of all country music decisions by giving this young man your time and attention. Where have all those true sounds of country music gone? Straight into the lungs of Texas City’s Jason James.
Even though names like Jimmie Rodgers, Roy Acuff, and The Carter Family loom large for many of country music’s devoted fans, they don’t necessarily rise to the level of household names like Ernest Tubb, and of course the great Hank Williams, who was the centerpiece of the third installment of the Ken Burns ‘Country Music’ documentary.
PBS is gearing up for the release of the extensive 8 part, 16-hour Country Music Documentary starting September 15th directed by Ken Burns. And ahead of the release, PBS is trying to engage the country music public by asking people to share who their favorite country music icon is. They started by asking Miranda Lambert, Vince Gill, & Ray Benson.
If you have a hankering for Hank and haven’t received your fill of music from the Hillbilly Shakespeare over the years, you’re in luck. BMG is getting ready to release a rare collection of Hank Williams archive material made in October of 1949 called “The Complete Health & Happiness Recordings.”
Country Music Hall of Famer, Bluegrass Hall of Famer, performer, executive, songwriter, and general country music advocate Mac Wiseman has passed away. He was 93-years-old, and was one of the last living links to country music’s golden era. He died on Sunday, February 24th.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.
See, this is what they should have been doing with the Wal-Mart Yodeling Boy from the start, not sticking him in some studio with Joey Moi of Nickelback fame to record a song left on the cutting house floor after a Florida Georgia Line session. Mason Ramsey doesn’t even need to be singing original songs at this point.
Can you imagine having the #1 song on the Billboard Hot Country Songs chart for the last six months—something Ernest Tubb, Roy Acuff, Hank Williams, George Strait, and Kenny Chesney never came close to doing—and not even knowing about the massive present-day pop country band you collaborated with to pull it off?
Yeah, you’ve probably seen the video already, and probably a few times after it popped up in one or many of your social media feeds. But the ultimate lesson from the Wal-Mart yodeling boy is that America truly is starving for traditional country music.
We’re plenty well satiated on new music from Willie Nelson after the release of his latest album God’s Problem Child in May. In fact it might be one of Willie’s best recordings in many years, and certainly one of the better selections since signing with Sony’s Legacy imprint some years back. But there’s no rest for the wicked.
In the process of criticizing modern country music, sometimes we lose sight of the bigger picture, or fall into “old man’s syndrome” where the past of the genre seems pristine and idyllic in our mind’s eye, and today’s smutty music perpetrated by sellout stars is an abomination to our beloved genre.
For the better part of two years now, country music fans with any sort of taste have been waiting not-so-patiently for the long-awaited arrival of the Dave Cobb-produced fourth album from 3rd generation performer Holly Williams. You can’t blame fans for their impatience after the performance she turned in on her 3rd record, ‘The Highway.’
Dear Sally Williams, To begin, let me offer my sincere congratulations to you for ascending to the position of not just the new General Manager of the most esteemed and storied institution in all of country music, but as the General Manager, and Senior Vice President of Ryman Hospitality’s new Programming and Artist Relations Division.
The story has been told for many years that The Allman Brothers initially didn’t want to record “Ramblin’ Man” or release it as a single because they were afraid it was too country. Today people take for granted that The Allman Brothers fit squarely in the Southern rock genre, but to start, they were very much a blues and jazz-based jam band.
Country music is not just a commodity or even a form artistic expression. It is an integral part of people’s lives and has been the foundation for their cultural identities for generations. It’s what binds them to their homes and ancestry, and is interwoven into the very fabric of who they are as people.
Not known by every country, blues, and Americana fan, but cherished deeply by the ones who did, songwriter and performer Bap Kennedy took his cross-Atlantic enthusiasm for roots music and became one of the most well-respected musicians and songwriters by his peers ranging from Nashville to Belfast during his nearly 40-year career.