Last year about this time, music periodicals left and right were falling over themselves to declare 2013 the “Year of the Woman” in country music. Music Row in Nashville may be dumb, but it’s not stupid. They saw the need to ramp up the female quotient to restore some diversity. Here in the summer of 2014, we’re very much seeing the results of those efforts. And unfortunately, it’s not very pretty.
The Canadian Country Music Association has just released their nominees for their 2014 CCMA Awards, and unlike their American award show counterparts, worthy names who may not have a huge commercial impact but deserve critical praise made the list. Lindi Ortega comes in with three nominations. In the roots category, she will be competing with Canadian country favorite Corb Lund.
The first issue of “Country Music Magazine” did not disappoint, and made good on their promise to deliver high quality content to the scores of country music fans who want to read about past greats and future hopefuls while not completely ignoring the mainstream names worth a listen. Now they have released their second issue, and the 2nd verse is as sweet as the 1st.
Austin Lucas, Buck Owens, BUddy Emmons, Country Music Magazine, Dolly Parton, Jason Eady, Jerry Lee Lewis, Jimmy Webb, Johnny Cash, Lindi Ortega, Marty Sturat, Possessed by Paul James, Reverend Horton Heat, Ricky Skaggs, Rosanne Cash, Samantha Crain, Shovels & Rope, Slaid Cleaves, Spade Cooley, Sturgill Simpson, Turnpike Troubadours, UK
Early Morning Shakes is the 3rd record from the Texas music scene’s Southern rock contingent known as Whiskey Myers.The band put out their first album in 2008 and have since become one of Southern rock’s most emboldened and energetic torch bearers, tearing it up across the country to packed houses of both country and rock fans.
On Saturday evening (12-21), a writer for Entertainment Weekly named Grady Smith, who recently has become an outspoken advocate for giving independent country musicians equal time, and has been critical about the direction of the male-dominated country music mainstream, posted a video called “Why Country Music Was Awful in 2013”.
The modern-day music video is a really strange enterprise. Lots of money is spent by artists, and sometimes labels to produce something special; something that really represents the spirit of a song well. But when you look at what people watch, especially when it comes to independent musicians, many times it’s the fan video captured on a consumer-grade piece of technology that draws the most interest.
Caitlin Rose, Elephant, Eric Church, Follow Your Arrow, Fred Eaglesmith, Jason Isbell, Johnny Cash, Josh Abbott Band, Kacey Musgraves, Kenny Chesney, Lindi Ortega, Matt Woods, Only A Clown, Sturgill Simpson
Sturgill Simpson’s “High Top Mountain.” Jason Isbell’s “Southeastern.” Lindi Ortega’s “Tin Star.” Though these artists are from different locales, and the genres they represent are varied shades of the country music theme, they all have one thing in common: a virtually unnoticed and rarely heralded behind-the-scenes producer named Dave Cobb.
When you sit down to assemble a list of candidates for Song of the Year, you almost start to tremble in the face of so much creativity, inspiration, and insight, and grow humbled by how fortunate we are to live in such a bountiful time for music. Candidates for Song of the Year can’t just be songs we enjoy, they are songs that make you change the way you see the world, or change the way you see yourself.
2013, Adam Hood, Alone In Memphis, Ashley Monroe, Austin Lucas, best songs, Brandy Clark, Brennen Leigh, Brian Keane, Caitlin Rose, Charlie Robison, Deadman's Blues, Disappear On Down The Line, Drinkin', El Camino, Elephant, Hank3, Holly Williams, I'll Sing About Mine, Jason Isbell, JB Beverley, John Moreland, Josh Abbott Band, Lindi Ortega, Matt Woods, Noel McKay, Shane McAnally, Song of the Year, Stripes, Sturgill Simpson, Tin Star, Valerie June, Wade Bowen Songs About Trucks
2013 has been self-proclaimed by Saving Country Music as the “Year of the Songwriter,” and this list of candidates for SCM’s Album of the Year reflect that dynamic of an elevated bar of songwriting excellence that these 8 artists have set. There is no arbitrary number of slots for candidates for this award. Nominees are chosen only if they have a legitimate chance of winning…
12 Stories, 2013, album of the year, Austin Lucas, best albums, Brandy Clark, Brent Amaker & The Rodeo, Caitlin Rose The Stand-In, Eric Strickland, Gone Away Backward, High Top Mountain, In The Throes, In Time, Jason Isbell, Jayke Orvis, John Moreland, Lindi Ortega, Possessed by Paul James, Robbie Fulks, Southeastern, Sturgill Simpson, The Mavericks, The White Buffalo, Year of the Dragon
One of the great things about roots music is its Gothic legacy of cautionary tales, ghost stories, murder ballads, messages to the infirmed, and other such methods of macabre that allow country and roots artists to paint in dark colors when they so choose. This makes roots music one of the best realms to draw from when putting together your Halloween playlist.
