The biggest adversity to independent music is success. Nobody knows this better than Chris Stapleton. After he was fully embraced by the mainstream industry and was winning awards left and right, folks began vilifying him as a sellout and for not being as country as advertised. But Marty Stuart doesn’t see it that way.
The CMT Awards transpired Wednesday night, June 6th at the Bridgestone Arena in downtown Nashville. Did you notice? Most likely not. Did you tune in and follow along? Even more unlikely. But this isn’t just about ratings. This is about the overall impact of the awards, or the lack thereof.
In two days, it will be the 3-year anniversary of Chris Stapleton’s debut album Traveller being released to the public. And three years later, Traveller still currently sits at #6 on the Country Albums chart. It’s one of three albums Stapleton still has in the Top 20, with From ‘A’ Room: Vol. 1 sitting at […]
For years the fans of real country have been waiting for that one festival that represents all of their needs and desires, without having to sift through the scores of names they don’t want to be bugged with. In 2017, the Tumbleweed Festival in Kansas City emerged as that festival. Now they have released their 2018 lineup.
On Wednesday morning (1-31), Marty Stuart and His Fabulous Superlatives hand delivered new artist renderings of the planned project to the Mississippi State Capitol, accompanied by a press conference and a performance. Plans are for a museum, event space, and the “Marty Stuart Center” where attendees can learn about the country music business.
Though we don’t have a proper release date yet or a full song to digest, the prospects for The Mountain at this point are very promising. Dierks wrote and recorded the record in Telluride, Colorado, which is the Rocky Mountain State’s bluegrass haven. He was inspired to make the record there when performing at the Telluride Bluegrass Festival.
Country music will not be saved by just one soul, even though this is a thought process many fans and much of the media tend to buy into, often putting an unfair burden on the careers and purpose of certain artists, and placing them at odds with what they should be focused on, which is the creative process.
The last few years have been a somewhat down era for excellent, legacy-caliber releases in country music and independent roots,. But 2017 was a different story, especially the first half, leaving us with difficult choices of what to consider to be the best of the year. As always, your feedback is requested, and will be included in the final calculus.
“The results are absolutely exquisite,” Marty Stuart says. “I invite the viewer to come along with me and the Superlatives to Pine Ridge. By way of Reid Long’s camera, we’ll take you deep inside of a world filled with wonderful people, that most people don’t even know exist.”
Just this week Saving Country Music inquired if there would ever be any new episodes of The Marty Stuart Show—the long-running RFD-TV staple that saw Marty share the stage with his backup band The Fabulous Superlatives, as well as a host of special guests, including many great country music oldtimers.
‘The Marty Stuart Show’ has logged a total of 174 episodes, but not a single new episode has aired since 2014. It’s been three years now, and fans of the RFD-TV program are getting restless for some fresh shows. So has the show been cancelled, put on indefinite hiatus? When can fans expect new episodes?
This week, Florida Georgia Line’s collaboration with the Backstreet Boys called “God, Your Mama, and Me” hit #1 on Billboard’s Country Airplay Chart, meaning The Backstreet Boys—a washed-up boy bad who otherwise had not received a #1 distinction for over 18 years—is now the owner of a country music #1.
Ashley Monroe, Backstreet Boys, Brandy Clark, Cam, Chris Stapleton, David Allan Coe, Florida Georgia Line, God Your Mama and Me, Jamey Johnson, Jason Isbell, Kacey Musgraves, Marty Stuart, Sturgill Simpson
For the last two years, it’s felt like a lull for projects that really set themselves apart and set the pace for creativity and cultural importance. 2017 is a different story. It feels like this has been a banner year already, with some of the year’s biggest projects still in the offing.
The Americana Music Association announced the nominees for their 2017 awards on Tuesday afternoon (5-9) via a live press conference from the Country Music Hall of Fame’s Ford Theater. Along with announcing the nominees, the presentation included performances from multiple Americana artists.
Amanda Shires, Billy Bragg, Brent Cobb, Caitlin Canty, Charlie Sexton, Courtney Hartman, Hurray For The Riff Raff, Jason Isbell, Jen Gunderman, Jerry Douglas, Joe Henry, John Prine, Lori McKenna, Margo Price, Marty Stuart, Milk Carton Kids, Rodney Crowell, Ryan Adams, Spencer Cullum Jr., Sturgill Simpson, The Drive-By Truckers, The Lumineers
For decades Tammy Sullivan and her father Jerry played their unique blend of American roots music self-described as “bluegrass Gospel” at folk festivals, bluegrass gatherings, college campuses, at the Grand Ole Opry, and in front of congregations as the duo “Jerry and Tammy Sullivan.” Now she has been reunited with her father.
We’ve known for a while that Chris Stapleton’s much-anticipated sophomore album and the follow-up to his landmark debut Traveller will be released on May 5th, but despite the looming deadline, details on the new release have been quite limited. But all of that is about to change.
Saving Country Music has just added some fresh horses to its recently-launched Top 25 Current Spotify Playlist meant to be a centralized destination for top recommended songs and artists currently setting the pace in country, Americana, and the greater roots realm.
We love to speak long and loudly about the virtues of younger, upsurging artists such as Sturgill Simpson, Chris Stapleton, Jason Isbell, Cody Jinks, Margo Price, and others, and how they’re turning the country industry upside down with their successes. But why is Marty Stuart’s efforts going systematically overlooked?
The prospects of a new incarnation of the long-running country music-themed television show Hee-Haw being in the works opens up a whole realm of delicious possibilities of how the show could take shape, and who could comprise the cast. So if a new Hee-Haw show comes to pass, who should be part of the cast?
Don’t expect this to be just another Marty Stuart release simply because it’s been two years or so since his last record. This could be his most expansive work since his concept record The Pilgrim. To record Way Out West, Marty Stuart employed Mike Campbell of Tom Petty and the Heartbreakers fame for the 15 tracks that include many originals…
Just what 2017 has in store for us in the country music department remains to be seen. But we do know about what to expect in the release department for at least the first quarter of the year, while rumors abound about the big projects that could come to light later in 2017. Here’s a run down of what we know, what we think we know, and what we would like to believe.
Aaron Watson, Ags Connolly, Alison Krauss, Casey James Prestwood, Charlie Worsham, Chris Knight, Chris Stapleton, Colter Wall, Curtis McMurtry, Dale Watson, Dan Auerbach, Dave Cobb, George Jones, Guy Clark, Holly Williams, Hurray For The Riff Raff, Jaime Wyatt, Jason Isbell, JB Beverley, Justin Townes Earle, Marty Stuart, MOderna Mal, Nikki Lane, Old Crow Medicine Show, Otis Gibbs, Phoebe Hunt, Ray Benson, Ray Scott, Ray Wylie Hubbard, Reverend Peyton's Big Damn Band, Rhiannon Giddens, Robbie Fulks, Scott H. Biram, Shinyribs, Son Volt, Steve Earle, Sunny Sweeney, The Gibson Brothers, The Sadies, The Secret Sisters, Tift Merritt, Valerie June, Whitney Rose
It should be no huge surprise that Travis Tritt’s ‘A Man and His Guitar’ is worth its muster. He’s been doing these acoustic shows for many years, and even at other shows involving the full band he’ll make sure to take some time in the set to do a few songs by himself. If anything, one may wonder why it’s taken so long for a release such as this to surface.
For years Travis Tritt has been touring the country playing acoustic shows, and the naked context of his music has done nothing but elevate his legacy in the minds of those who’ve attended. Nothing against seeing Tritt with his band, but it takes something special in an artist to take the stage with nothing more than a stool, a guitar, and a water bottle, and entertain a large crowd.