Something that became obvious while watching the Ken Burns documentary is a few of the egregious oversights the Country Music Hall of Fame has been a party to when it comes to its inductees. Unlike other Halls of Fame, The Country Music Hall of Fame is extremely selective of who they let in, only allowing three new members in each year.
If you’re wondering what you might look forward to listening to in the final portions of 2019 in country and Americana music, let this be your guide. Here’s all the information Saving Country Music has been able to compile on the most anticipated upcoming releases, along with a more extensive catalog of releases to have on your radar.
Ags Connolly, Billy Strings, Chris Knight, Cody Jinks, Dallas Moore, Dori Freeman, Jason James, Jon Pardi, Kelsey Waldon, Kendell Marvel, Logan Ledger, Marty Stuart, Michaela Anne, Miranda Lambert, Stoney LaRue, Sturgill Simpson, Whiskey Myers
Undoubtedly, you could not tell the story of country music in the late 60’s and early 70’s without broaching the political upheaval and countercultural revolution roiling American society at the time. But the time spent on stories that were only proxies to country music bogged this episode down in stretches.
Billy Sherrill, Bob Dylan, Charlie Daniels, Don Chapel, Earl Scruggs, George Jones, Gram Parsons, Johnny Cash, Ken Burns, Kris Kristofferson, Leon Russell, Marty Stuart, Merle Haggard, Nitty Gritty Dirt Band, Shel Silverstein, Tammy Wynette, The Byrds, Will The Circle Be Unbroken?
The fifth installment of the Ken Burns country music documentary zeroed in on the time period between 1964 and 1968, when the United States at large began to be embroiled in tumultuous times, and two separate epicenters in country music began to emerge. Arguably the most egalitarian of the episodes so far, it covered a lot of performers.
Bobbie Gentry, Buck Owens, Charley Pride, Connie Smith, Dolly Parton, Don Rich, Dwight Yoakam, Emmylou Harris, Faron Young, Jeannie C. Riley, Johnny Cash, Ken Burns, Lloyd Green, Loretta Lynn, Marty Stuart, Merle Haggard, Ralph Emery, Roger Miller, Ronnie Milsap, Wynton Marsalis
The first episode of the Ken Burns Country Music documentary tasked itself to define what country music is by delving deep into its origins and original purveyors. The second episode called “Hard Times” began the work of explaining why the music means so much to so many people.
Asleep at the Wheel, Billy Monroe, Bob Wills, Chet Atkins, DeFord Bailey, Delmore Brothers, Don Maddox, Eddie Stubbs, Gene Autry, Jean Shepard, Johnny Cash, Ken Burns, Mac Wiseman, Marty Stuart, Minnnie Pearl, Ray Benson, Roy Acuff, Roy Rogers, Sons of the Pioneers, The Carter Family, The Monroe Brothers, Tommy Duncan, Vince Gill, Wyalon Jennings
Over seven years of full-time labor on the part of numerous people, over 101 interviews conducted, countless hours of archival work digging up old photographs, audio, video, and other vintage material, and an elongated year-long promotional effort finally culminated in the broadcast of the debut episode for the Ken Burns Country Music epic.
DeFord Bailey, Dolly Parton, Fiddlin' John Carson, Grand Ole Opry, Holly Williams, Jimmie Rodgers, Kathy Mattea, Ken Burns, Ketch Secor, Marty Stuart, Mel Tillis, Merle Haggard, Old Crow Medicine Show, Rhiannon Giddens, Rosanne Cash, The Carter Family, Uncle Dave Macon, WSM
The broadcast of the Ken Burns-produced 8-part, 16-hour documentary on country music could very well be the most significant event to happen in country music in 2019, if not in the next few years. For country music to receive the expansive documentary treatment for America’s preeminent filmmaking archivist could have significant implications.
