Genre is not really the big issue with “Humble Quest.” It’s the energy, or lack thereof, and the generally uninspired matter-of-fact approach to the lyrics and really the music too that make Humble Quest just kind of pedestrian, especially for pop country.
Ever since Billboard tweaked their formula for how songs are slotted on the Hot Country Songs chart in 2012, it has given rise to heavyweight tracks that sit atop the chart for weeks and weeks on end. All the more reason that the current song to get stuck at #1.
Shit!No, not necessarily these nominations. Well, kind of the nominations as well. But the fact that by some obligatory sense of duty by the powers vested in me as the owner/operator of a country music website, I must convey the nominees of the 2022 ACM Awards, which have fallen so far down in relevancy they’re […]
ACM Awards, Ashley McBryde, Brooks and Dunn, Brothers Osborne, Caitlyn Smith, Carly Pearce, Chris Stapleton, Chris Young, Elvie Shane, Gabby Barrett, Lady A, Lainey Wilson, Luke Combs, Maren Morris, Miranda Lambert, Old Dominion, Thomas Rhett, Walker Hayes
Just like so many of the characters in today’s popular music space, Jason Isbell has transformed from one of the most universally-revered independent artists of our time, to being reviled by large swaths of the listening population for his active and often ostentatious displays.
Adia Victoria, Allison Russell, Amanda Shires, Amythyst Kiah, Brittney Spencer, Charley Pride, Drive By Truckers, George Jones, Jason Isbell, Jennifer Nettles, Joy Oladokun, Kristen Hall, Lucinda Williams, Maren Morris, Mickey Guyton, Patterson Hood, Ryan Adams, Shemekia Copeland, Shonna Tucker, Sugarland, The Highwomen
If all you have to prove country music’s intrinsic racism that is regularly cited in conversations and articles is the Lil Nas X anecdote, or the Beyoncé anecdote, or the Morgan Wallen story, then you really don’t have any proof at all.
“I feel like I’m just getting started. ’29’ is the album I’ll always look back on in my career and say that was the turning point for me in the way I want to be looked at in country music. I hope when people look at my music and my little legacy, I hope they say, ‘She was a country music purist.’”
Chris Stapleton fans were disappointed on Friday (9-4) when hours before he was supposed to take the stage as the Friday night headliner at the three-day BottleRock Festival in Napa Valley, California, he canceled due to an undisclosed illness.
Normally a new single from a mainstream dude who hasn’t landed a Top 10 hit in over a decade wouldn’t necessarily be worth discussing, at least around this water cooler. But Toby Keith’s new song “Old School” is a very interesting case for a host of reasons.
You know how this drill works. Make sure your tray tables are in their full upright position, make sure all electronic devices are set to airplane mode, and don’t believe a pop country star when they say they’re going back to their roots until you actually hear it.
Unfortunately, the COVID-19 pandemic will not have a hard and fast end date. It’s not just the risk to the public, but the potential concern for a public relations issue surrounding the polarizing subject of COVID-19 that has the prospects for live music later in 2021 still looking like a mixed bag.
Didn’t we just endure an installment of the ACM Awards just a few short months ago? Well yes we did. But thanks to COVID-19 the last cycle was protracted, and here it has come back around again. Whoopee. Get ready for (mostly) the same parade of names that get nominated every year.
Every year the Country Music Hall of Fame in Nashville seats a variety of names from throughout the country and roots world in what they call their American Currents exhibit. This is the opportunity for artists that you may not normally see an exhibit for get an opportunity to be featured.
Ashley McBryde, Billy Strings, Casey Beathard, Charley Crockett, Country Music Hall of Fame, Darius Rucker, Eddie Stubbs, Eric Church, Faith Hill, Freddy Fender, Hot Country Knights, Jimmie Allen, John Prine, Luke Combs, Maren Morris, Mickey Guyton, Miranda Lambert, Rissi Palmer, Sister Sadie
As some of the dust begins to settle from the fallout of Morgan Wallen’s inappropriate and offensive use of the N-word, there’s an addendum that needs to be addressed in regards to the accusations of a double standard pervasive in country music.
“Every precaution was taken. I think it’s unfortunate that people are out there crusading to stir up some mud. Because I really don’t think the CMAs were negligent in any way. Every time we darkened the door, we got tested,” says Charley Pride’s longtime manager, bass player, and close friend.
Billboard has published their year-end wrap on country music for 2020 (the music year ends in November), and as you can imagine, it’s a healthy dose of Luke Combs leading many of the metrics, especially from Chris Stapleton and Tyler Childers.
This week, Maddie & Tae’s “Die From A Broken Heart” finally made it to #1 on the country radio charts. It is a major accomplishment, and a long-fought battle for a song that was originally revealed to fans all the way back in the fall of 2018, and not released as a proper single to radio until May 6th, 2019.
Neither Amanda Shires, Brandi Carlile, Natalie Hemby, nor The Highwomen collectively have addressed the issue publicly, or directly. We still don’t know why Mickey Guyton felt she was “disinvited” from the shoot, whether it was the fault of “a giant miscommunication” or otherwise.
In a recent op/ed, Guyton spelled out numerous frustrations she’s experienced, but one of the most shocking revelations of the article was not on the systemic racism she’s suffered from in the country music industry, it was how she was snubbed by her fellow women in the genre.
The song Florida Georgia Line played a snippet of appeared to have the title of “Feels Good.” But apparently Carrie Underwood was not feeling good about any of it. Underwood never replied or even addressed the duo’s proposal publicly, which left many speculating if Carrie had snubbed them.
Like someone with the Coronavirus coughing in your face, here come the 2020 ACM Awards nominations. With Maren Morris and Thomas Rhett leading the pack of nominees with five nominations each, Justin Bieber receiving three nominations, you might as well be getting news from the local doctor where you’re quarantine station is located.
Alright, so we’ve run down the Saving Country Music Album of the Year nominees, and awarded The Winner. And we’ve also populated the 2019 Essential Albums List. Now it’s time to single out the dogs of the last calendar year and let them hear it. Here ladies and gentlemen are your WORST “Country” Albums for 2019.
One sign that mainstream country music continues to improve is the decrease in “country” songs that were worthy of rants in 2019 compared to previous years. However there were a few exceptions in 2019, and songs worthy of taking out back to the woodshed. Our full-throated opposition to these monstrosities misappropriated as “country.”
Eric Church’s latest album Desperate Man will win the CMA Album of the Year in 2019, beating out Thomas Rhett’s Center Point Road, Dan + Shay’s self-titled release, Girl by Maren Morris, and Carrie Underwood’s Cry Pretty. This is the bold prediction Saving Country Music is putting out there right here and now.
Strong songwriting underpins inspired performances delivered by four women with passion for this project and its material in this initial effort by The Highwomen. Instead of writing it all themselves, they took the Nashville approach of utilizing co-writers to refine each effort that began with their original ideas, and it shows in the results.