From the very beginning with the title track’s twin fiddle intro, until the very end with Lee Ann covering the Jack Clement-penned “Someone I Used to Know,” There’s More Where That Came From is a hands down, knockout, hardcore traditional country record full of heartbreak, cheating, fiddle and steel guitar.
Just in time for throngs of Americana fans to flock to the city for the annual AmericanaFest the third week of September, a new radio station has launched just south of the city in Murfreesboro, and the signal and talent is strong enough that it may ultimately become the flagship for the still small, but quickly-rising Americana format.
Jason James isn’t afraid to to pen a song in a traditional style and then challenge himself to sing it with the same heart and passion as one of the old greats. Nobody will ever replace George Jones or ‘Ol Hank, but that doesn’t mean others can’t try to reach for that same level of excellence, and pay forward the traditions of country to a new era of listeners who still find value in the classic modes.
Around the passing of The Possum in 2013, I remember the news of his widow Nancy setting up an endowment and scholarship fund for MTSU in the name of George Jones. What I didn’t know, and what has gone somewhat under-reported, is that the passing of George and the endowment encouraged the faculty of MTSU to enter a class on the life of George Jones into the school’s curriculum.
Beverley Keel, Bobby Braddock, Dwight Yoakam, George Jones, George Strait, Harlan Howard, Jim Lauderdale, Lee Ann Womack, MTSU, Odie Blackmon, The Desert Rose Band, The Grand Ole Opry, The Louisiana Hayride