It will never be the easiest festival to get to for anyone. It’s certainly not the cheapest when it comes to ticket prices, accommodations, or incidentals. But what’s for certain after the second year of Mile 0 Fest in Key West, Florida, is that this is Texas and Red Dirt’s premier musical event each year.
Ben Dorcy is the nearly 92-year-old original roadie who started in 1950 and worked with Willie Nelson, Waylon Jennings, Johnny Cash and June Carter, Jerry Jeff Walker, and even more modern artists like Randy Rogers and Jack Ingram. Though he may not be as well known as the artists themselves, Ben Dorcy is one of the most beloved individuals in all of Texas music.
Zane Williams is a smart one, and like many others are recognizing, he understands that the new trend in country music, is actual country music. And this has been exemplified in the Texas scene as much as anywhere. Zane Williams senses that people want by God country music again, and that’s exactly what he delivers on the aptly titled ‘Bringin’ Country Back.’
Fowler has a new album on the way, and “Sellout Song” has been released ahead of it as a single. Not to say that many of the points made in the song don’t ring true, or that it doesn’t make you chuckle no matter how hypocritical it might be coming from Fowler, but “Sellout Song” would have been a lot more cool and cutting coming from someone else.
‘Tis the season in Texas to get out and enjoy the outdoors before the swelter of summer starts in earnest, and to support many of the charitable events that mix music with sports. For seven years, Reckless Kelly has been throwing celebrity softball tournaments to help raise funds to support youth sports programs in Central Texas, and all told the Reckless Kelly Softball Jam has raised over $300,000 since its inception.
American Aquarium, BJ Barham, Charlie Robison, Cody Braun, Cody Canada & The Departed, George Devore, Jack Ingram, Jamie Lin Wilson, John D. Hale, Kelly Mickwee, Kevin Fowler, Kyle Park, Midnight River Choir, Reckless Kelly, Reckless Kelly Celebrity Softball Jam, Shinyribs, The Peterson Brothers, The Trishas, Uncle Lucius, Whiskey Myers, William Clark Green, Willy Braun
Last night via Facebook, Kevin Fowler posted a link to the Bobby Bones/Aaron Watson story on Saving Country Music, and gave his opinion. Then shortly thereafter, Charlie Robison entered his opinion into the public forum in a missive that was as messy as it was epic, punctuated by a “sweetheart” chide of Bobby Bones.
Let’s face it, Kevin Fowler is kind of a shallow, good-timing dude. Fun at parties, but he’s not going to go all Jason Isbell on your ass and get you crying over an emotionally-charged Cancer song. But there’s nothing inherently wrong with that either, nor do songs like “Hip Hop In A Honky Tonk” or “Pound Sign” necessarily portray his entire body of work fairly. But here he is doing himself no favors.
This is a guest post from Austin-based singer-songwriter Slaid Cleaves. Slaid recently was featured on Saving Country Music after making some critical comments about modern country music in an interview with the Chicago Sun-Times, and he wanted an opportunity to elaborate on his statements. Slaid’s latest album, the critically-acclaimed “Still Fighting The War” was released in June.
If you want to listen to a true, creative meld of hip hop and country, go listen to some Beck or some Paul’s Boutique-era Beastie Boys. But this Colt Ford stuff is garbage, despite a few catchy lines, and as far as I’m concerned, lending your name to a Colt Ford project lands you a card carrying membership to the “Colt Ford Collaboration Blacklist”. Here’s the names I’ve amassed so far…
Beastie Boys, Beck, Charlie Daniels, Colt Ford, Eric Church, Gretchen Wilson, Hank Jr., James Otto, Jamey Johnson, Jason Aldean, Josh Thompson, Kevin Fowler, Luke Bryan, Montgomery Gentry, Randy Houser, Rhett Akins, Tim McGraw
As if Nashville needed anything else to be more like the Hollywood of the South, celebrity news outfit TMZ set up shop in the Music City this week, specifically on lower Broadway. “I wanted to get a new batch of stars,” explained Harvey Levin on the show that originally aired Friday, 3-4-11. But instead of getting “tim, Faith, Dolly, and Carrie,” they got the barely-known but boysterous Bridgette Tatum, and “Slim Chance…
In the last few years, cataloging the dizzying amount of names that have been associated with music that sometimes is fundamentally the same has become almost impossible, while true sonic variations on the 12 traditional genres abound.
Bogged down arguments about who is what, and what to call it feel so tired, unproductive, and irrelevant, and as the outmoded systems of music distribution and radio promotion continue to erode, classifying your music in one of the traditional 12 genres is becoming less necessary. . .
Chris Brown, Colt Ford, Darius Rucker, Jamey Johnson, Jason Aldean, Justin Bieber, Kevin Fowler, Kid Rock, Lady Antebellum, micro-genre, mono-genre, Rascal Flatts, super-genre, Taylor Swift, Tootsie's Orchid Lounge, XXX, Zac Brown Band
The latest new low is this “duet” by Colt Ford with the aforementioned Kevin Fowler called “Hip Hop in a Honky Tonk.” You can probably guess the premise. 2011 might be the year that the two 2 supergenres of hip hop and country merge into a monogenre as the lost and creatively bankrupt music industry continues to contract, offering no contrast, no creativity, and no choice. What could be a finer example than this.
Aaron Lewis, Charlie Rich, Colt Ford, George Strait, Hank Williams, Hank Williams Jr., Hip Hop In A Honky Tonk, Jamey Johnson, Jason Aldean, John Denver, Kevin Fowler, Miranda Lambert, Staind, Sugarland, Taylor Swift, Trace Adkins