“Rule #62” which states, “Don’t Take Yourself Too Damn Seriously,” is something the Canadian-born and Austin-dwelling honky tonk throwback singer Whitney Rose steadfastly adheres to, and it’s also the theme behind her upcoming new album of the same name.
For the last few years, one of the fixtures of East Nashville has been country throwback singer and songwriter Margo Price. And thanks to another oddball of the Nashville music scene—Jack White and his Third Man Records—Margo was plucked out of The 5 Spot and the other East Nashville dives, and is getting her shot at the big time.
Once again Marty Stuart and the Fabulous Superlatives prove they are at the core of keeping the traditions of country music alive, while doing so in a manner that is energetic, inviting, informed, and broad-based where people of all stripes—the Saturday night and Sunday morning people—can come together and enjoy the gift of good country music together.
Brad Paisley, Gospel, Hargus "Pig" Robbins, Harry Stinson, Johnny Cash, Keith Urban, Kenny Vaughan, Marty Stuart, Mavis Staples, Mickey Raphael, Paul Martin, Review, Saturday Night / Sunday Morning, Willie Nelson
Look, with all due respect to my great friends over in the Americana world, I want to annex Jim Lauderdale back to the cause of country music. By the (self-imposed) power vested in me, I plant a flag in his graying, shoulder-length hair and hereby decree he is country music’s property, only graciously on loan to Americana as an estranged and exiled refugee…
Al Perkins, Bobby Bare, Buddy Miller, Dennis Crouch, Elvis Costello, George Strait, I'm A Song, Jim Lauderdale, John Oates, Kenny Vaughan, Lee Ann Womack, Mark Chesnutt, Patty Loveless, Review, Robert Hunter, Stuart Duncan, The Grateful Dead
What’s better than a new album from Marty Stuart? Try two new albums from Marty Stuart released at the same damn time, and that’s just what will transpire when the scarved one doles out the double album Saturday Night & Sunday Morning on September 30th, backed by The Fabulous Superlatives.
I’ve been wanting to tug on the sainted Saving Country Music reader’s ear about Moot Davis for years, and who knows what all kinds of dumb excuses have conspired up to this point to not allow that to happen. But the release of his latest “Goin’ In Hot” is just about the perfect damn opportunity if there ever was one to stop everything else down and sing the praises of this man’s contributions.
If country music is ever going to be saved, it is going to take people with true passion for the music tugging at the yoke, willing to do whatever it takes on and off the stage in the name of preserving the music and paying it forward. One such passionate young lady doing her part is songwriter and performer Angela Dodson, a performer, who also is the Event Center Manager at the Johnny Cash Museum.
Angela Dodson, Bill Miller, Cash Cabin Studio, Chuck Turner, Hank Williams, Janis Martin, John Carter Cash, Johnny Cash, Johnny Cash Museum, Johnny Horton, June Carter Cash, Kenny Vaughan, Patsy Cline, Wanda Jackson
If anybody asked me point blank, who is the artist that is most saving country music right now? I would answer without hesitation, “Marty Stuart.” Marty Stuart is the man. He breathes country music, and helps preserve it and pay it forward almost as if it was an involuntary action. He doesn’t know how to do anything different.
Lower Broadway in Nashville has a new songstress haunting the streets, and she’s a good one. If you want to know how to put out one badass independent/underground country album in Nashville, you could use One Good Thing as a template. With impeccable country taste and instincts, Sarah assembles 12 original and authentic honky-tonk hard country songs for your listening enjoyment.
Marty Stuart is on an amazing roll ladies and gentlemen. What he’s doing right now with lead guitar player “Uncle” Kenny Vaughan and The Fabulous Superlatives is stuff that legends are made of. You know those periods in an artists’ career that you look back on like they can’t do wrong, churning out amazing songs and albums one after another?