Earlier this week numerous outlets, including US Weekly, Fox News, E Online, and scores of country music blogs asserted that Miranda Lambert had newly revamped the lyrics to her song “Little Red Wagon” to take a jab at Blake Shelton. Now they’re saying Blake is firing back. But neither is true.
The promise of technology and its interfacing with music is a great equalization of the playing field, both opening up the creative possibilities for artists, and the ability to discover new music for fans. For too long the stuffy and outmoded system of radio feeding us what they wanted us to hear reigned over music […]
Country music needs Carrie Underwood right now. I don’t know that I would ever have fathomed typing those words a few years ago. But over the years, Carrie Underwood has gone from defining the edge of pop in country, to being one of the final remaining bright spots of talent in the mainstream.
Yes, this topic again. And if you don’t like reading about it, tough titty. Perhaps if mainstream country radio put out a modicum of effort to even try to hide the fact they’re outright excluding certain artists from radio play strictly due to their gender, we could shut the hell up about all of this.
Netflix released the latest season of its comedy drama ‘The Ranch’ on December 15th, and just like the first three seasons, country music plays a big role in both the dialog and the soundtrack. Apparently the creators want to make discovering the songs part of the fun of the series, because they keep their soundtrack close to the vest.
Amanda Shires, Blitzen Trapper, Brenda Lee, Brothers Osborne, Conway Twitty, Eric Church, Jason Isbell, Mandolin Orange, Merle Haggard, Miranda Lambert, Netflix, Patsy Cline, Ricky Nelson, Sam Outlaw, Sara Watkins, Sturgill Simpson, The Cactus Blossoms, The Ranch, Thomas Rhett
The nominations for the 2018 Grammy Awards were announced Tuesday morning (11-28), and among the most nominated names are multiple traditional country and roots music favorites, including Chris Stapleton who comes in with three nominations, tied with award show favorites Little Big Town for the most nominations in country.
Sturgill Simpson and his busking set outside of the CMA Awards will be forever etched into not just the memory of the 51st Annual CMA Awards, it will be ensconced into the annals of country music history as one of the greatest moments of protest against the country music command and control structure of all time.
Carly Pearce gives one true hope for the future of women on country radio as her debut single “Every Little Thing” hits #1 on the radio charts this week. And the success Aaron Watson continues to have with his song “Outta Style” doesn’t stop, which was unthinkable from a truly independent artist in previous years.
You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
Well well, it’s starting to get a little chippy out there after reigning CMA Entertainer of the Year Garth Brooks admitted mere moments after his CMA Awards performance Wednesday night (11-8) that he’d lip synced his song “Ask Me How I Know.”
Tired on hearing people whining about the lack of women on country radio? Perhaps it’s because despite all of the protestations and constant focus on the issue, it still is a huge lingering problem that continues to get worse instead of better. And now Miranda Lambert, who has spoken out about the issue before, is getting hopping mad.
Give it some thought Timberlake, if the wheels aren’t already in motion. Give the fans of true country and good music in general a reason to tune into the Super Bowl halftime show in 2018, even if it’s just for a few minutes. That’d be much more entertaining that a few seconds in the audience of a nipple tassel.
Get your hemp necklaces and nag champa ready, because Miranda Lambert is about to embark on the “Livin’ Like Hippies” tour come January, and even if you’re fair to partly cloudy on Ran Ran herself, she’s assembled a pretty badass lineup of openers that represent a who’s who of cool independent acts that may coax you off your couch.
In wanton disrespect of the Labor Day holiday (aren’t journalists laborers too?), the Country Music Association announced their nominations for the 2017 CMA Awards on Monday (9-4) morning, with Miranda Lambert leading all nominees with five total nominations.
Another glass ceiling has just been shattered in mainstream country music’s monopoly on the independent side of music. Jason Isbell has just been nominated for Album of the Year by the Country Music Association, or CMA’s, for his most recent album The Nashville Sound. This is a virtually unprecedented feat for an independent artist.
Austin City Limits has just announced the lineup for their upcoming 43rd season, and sorry Austin musicians who the show was originally commissioned to chronicle and document, but you won’t get any attention from your local Public Television Station, , unless it’s a seminar about what to do about Austin’s evaporating music scene.
It’s hot as butt outside right now, but in a few short months there will be a nip to the air and a yuletide feeling as December descends upon us. After the successful run of the Hard Candy Christmas tour in 2016 pairing four of the most talented songwriters from Texas together for a frigid tour of the Midwest, they’ve decided to do it once again.
Music can teach us that we all love, we all face fears, and we all can overcome whatever inward or outward oppression that may be dogging us to flourish and prosper. If a music artist chooses to broach political subjects or to speak out against injustices in their music, them more power to them. But don’t hold silence accountable as complicity.
The fact that “Vice” has now gone platinum is not entirely surprising as a lead single from a mainstream country star, but what is surprising is the song never cracked the Top 10 on country radio during its ascent. “Vice” stalled out at #11 before being moved to recurrent.
I’ve always said, one of the greatest moments to witness in a mainstream artist’s career is when they realize they’ve got nothing left to lose. And after years of playing musical politics, they cut lose and do whatever the hell they want to do, devil may care. Miranda Lambert is going to do whatever the hell it is that she wants to do.