Wow. I’m not exactly sure where this came from, and I don’t care who it came from. The simple fact is that it came, and country music is better off for it. Ahead of Shooter Jennings’ January release of his new album Family Man, he has released the song an accompanying video for the composition “Outlaw You”. Simply put, this is a shot right to the gut of Music Row, and specifically, this crop of “New Outlaws”.
There’s not a lot of twang here, and if you come from the independent/underground country world, you’re bar may be set too high for “Chief” to hurdle. But from a mainstream perspective, understanding this album came from the putrid, vapid depths of Music Row, the very place where dreams go to die, “Chief” is curious, bold, fresh, and refreshing.
I don’t proclaim to know where country music will go from here, but what I do know is that Justin Moore and Outlaws Like Me has solidified its place in country music history as one of the big bullet points on the timeline that denotes a major event. And that the event it denotes is not a positive one. And that’s not just my opinion.
Those previous positive statements I made about Justin? Well it looks like I need to back pedal pretty hard from them, because this album is awful. In my opinion, and I appreciate the gravity and the certitude of what I’m about to say, but in my opinion, Outlaws Like Me is the worst country music album I have ever heard, EVER.
We’ve been waiting for a legitimate, Larry Jon Wilson reissue for a long time, but fans of the crazy, punk-infused string band Larry & His Flask have been waiting for a full-on LP release from them for years as well, and finally got it today in the release of All That We Know in digital form, with CD’s to be ready in August.
US intelligence officials are sifting through the new data looking for leads about what is left of Al Queda’s command and control structure. During the process, the CIA discovered one very curious bit of information that Osama Bin Laden believed American pop country star Taylor Swift’s recent country hit “Mean” was about him.
When Justin Moore’s “Outlaws Like Me” comes out, I will listen to it with the most un-bias perspective I can muster, and try my best to judge the music beyond the marketing. But in the meantime, I am not going to look at him as the problem, I am going to look my self and ask, “What did I do wrong? How can I resolve this? What can I do to make sure this doesn’t happen in the future?”
Big Machine Records, Dale Watson, Eric Church, Hank Jr., Hank Williams, Jamey Johnson, Johnny Cash, Josh Thompson, Justin Moore, Outlaws Like Me, Rascal Flatts, Scott Borchetta, Taylor Swift, Waylon Jennings