When you think Hall & Oates, you think of albums like Private Eyes, which nearly defined schlocky 80s studio pop rock that wasn’t ballsy enough for hair metal, or refined enough for Yacht Rock. But like most all artists, early influences and overall acumen are rarely represented by what makes it onto the Billboard Hot 100.
Look, with all due respect to my great friends over in the Americana world, I want to annex Jim Lauderdale back to the cause of country music. By the (self-imposed) power vested in me, I plant a flag in his graying, shoulder-length hair and hereby decree he is country music’s property, only graciously on loan to Americana as an estranged and exiled refugee…
Al Perkins, Bobby Bare, Buddy Miller, Dennis Crouch, Elvis Costello, George Strait, I'm A Song, Jim Lauderdale, John Oates, Kenny Vaughan, Lee Ann Womack, Mark Chesnutt, Patty Loveless, Review, Robert Hunter, Stuart Duncan, The Grateful Dead