“Friends Don’t” is the first taste we get of Maddie & Tae 2.0 for an upcoming record they’ve already let us know will be conceptualized—something quite bold from two 21-year-old women who at this point are just making sure they can hold on to their careers. But Maddie & Tae didn’t get here by following the formula.
Maddie & Tae
for years, Broadway was one of the very few personalities in mainstream country radio willing to ask tough questions of artists, willing to broach subjects otherwise thought of as taboo in the mainstream, and overall just show guts and independent thinking in an otherwise stuffy, closed-off world. And he did it all with class and respect.
It’s tough enough for female-fronted mainstream artists the days, and it became even tougher for the songwriting duo Maddie & Tae when their division of Big Machine Records was dissolved in a downsizing. The fate of the duo was left in the air after it was announced that Dot Records would be ceasing operations.
As time has gone on, I find myself disliking these dudes more and more because I can’t beat back the obvious reality that we’re being misled about these guys. Midland is a machination of the big Music Row industrial complex, no different than most major label artists.
What we know for sure is that Dot Records is no longer a label, at least for now. What we don’t know about is the fate of some of the artists that called the label home. Maddie & Tae, Drake White, and Staind frontman turned country artist Aaron Lewis have an uncertain future.
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
It was either feast or famine for country singles in 2016. As the rigged singles system that almost guarantees #1 songs for any releases from big-named artists metastasized at radio—creating an incredible volume of singles hitting #1 for a solitary week before immediately falling off a precipice—if a song happened to not fit into that rigged system…
Those who’ve been closely following the trends in country music over the last few years have had a sense that songs that objectify and denigrate women have been on the rise, but it was only anecdotal evidence that we could call upon to corroborate this claim. Now a study out of Texas Tech University in Lubbock has put detailed research behind the subject.
Well so much for drama, pomp and circumstance, or anticipation. As informally as sticking a post-it note to the office billboard right beside a reminder to clean the microwave after each use in the breakroom, the ACM Awards have announced the apparent winners of the 2016 “New Artist” categories. Though during certain years, the ACM’s […]
Monday morning (2-1), the nominees for the 51st Annual Academy of Country Music, or ACM Awards were revealed via CBS The Morning and ETOnline.com. The 2016 ACM awards will occur on April 3rd at the MGM Grand Ballroom in Las Vegas, and will be broadcast on CBS. Dierks Bentley, who will help host the event with Luke Bryan, also helped reveal the nominees Monday morning.
So what in the hell are well-versed country and Americana fans who finds themselves in stiff opposition to folks like Luke Bryan and Sam Hunt supposed to feel about ol’ Isbell sharing the stage with these turkeys? I’ll tell you what they should feel, they should shut up and be happy because it’s yet another sign that the good stuff is breaking through, and is getting its deserved due on Nashville’s biggest stages.
“Faint of Heart” is a pleasurable listen that you can see gaining some traction with country fans, possibly by walking through the door opened by Kacey Musgraves and Maddie & Tae recently. Call it “Merry Go ‘Round” mixed with “Girl in a Country Song” if you must, but with a sweeter vocal track than either.
Whether it will actually happen or not remains to be seen, but if country music in the mainstream decides to swing back more towards the traditional side, many of Music Row’s major labels will be ready to take advantage with a new generation of young, fresh, and traditionally-leaning talent already signed to contracts, already getting experience on the road and on big stages, and even finding some success with singles.
Maddie & Tae have become the perfect foil to today’s male country stars. They’re like the Minnie Pearl of country music’s Millennial generation. Staunch traditionalists are never going to give Maddie & Tae a serious chance, but that doesn’t mean their music (and “Shut Up and Fish”) doesn’t symbolize a wholesale reversal of course for what we’re used to the mainstream serving.
Announced today in press release fashion, the 49th Annual, 2015 CMA Awards will be opened by newly-signed NASH Icon recording artist Hank Williams Jr. singing Waylon’s interpretation of Neil Young’s “Are You Ready For the Country?” first released on an album of the same name by Waylon in 1976. Hank Jr. will be joined by Eric Church in the rendition.
Are You Ready for the Country, Chris Stapleton, CMA Awards, Eric Church, Hank Williams Jr., Kacey Musgraves, Lee Ann Womack, Maddie & Tae, Meghan Trainor, Merle Haggard, Miranda Lambert, NASH, NASH Icon, Neil Young, Waylon Jennings, Willie Nelson
On Wednesday morning (9-9), the nominees for the 49th Annual Country Music Association Awards were announced on ABC’s Good Morning America, with decidedly non-country personalities of Steven Tyler and Kelsea Ballerini helping to make the announcements. The 2014 CMA Awards will happen on Wednesday November 4th on ABC, and will be hosted once again by Brad Paisley and Carrie Underwood.
Blake Shelton, Carrie Underwood, Chris Stapleton, CMA Awards, Eric Church, Kacey Musgraves, Kelsea Ballerini, Kenny Chesney, Little Big Town, Luke Bryan, Maddie & Tae, Miranda Lambert, Nominees, predicitions, Sam Hunt
Well well well. The story of country upstart duo Maddie & Tae only continues to get more juicy and intriguing, and only continues to turn more and more towards a positive one for folks concerned about the lack of roots and female representation in the country genre.
“People forget how great country music is, and we haven’t,” Maddie Marlow was recently quoted as saying. “It’s nice knowing we’re putting the banjo, the fiddle, the steel and the mandolin back out front.” And that’s what they do in their debut full-length album “Start Here,” though you probably won’t catch many Waylon fans bobbing their heads along.
Traditional bluegrass, gospel, and country twin sister duo The Church Sisters have signed a development deal with Scott Borchetta’s Big Machine Records. The 18-year-old sisters from the coal mining region of Dickerson County, Virginia have created a very strong grassroots fan base from their startling harmonies and many years of performing from an early age.
Boy how the entertainment media loves to ruminate on country music’s female dilemma, and how unfair it is that so many fine and talented female voices are going unheard. It’s the perfect topic for Northeast-based periodicals to piggy-back their political and sociological parallels onto, to prove the patriarchal oligarchy is still very much alive in America’s rural and Southern landscapes.