.357 String Band, Black Jake & The Carnies, Creech Holler, Dad Horse Experience, Devil Makes Three, Filthy Still, Goddamn Gallows, Jay Munly, Jayke Orvis, Joe Buck Yourself, Joel Kaiser & The Devil's Own, Larry & His Flask, Lincoln Durham, Lindi Ortega, Lonesome Wyatt, Nick Cave, O' Death, Pine Box Boys, Pinebox Serenade, Rachel Brooke, Ray Wylie Hubbard, Reverend Glasseye, Rodentia, Serial Killer, Shakey Graves, Slackeye Slim, Slaughter Daughters, Slim Cessna's Auto Club, Sons of Perdition, Squidbillies, Strawfoot, Th' Legendary Shack Shakers, The Bloody Jug Band, The Dinosaur Truckers, The Haunted Windchines, The Perreze Farm, The Slow Poisoner, Those Poor bastards, Tom Waits, unknown hinson, Viva Le Vox, Walter Sickert and the Army of Broken Toys
Whereas Lindi’s last album had a definitively dark, Gothic tinge, Tin Star is more of an equitable, neotraditional take, though the dark shades still tickle the edges and emerge from the shadows here and there. In fact Tin Star is downright boot stomping in places, traversing the carnivorous streets of Nashville defiantly, taking a trip down to Louisiana, finding inspiration in the tragic character of Frida Kahlo.
Country music in 2013 feels like the best of times, and the worst of times. While a few top male performers perpetrate untold atrocities on the integrity of the genre, the rise of independent music and infrastructure in the marketplace is now almost to the point where it equals its corporate counterpart. Quality songs and worthy artists are beginning to see more and more support…
Ashley Monroe, Austin Lucas, Avett Brothers, Blake Shelton, Bobb Bare, Caitlin Rose, CMA Awards, Cory Branan, Country Music Hall of Fame, Dale Watson, Darius Rucker, David Letterman, East Nashville, Gary Allan, Grand Ole Opry, Guy Clark, Hellbound Glory, Jack Clement, Jason Isbell, Kacey Musgraves, Keith Urban, Kid Rock, Lindi Ortega, Mumford and Sons, Nashville, Old Crow Medicine Show, Old Farts and Jackasses, Outlaw Country Music Hall of Fame, Pokey LaFarge, Rascal Flatts, Ray Price, Ray Wylie Hubbard, Shovels and Rope, Sturgill Simpson, Taylor Swift, The Lumineers, Tom Petty, Twones Van Zandt, Valerie June, Zac Brown
We’ve been saying it all year—right now it is women taking the leadership role in trying help to save country music. But they’re not the only ones, and if you wanted to look for another significant segment of artists doing more help than harm to the genre, there’s no better place to look than north of the border. Here are six Canadian showing the type of creative leadership country music needs.
Exquisitely antiqued and strikingly original, old school country singer and native Canadian Lindi Ortega is the northern emissary for country music’s current female revolution. A class act all around that is regarded just as highly for her self-penned songs as her heavenly (or devilish) voice, Lindi is a creative maelstrom that sends the room spinning from her ability to expose the most blinding beauty from life’s inherent darkness.
We’ve talked about 7 Men Who Could Immediately Make Country Music Better, now let’s take a look at 9 women who could do the same. It’s been well documented that here in 2013, the women of country are outpacing the men when it comes to the quality of music–women like Kacey Musgraves who’ve seen breakout commercial success.
Ashley Monroe, Cary Ann Hearst, Dixie Chicks, Emmylou Harris, Eric Church, First Aid Kit, Holly Williams, Kellie Pickler, Lindi Ortega, Pistol Annies, Rachel Brooke, Shovels & Rope, The Civil Wars, The Trishas, Valerie June
When it comes to country music, it is the best of times, and the worst of times depending on if you’re talking about male or female artists. While it’s easy to focus on the awful, inane music from mainstream country’s male-dominated ruling class, there is an inspiring sect of female performers attempting to emerge from the heavy shadows of towering males and their tiring musical pap. So why the gender gap?
One of the most remarkable music events of 2012 must be how Nashville and some of its biggest, most bloated and notorious corporate citizens did the inexplicable: they began to tackle the issue of the massive talent glut in American roots music. All of a sudden the big boys in the media business are playing a part in re-populating the country and roots music farm system that for years has been anemic and ignored.
2012 was a bumper crop year for great albums in the greater country music world, and that necessitates a bolstered lineup of candidates for Saving Country Music’s coveted Album of the Year. 7 total made the list, with others admittedly getting completely screwed by their absence. I already have a bead of sweat forming across my brow brought on by the impossible decision of who I’m supposed to pick off this list.
100 Proof, Bloody Jug Band, Cabin Fever, Calamity Cubes, Cigarettes & Truckstops, Coffin Up Blood, Corb Lund, Eric Strickland, Goodbye Normal Street, Honky Tonk Till I Die, James Hand, Justin Townes Earle, Kellie Pickler, Lee Bains III & The Glory Fires, Lindi Ortega, Mighty Lonesome Man, New Year's Poem, Olds Sleeper, Rachel Brooke, Ray Wylie Hubbard, Turnpike Troubadours
So what positives could come from the show? If you take away all the drama between the characters that’s really the central focus of the series, what you have is the biggest inside look into the business of country music ever released to the public through popular media and a vehicle for presenting new music to millions of folks. The ugly trappings of Nashville go with out saying. Here are some of the positives.
Lindi Ortega evokes the ghost of Patsy Cline and the cool factor of Wanda Jackson. Like with Elizabeth Cook, you almost can’t believe that an artist whose beauty is so stark would find appeal in the lower rungs of the music world; that they would settle on being real instead of real famous. But don’t let the beauty fool you, Lindi is the real deal.