After the initial success of The Wreckers, Michelle Branch and Jessica Harp chose to go their separate ways and start solo careers. This is really where the trouble ensued for Ms. Branch, and why her discography has a gaping, 14-year hole in it, aside from The Wreckers release.
Over 112 artists and counting have been confirmed as victims of a sweeping intellectual property theft by having their recordings directly stolen and repurposed by fake artist accounts operating on all major streaming services, including Spotify, Amazon Music, Apple Music, Google Play, YouTube, and others. The theft includes at least 831 songs.
Adele, Charlie Mosbrook, Coldplay, Colter Wall, DistroKid, Ingrid Michaelson, John Randolph, Katrina Stone, Meghan Linsey, Michelle Branch, Rich O'Toole, Shania Twain, Sixpence None The Richer, Spotify, Taylor Swift, The Statesboro Revue, Vertical Horizon
In 2013, stories of entertainers that “go country” are routine occurrences instead of reasons for surprise, intrigue, or outrage, because country music has officially become the default repository for talent fleeing the collapse of mainstream rock or the place to find strength in the twilight of a dying entertainment career. Here are some of the most notorious “gone country” moments over the years.
3 Doors Down, Aaron Lewis, Big & Rich, Bing Crosby, Bon Jovi, Brad Arnold, Debbie Gibson, Everlast, Jason Aldean, Jessica Simpson, Jewel, Johnny Cash, Kelly Clarkson, Kid Rock, LeAnn Rimes, lionel richie, Michelle Branch, Olivia Newton John, Smash Mouth, Steve Harwell, Terry Bradshaw, Tiffany
Everything seemed to be going right for Michelle, until she headed to Nashville to make the solo country album Everything Comes and Goes for Warner Music Nashville; “Nashville” being the optimum word. Suddenly a young woman who prided herself in writing her own songs and forging her own style had to become aware that country music works differently, much differently.