It appears those waiting for a reunion of the country music supergroup The Pistol Annies will not have to wait that much longer. First formed between Miranda Lambert, Ashley Monroe, and Angaleena Presley in 2011, the trio released two records between 2011 and 2013, going #1 and #2 in the charts respectively.
It puts Miranda Lambert in an elite class of country music performers, including Cowboy Jack Clement, Earl Scruggs, Tom T. Hall, Guy Clark, Kris Kristofferson, Jerry Douglas, Vince Gill, Buddy Miller, Connie Smith, Kenny Rogers, Ricky Skaggs, Alan Jackson, Rosanne Cash, and last year’s Artist-In-Residence, Jason Isbell.
It’s 24 weeks atop the Billboard Hot Country Songs chart for Bebe Rexha’s collaboration with Florida Georgia Line, “Meant To Be.” This means the song first recorded and released solely as a pop single has now tied Florida Georgia Line’s “Cruise” for the 2nd longest-running #1 single in the Billboard Hot Country Songs history.
Country music in 2018: “Man Artist feat. Woman Artist.” Wash, rinse, repeat. This is one way to get Miranda Lambert back on the radio I guess, releasing Jason Aldean’s “Drowns The Whiskey” as a single. Too bad Jason Aldean has to be involved, and the only way virtually any woman gets on country radio these days is being “feat.”
At a show on Friday, May the 4th at Love and War in Lindale, TX, Ray Wylie Hubbard was singing his iconic, signature song “Redneck Mother.” Right as Ray Wylie was spelling out “mother,” and extending the ‘R’ for “Rrrredneck,” a real life redneck decided it was the perfect time to crash the stage.
Artists give greatly of their personal lives to entertain us. The least we can do is not use their personal lives as our entertainment. The story of how the Evan Felker and Miranda Lambert relationship became the worst kept secret in Texas music, and how when it broke, the celebrity gossip rags got it all wrong.
When the Miranda Lambert camp announced the next single they’d be sending to country radio was the mid-tempo “Keeper of the Flame,” it didn’t leap off the page as a smart pick for today’s radio landscape. But that probably wasn’t the most important consideration that worked itself into the calculus.
We’ve know for a while about Miranda Lambert’s penchant to show support to independent artists by attending their concerts, with John Moreland and the women of the Hard Candy Christmas Tour being just a few examples. Saturday night (4-7) was the 7th Annual Dia Del Gallo celebration at the historic Floore’s Country Store was another.
Miranda Lambert will release her latest single, and the 4th from her current album The Weight of These Wings when “Keeper of the Flame” gets shipped to radio April 11th. Likely targeted for a single from the album originally, it first appeared a few weeks ahead of The Weight of These Wings as a teaser track.
You may not be into attending big arena shows, but it’s hard to not be happy for the big opportunity being bestowed to the Turnpike Troubadours, Southern rock revivalists The Steel Woods, high caliber songwriter Natalie Hemby, and Tenille Townes who have all been tapped as openers on Miranda Lambert’s “Bandwagon Tour.”
Sturgill Simpson, Chris Stapleton, and Jason Isbell comprise the current Mt. Rushmore of independent country and roots music, and that is unquestionable, regardless of how you may feel about any one of them specifically, or even as a group. But what is the fourth mug we can put on top of that mountain?
So here we are once again staring at a list of the nominees for the ACM Awards, with few surprises, lots of predictable stuff, and finding ourselves full of self-reflection on if we should even care about the annual country music gala that is most susceptible to bloc voting and horse trading.
When you think of the modern country music landscape, you think of a clear delineation line between the independent and mainstream. However the songwriting credits for Miranda Lambert are the one clear exception. Looking through her list of collaborators, it’s pretty incredible.
Adam Hood, Allison Moorer, Anderson East, Angaleena Presley, Ashley Monroe, Audra Mae, Brandy Clark, Carlene Carter, Chris Stapleton, David Rawlings, Fred Eaglesmith, Gillian Welch, Jack Ingram, John Prine, Julie Miller, Miranda Lambert, Natalie Hemby, Patty Griffin, Priscilla Renea, Shake Russell, Steve Earle, Susanna Clark, The Pistol Annies, Tom T. Hall, Traivs Howard, Waylon Payne
Earlier this week numerous outlets, including US Weekly, Fox News, E Online, and scores of country music blogs asserted that Miranda Lambert had newly revamped the lyrics to her song “Little Red Wagon” to take a jab at Blake Shelton. Now they’re saying Blake is firing back. But neither is true.
The promise of technology and its interfacing with music is a great equalization of the playing field, both opening up the creative possibilities for artists, and the ability to discover new music for fans. For too long the stuffy and outmoded system of radio feeding us what they wanted us to hear reigned over music […]
Country music needs Carrie Underwood right now. I don’t know that I would ever have fathomed typing those words a few years ago. But over the years, Carrie Underwood has gone from defining the edge of pop in country, to being one of the final remaining bright spots of talent in the mainstream.
Yes, this topic again. And if you don’t like reading about it, tough titty. Perhaps if mainstream country radio put out a modicum of effort to even try to hide the fact they’re outright excluding certain artists from radio play strictly due to their gender, we could shut the hell up about all of this.
Netflix released the latest season of its comedy drama ‘The Ranch’ on December 15th, and just like the first three seasons, country music plays a big role in both the dialog and the soundtrack. Apparently the creators want to make discovering the songs part of the fun of the series, because they keep their soundtrack close to the vest.
Amanda Shires, Blitzen Trapper, Brenda Lee, Brothers Osborne, Conway Twitty, Eric Church, Jason Isbell, Mandolin Orange, Merle Haggard, Miranda Lambert, Netflix, Patsy Cline, Ricky Nelson, Sam Outlaw, Sara Watkins, Sturgill Simpson, The Cactus Blossoms, The Ranch, Thomas Rhett
The nominations for the 2018 Grammy Awards were announced Tuesday morning (11-28), and among the most nominated names are multiple traditional country and roots music favorites, including Chris Stapleton who comes in with three nominations, tied with award show favorites Little Big Town for the most nominations in country.
Sturgill Simpson and his busking set outside of the CMA Awards will be forever etched into not just the memory of the 51st Annual CMA Awards, it will be ensconced into the annals of country music history as one of the greatest moments of protest against the country music command and control structure of all time.
Carly Pearce gives one true hope for the future of women on country radio as her debut single “Every Little Thing” hits #1 on the radio charts this week. And the success Aaron Watson continues to have with his song “Outta Style” doesn’t stop, which was unthinkable from a truly independent artist in previous years.
You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
Tired on hearing people whining about the lack of women on country radio? Perhaps it’s because despite all of the protestations and constant focus on the issue, it still is a huge lingering problem that continues to get worse instead of better. And now Miranda Lambert, who has spoken out about the issue before, is getting hopping mad.