After the #1 success Chris Stapleton had with his previous single “Broken Halos,” his camp has called an audible last minute, and decided to switch up the next song they will send to radio. The rocking and heavy “Midnight Train to Memphis” from his latest album From A Room: Vol. 2 was supposed to be the next single.
Jason Eady can do what they can do, but they can’t do what Jason Eady does, which is strip it all back and have the appeal for the music rest entirely on the written composition of a song. Even the most minimalist of performers have to rely a little bit on style, groove, or some sort of window dressing. But for Jason Eady, it’s like a type of Zen.
The 10-track album was produced by longtime collaborator Kevin Welch at Blueroom Studios in Nashville. It will feature backing vocals by Vince Gill on a song called “No Genie in This Bottle,” as well as instrumental contributions from noted musicians Lloyd Maines on steel guitar, and the SteelDrivers’ Tammy Rogers on fiddle.
Amputations are things we’re only used to hear about happening in war zones, not during lazy afternoons at the Wimberley Farmers Market. The news was so shocking, with the thought of this musician and a mother that has brought so much light and vitality to people being encumbered now for the rest of her life feels so unjust. Not Savannah. Anyone but Savannah.
What do we mean when we say “country” music? Well take a listen to Mississippi native and Texas transplant Jason Eady’s new album AM Country Heaven, and that should give you the strongest of all possible clues. And what do people mean when they say “Texas” country? This album isn’t a bad example of that either. Where I distance from a lot of other music writers is in the project’s originality.