I am tired of being embarrassed by being associated with country music. “Country” is our term, and our music. The “American Country Awards” have no right to it. Even more artists should boycott the awards next year, especially the beautiful and talented female artist who was dismissed by their “decade” award, and allow this thing to whiter on the vine.
I can’t make this up folks, there is actually an effort out there to put together what is being called a “country music boy band.” So if you have the ambition to be a musical monkey, then shave your balls, shove a sock down the front of your pants, spike your hair and bleach the tips and get your ass to CountryBoyBandSearch.com to sign up!
Pop country group Rascal Flatts, the top-selling country group of the last decade, best known for their pallid and catchy tunes, prickly hair, and overt use of the pitch-correcting program Auto-tune in both the recorded and live formats, is now a member of the most sacred of all country music institutions, The Grand Ole Opry.
Last week as I was traveling through Tennessee, I took some time to visit downtown Nashville, where I hadn’t been in a few years, and I brought along one of my best friends named Pointer. Pointer goes wherever I go. Funny thing is, we don’t always like the same things. I thought it might be fun and informative to share Pointer and my pictures of our downtown Nashville trip for those who’ve never been there.
BR549, Brentley Gilbert, Colt Ford, Country Music Hall of Fame, Curb Records, Ernest Tubb, Hatch Show Print, Jason Aldean, Joe Buck, Kid Rock, Kris Kristofferson, Layla's Bluegrass Inn, Mike Curb, Music Row, Nashville, Rascal Flatts, Robert's Western World, Ryman Auditorium, Tootsie's Orchid Lounge, Willie Nelson
The nominations for the 45th Annual CMA Awards were announced this week, with one of the big winners being Jason Aldean. If the voting falls in line with sales numbers, there’s a very good chance Aldean could virtually sweep the awards show. But Jason Aldean seems quick to forget that less then a year ago, just before the 2010 CMA’s, he was panning the CMA’s and their nomination process, calling it rigged.
When you look at the Arab Spring going on right now in the Middle East, it’s hard not to trivialize problems such as the current financial state of the American music industry or the creative freedom of its artists. However it’s not hard to draw parallels between the two as well: repressive regimes unwilling to contemporize continue or escalate the same heavy-handed oligarchical systems…
When Justin Moore’s “Outlaws Like Me” comes out, I will listen to it with the most un-bias perspective I can muster, and try my best to judge the music beyond the marketing. But in the meantime, I am not going to look at him as the problem, I am going to look my self and ask, “What did I do wrong? How can I resolve this? What can I do to make sure this doesn’t happen in the future?”
Big Machine Records, Dale Watson, Eric Church, Hank Jr., Hank Williams, Jamey Johnson, Johnny Cash, Josh Thompson, Justin Moore, Outlaws Like Me, Rascal Flatts, Scott Borchetta, Taylor Swift, Waylon Jennings
For all the harmonizing and gospel and good old-time vibes, the heart of the Marty Stuart show is still high-octane, Outlaw-era, rock n’ roll-inspired hard driving country music. This is what Marty Stuart is doing. He’s slinging guitars, he’s kicking ass, and he is doing it with class. If anybody, no matter what stripes they wear, walks out of a Marty Stuart show shrugging their shoulder with a “meh” attitude, they don’t deserve the right to have an opinion.
In the last few years, cataloging the dizzying amount of names that have been associated with music that sometimes is fundamentally the same has become almost impossible, while true sonic variations on the 12 traditional genres abound.
Bogged down arguments about who is what, and what to call it feel so tired, unproductive, and irrelevant, and as the outmoded systems of music distribution and radio promotion continue to erode, classifying your music in one of the traditional 12 genres is becoming less necessary. . .
Chris Brown, Colt Ford, Darius Rucker, Jamey Johnson, Jason Aldean, Justin Bieber, Kevin Fowler, Kid Rock, Lady Antebellum, micro-genre, mono-genre, Rascal Flatts, super-genre, Taylor Swift, Tootsie's Orchid Lounge, XXX, Zac Brown Band
Tonight is 2010’s installment of the CMA Awards, undoubtedly country music’s most important night, but one that is regularly marked by controversy. The kinky sex backroom deals that make mainstream country turn get exposed for all to see as awards are handed out as bribes and paybacks, with quality and talent being the least of criteria, if even a concern.
This is not John Denver and Olivia Newton John ruffling feathers by winning country awards. This isn’t Garth Brooks flying over stadiums on wires. This isn’t Rascal Flatts rehashing classic rock songs, or even Taylor Swift playing with a fiddle player hidden in a dark corner. This is it. This is the bottom of the slippery slope. This is country music’s ‘rock’ bottom.
The sheer speed at which American pop country is devolving before our very eyes can only be described as “awesome.” It is the evolutionary equivalent of if we could witness a species of apes evolve into a new race of humans in the length of a football season. As the creatively bankrupt boardrooms of Music […]
I’ve had a working theory for a while that 75% of what you hear on mainstream country radio today can be traced back to a small handfull of songs by Bob Seger and The Black Crowes. Darn near 1/3 of them can be traced back to Seger’s “Night Moves” alone. Well it might be time […]
Album, Beer on the Table, Bob Seger, copyright, Gretchen Wilson, I Got Your Country Right Here, Jealous Again, John Rich, Josh Thompson, Lawsuit, new release, Rascal Flatts, Sony BMG, Taylor Swift, The Black Crowes, Work Hard Play Harder
They say war makes strange bedfellows. I guess this is a good example. In a recent Edmonton Journal article, country music legend Merle Haggard held little back when sharing his thoughts on “Auto Tune”: “They fix a person’s voice when it’s out of tune, and then they have to do it live when they can’t […]
We love to paint pop country with a broad brush around here, which may not always be fair. Think about it: sure we might consider two artists like Taylor Swift and Brad Paisley pop country, but the degree of how much pop compared to country they are, or even their overall talent level can be […]
Down in Houston the Annual Livestock Show and Rodeo has been raging for a little over a week now, and pop country acts have been running through there spewing their plastic form of ear vomit all over the masses. Luckily the forces for REAL country have found an ally down there in the form of […]
There’s times when you can see (or hear) the grass roots of REAL country music growing stronger right before your eyes (or ears), and this last Friday night was one of those times when Blake from the It Burns When I Pee podcast made an appearance on none other than Big G’s Texas Roadshow! Be […]
Real quick, Big G’s interview with Hank III last night was amazing. It’s lasted 1 hr 20 min and covered all kinds of stuff, but instead of trying to give the Cliff Notes version right now and make you salivate for something you can’t hear, I’ll wait until Big G posts it to his podcast […]