A couple of deserving bands from the Texas and Red Dirt side of country are finally receiving their due with upcoming opportunities to step into the hallowed circle at the Grand Ole Opry. It’s just the latest sign things are opening up a bit under the new Opry management.
It could have been a disaster, or it could have not happened at all. When Mile 0 Fest rescheduled their 2021 festival from late January to late April, a lot of dominoes had to fall their way for them to pull it off. It was a risk. But they pulled it off with flying colors.
If you’ve been hankering hard for anything Turnpike Troubadours related, it appears your prayers are about to be answered, and in a huge way. Turnpike fiddle player Kyle Nix is preparing to release a solo record, and we’re not talking about some slapped-together bedroom EP.
The Turnpike Troubadours, Jason Boland, and the Medicine Stone Festival held annually in Oklahoma have all filed suit against their former management, Cory McDaniels Enterprises LLC, for what they claim are irregularities in accounting and the handling of financial affairs, and to be released from their management contracts.
Christmas came early for ticket holders of the Texas Music/Red Dirt/Americana-oriented Mile 0 Fest set to transpire in Key West, Florida on January 28th-February 1st, 2020, as well as for those still sitting on the fence about if they want to go, or those who might have a ticket waiting for them under the Christmas tree.
Founding member of Jason Boland and the Stragglers, and long-time Texas/Red Dirt community member Brad Rice has left the band to pursue other interests. Brad Rice had been Jason Boland’s drummer for over 20 years. The two met while attending Oklahoma State University in Stillwater Oklahoma in the late 90’s.
The man who’s most responsible for keeping the traditional country backbone in Red Dirt music strong and rigid for many many years is probably not the one your would finger as being the most enigmatic of all the founding fathers. But that’s exactly what Jason Boland has become as his mane has gone silver.
The Country Music Hall of Fame has partnered with Sony Music’s Legacy Recordings to release a 36-song companion double album to coincide with what the public can expect to see and hear as part of the upcoming Outlaws & Armadillos exhibit. The track list of the album reveals just how deep the exhibit will go.
It’s been a great time to be a country music fan over the last few weeks as incredible album releases from a cavalcade of artists has put a stress test on people’s physical copy budgets, and pushed Saving Country Music to maximum capacity for publishing reviews. But these are all good problems to have.
As the CMA Awards were transpiring Wednesday (11-8) night inside the Bridgestone Arena, Sturgill Simpson decided to take his guitar, his Grammy for Album of the Year from 2016, and do a busking set in front of the arena as local journalist Adam Gold broadcast the whole thing via Facebook Live.
You’ve never heard of the Mile 0 Festival in Key West, Florida before, but you have now. And it will be hard to forget about it once you feast your eyes on the pretty ridiculous lineup they’ve assembled for their inaugural run. It’s scheduled for February 7th – 11th 2018 at the new Truman Waterfront Park Amphitheatre in Key West.
The problem with the whole Texas Music/Texas Country/Red Dirt “scene” is just that—what to call it. Texas Country is not really Red Dirt, even though the two regularly get lazily lumped together. Texas Country and Texas Music are separate things as well, but once again get summarily bundled. Yet all of these things are intertwined.
So apparently Americana and some of its top artists aren’t above criticism by a major media outlet. This is what the independent country and Americana communities had to face down on Friday (3-31) when an author by the name of Jonny Whiteside writing for L.A. Weekly published an article slamming some of Americana’s elite.
Turnpike Troubadours frontman Evan Felker is one of the most respected songwriters in Texas Country/Red Dirt and beyond, including just having his song “The Bird Watchers” named Saving Country Music’s Song of the Year for 2015. But after numerous drunken performances, some fans are in an uproar, while others are reaching out with sympathy and concern for the songwriter.
Angry, subversive, pointed, and powerful, the eighth album from one of the few performers left who can call themselves Red Dirt and nobody will cry foul is a lot to digest, and hard to leave behind. Squelch is what Jason Boland and his backing band The Stragglers chose to name this work, which is the same name given to the knob that truckers use to eliminate the static and idle chatter.
You may not be comfortable with how exactly to define the quasi country, quasi-rock music that comes out of the Texas / Oklahoma region known as Red Dirt, but what you can be confident in is that it would never have come to life like it did without a man named Tom Skinner. Bass player, songwriter, and father of Red Dirt music Tom Skinner passed away Sunday evening, July 12th.
Ringling Road is a vibrant and well-written pronouncement of William Clark Green’s arrival as one of the new creative leaders of the next generation of country. The sensibilities to appeal to a big audience are there, but so are the country roots, and the depth of songwriting to where he can draw in both the passive toe-tappers and die hard song junkies.
Who would have thought a few years ago that in 2015, Aaron Watson, Aaron Watson, would be releasing one of the most-anticipated, and potentially most impactful albums in all of 2015 in country music? Oh it’s not that Watson hasn’t been setting country music fans in Texas, Oklahoma, and on the rodeo circuit ablaze for many years.
As the lives of most songwriters go, John Fullbright has lived a charmed one for sure. His debut studio release, 2012’s “From The Ground Up” found its way to the very highest reaches of industry accolades when it was nominated for Best Americana Album at the 55th Grammy Awards, and he seemed to be quickly anointed as a songwriting golden boy out of the gate.
Destitution and heartbreak are the theme of Dust Bowl Hangover, however the music itself is a very enjoyable experience, with great melodies, catchy hooks, smart and engaging arrangements, and a remarkable amount of spice and variety in the instrumentation to really elevate this album to something much higher than the band’s humble, unknown status.
Lone Star Music, the Texas music cornerstone that has such good taste and cool vibes that appreciation for it’s unique approach of putting the music first spreads well past the Texas border, has just announced the nominees for their 6th Annual Lone Star Music Awards, and I’ll be damned if it doesn’t hit the sweet spot in showcasing many of the artists that are helping to save country music.
“Some Old, Some New, Maybe a Cover or Two” feels like Canada taking a moment to reflect on his past, refocus on his roots, and ready himself for the future. This album is much more than just running through some old Ragweed material, a couple of Departed tunes, and a few of his favorite songs. There’s something unspoken between the tracks (in an album with a lot of speaking and stories)….
If Red Dirt spans a wide sonic palette that ranges from hard country to straight rock n’ roll—with alt-country, country rock, Southern rock, and even some country pop thrown in between—then Jason Boland is the hard-edged bookened defining Red Dirt’s country border. In other words, it is pretty difficult to be more country than Jason Boland and the Stragglers.
There’s been much talk so far this year about how the women of country are outpacing the men when it comes to the quality of music, we’ve talked about possible reasons why that is. But we haven’t talked about some of the men that if simply given a chance, could shoot an immediate injection of substance into the country music format. They just need similar chances to their female counterparts.