If you want to know just how much pent up appeal there is for the music of Evan Felker and his band the Turnpike Troubadours, here’s a pretty good sign. This week on the Americana Music Association’s Radio Albums Chart, the recently-released The Next Waltz – Volume 2 compilation produced by Bruce Robison has landed at #1.
“It really is a representation of what we’re trying to do here, which is connecting the greatest music in Austin with country music in a greater sense,” Bruce Robison says about the upcoming compilation. Though all the names and songs are worth getting excited over, it’s Turnpike Troubadours frontman Evan Felker that has many talking.
Bruce Robison, Carson McHone, Cleton Cordero, Evan Felker, Flatland Cavalry, James Steinle, John Baumann, Kyle Nix, RC and the Ambers, RC Edwards, Roger Miller, Ryan Engleman, Shakey Graves, The Next Waltz, The Panhandlers, Turnpike Troubadours, Uncle Walt's Band, William Clark Green, Wood & Wire
Fans of country and Red Dirt’s Turnpike Troubadours were left forlorn late last month when it was announced that the band would be going on an indefinite hiatus amid a rash of cancelled shows and concerns for frontman Evan Felker, which begs the question of who might be able to step up to fill this important void.
American Aquarium, Charley Crockett, Cleto Cordero, Comanche Moon, Dalton Domino, Drew Moreland, Evan Felker, Flatland Cavalry, James Steinle, Jamie Line Wilson, Mike & The Moonpies, Randall King, Reckless Kelly, Red Shahan, Shane Smith and the Saints, Shotgun Rider, Turnpike Troubadours, William Clark Green
Newest additions to the Saving Country Music Top 25 Playlist start off with JP Harris and his blazing new song “JP’s Florida Blues #1” from his upcoming record ‘Sometimes Dogs Bark At Nothing’ out October 5th. And don’t count Loretta Lynn done yet. At 86-years-old, she’s still pumping out tunes that get the blood pumping.
James Steinle’s debut album ‘South Texas Homecoming’ is a songwriter’s record driven home at times with a hard country backbone. Finely-crafted, erudite, and thought-provoking in moments, and then bouncy and playful when it needs to be, it touches plenty of erogenous zones on the country music palette.