As first announced by Saving Country Music earlier this summer, Marty Stuart’s Magum Opus The Pilgrim is being reissued and for the first time on vinyl, along with an accompanying CD with 10 bonus tracks taken from the project and other recorded material Marty has amassed over the years. The 20th Anniversary Edition of The […]
A new album by the Dixie Chicks is on the way, and it’s no longer a matter of “if,” but “when.” Recent social media posts confirm the trio is working in the studio with super producer Jack Antonoff, and that a new record is coming “someday.” If they’re teasing us on social media already, that “someday” is more likely to be counted in months.
20 years ago this month, Marty Stuart released his conceptualized 20-song magnum opus The Pilgrim as his final album on a contract with MCA Nashville. A commercial flop that rendered no radio singles, it nonetheless went onto become one of the most revered releases in the Marty Stuart collection.
It’s been some 12 years since Travis Tritt released a proper studio album, but he’s been tiding fans over in the interim with releases from his dynamic live performances that have been keeping fans quite satiated. The latest is a new live video performance with his full band called ‘Travis Tritt: Homegrown.’
Tyler Childers has just singed to Sony’s RCA Records in a partnership with his own imprint called Hickman Holler, and will be releasing his latest record called Country Squier on August 2nd. Along with the new album, Tyler Childers has announced a bunch of new tour dates dubbed the “Country Squier Run.”
Marty Stuart, who’s the documentary’s lead contributor and a staunch preservationist of country music’s history, says the new film is “like the cavalry coming.” Marty Stuart says, “The traditional end of country music sometimes gets overshadowed by the contemporary … It’s an awesome gift.”
You’ll be hard pressed to present another country music personality more responsible for helping to save country music in the last quarter century than Marty Stuart. Though he never had the big hits as some of his contemporaries, his work both in the public eye and behind-the-scenes to preserve the legacy of country music is unparalleled.
Though it may seem like a strange pairing on the surface, remember Marty Stuart is still currently touring behind his latest record Way Out West, which tracks the lineage of country music on the West Coast from the Bakersfield Sound to the psychedelic influences of the 60’s and 70’s.
In the most recent tabulation for Billboard’s Hot Tours list compiled via Boxscore numbers, Chris Stapleton’s current All-American Road Show tour with Marty Stuart and Brent Cobb came out on top, beating out massive artists such as Ed Sheeran, Britney Spears, and U2.
Encompassing over 16 hours across eight separate episodes, the film will include footage from 56 separate interviews with artists and historians, including interviews with 40 Country Music Hall of Famers, and a few artists who have passed away since film production was commenced.
The biggest adversity to independent music is success. Nobody knows this better than Chris Stapleton. After he was fully embraced by the mainstream industry and was winning awards left and right, folks began vilifying him as a sellout and for not being as country as advertised. But Marty Stuart doesn’t see it that way.
The CMT Awards transpired Wednesday night, June 6th at the Bridgestone Arena in downtown Nashville. Did you notice? Most likely not. Did you tune in and follow along? Even more unlikely. But this isn’t just about ratings. This is about the overall impact of the awards, or the lack thereof.
In two days, it will be the 3-year anniversary of Chris Stapleton’s debut album Traveller being released to the public. And three years later, Traveller still currently sits at #6 on the Country Albums chart. It’s one of three albums Stapleton still has in the Top 20, with From ‘A’ Room: Vol. 1 sitting at […]
For years the fans of real country have been waiting for that one festival that represents all of their needs and desires, without having to sift through the scores of names they don’t want to be bugged with. In 2017, the Tumbleweed Festival in Kansas City emerged as that festival. Now they have released their 2018 lineup.
On Wednesday morning (1-31), Marty Stuart and His Fabulous Superlatives hand delivered new artist renderings of the planned project to the Mississippi State Capitol, accompanied by a press conference and a performance. Plans are for a museum, event space, and the “Marty Stuart Center” where attendees can learn about the country music business.
Though we don’t have a proper release date yet or a full song to digest, the prospects for The Mountain at this point are very promising. Dierks wrote and recorded the record in Telluride, Colorado, which is the Rocky Mountain State’s bluegrass haven. He was inspired to make the record there when performing at the Telluride Bluegrass Festival.