Jimmie Allen has been found liable in a sexual assault case that had a woman accusing him of raping her in a Las Vegas hotel room in 2022, and secretly taping the incident on a hidden phone.
What made the sexual assault accusations against Garth Brooks so unbelievable and bizarre-feeling is because of who we’ve all perceived Garth Brooks to be over his nearly 40-year career, including many of his most vocal detractors.
On Thursday afternoon (10-3), it was revealed that a “Jane Roe” had filed a lawsuit in California state court accusing Garth Brooks of multiple incidents of rape, sexual assault, exposing himself, and other explicit behavior.
This doesn’t settle anything, either for Jimmie Allen, the accusers, the public, or the country music industry. It will still leave open questions about what actually happened, and potentially, an issue country needs to reckon with.
Being accused of rape and sexual assault by two separate women is bad enough. But when your own lawyers are saying that you’re “unable to comply with the terms” of your engagement with them, it looks even worse.
Not only is Nelly not a country artist, his very troubling record with sexual assault accusations makes him the antithesis of the type of person the ACM Honors should be highlighting.
Mainstream country music artist Jimmie Allen officially filed countersuits in the United States District Court of Tennessee on Thursday (7-13) against two separate accusers of rape and sexual misconduct.
The situation for disgraced country music star Jimmie Allen has gone from bad to worse. On Friday, June 9th, a new lawsuit was brought against Allen by a second alleged victim.
After the significant support the country music industry gave to the career of Jimmie Allen, it has nothing to show for it as his career implodes due to sexual assault allegations.
In a lawsuit filed in the United States District Court of Tennessee, Jimmie Allen is being sued for sexual battery, assault, false imprisonment, sex trafficking and emotional distress.
In the current country music landscape, it is not country radio, it’s not the major labels on Music Row, it’s not even the media, or pop or hip-hop artists trying to break into the country mainstream that are blurring the lines of what country music is more than ever before. It is Apple Music above all entities.
Ever since video leaked of Morgan Wallen using the ‘N’ word on camera on January 31st, 2021, the situation has been broadly mischaracterized by the media and others looking to exploit the situation as opposed to giving it the accurate portrayal such an important incident deserves.
Though the film means well, and is generally well-made with superb cinematography and high production value, the approach and information conveyed in the film is problematic to say the least, actively participating in erasing the legacy of Black country artists in a film that purports to be championing them.
Chapel Hart have been around for a while now, originally forming in 2014 and releasing their first of two LPs in 2019. They are also one of the most egregious victims of discrimination in country music. No, not just because they are Black, because they are country.
The Grand Ole Opry is currently facing sharp criticism for allowing Morgan Wallen to perform on Saturday night’s Opry on January 8th. The first detail that everyone must understand is that Morgan Wallen was not a scheduled performer for Saturday evening’s Opry.
Nominees for the 2022 Grammy Awards were announced on Wednesday, November 23rd from the Grammy Museum in Los Angeles, with some big names receiving some important nominations, a few obvious omissions, and the “who” being nominated as opposed to the “what.”
Along with diminutively characterizing Barnes as just “another young-ish white man,” ‘Pitchfork’ went after the biography and back story of Barnes, saying he reinforced “the mythology of a white, male, ‘real’ country music [performer] whose legitimacy relies wholly on exclusion.”
Broken Bow artist Jimmie Allen is continuing to be one of the few artists in mainstream country who is willing to speak out and stick up for Morgan Wallen in the aftermath of Wallen getting caught on camera saying the N-word on February 2nd.
Every year the Country Music Hall of Fame in Nashville seats a variety of names from throughout the country and roots world in what they call their American Currents exhibit. This is the opportunity for artists that you may not normally see an exhibit for get an opportunity to be featured.
Before the controversy over the removal of Lil Nas X’s “Old Town Road” from the Billboard country charts would roil the country music world with accusations of racism and “black erasure,” it was Beyonce and her song “Daddy Lessons” from 2016 that had many outside of country hot and bothered.
See, this is the reason why showing concern of where and how songs are placed in music charts is so critical, and how making a simple mistake can cause dramatic reverberations throughout the music ecosystem where now you have long-standing institutions and entire genres of music being accused of outright racism.
An artist like Yola is the antidote to such a prognosis; a firewall against the free-range onslaught of cultural sameness pervading popular music. She represents a lushness of perspective, and a re-invigoration of musical diversity, beyond any shallow observances simply based upon skin pigmentation.
When looking at the top of charts in country music—whether based on radio play or consumption—it’s these songs and other similar ones that are dominating, especially recently, and paralleling the trend of women not just being placed on perilous footing, but falling off the precipice of country music’s major indexes.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.