Imagine having backed Hank Williams on his legendary Grand Ole Opry debut in 1949, or playing behind any of the other country music legends who performed on that hallowed stage during the Opry’s golden era. This was the fortune of steel guitarist Billy Robinson.
As simply as I can put it, making the case that spoken word and rapping in music are the same thing is an ignorance-based insult to the artistic integrity and creativity of both spoken word and rap artists, and to the intelligence of anyone who that case is being made to. Battling the infiltration of country rap is hard enough without revising history.
As we speak, Lucky Tubb is in the studio recording his new album, and when I spoke to him at The Cash Bash, he gave me some hints of what he’s working on, including a duet with the legendary Wayne “The Train” Hancock. “Me and Wayne Hancock are going into the studio next week and […]
This is Big Wayne: Big Wayne likes beer. He also likes Hank Williams and Hank Williams III. But Big Wayne is confused. He doesn’t understand why Hank Williams is not a member of the Grand Ole Opry, even though they use his image, likeness, and songs to promote themselves. He doesn’t understand why a man […]
Brenda Lee, Don Helms, Drifting Cowboys, Ernest Tubb, Grand Ole Opry, Hank Williams, Lefty Frizell, Loretta Lynn, Louvin Brothers, Patsy Cline, Ray Price, Red Foley, Reinstate Hank, Steel Guitar, Twangtownusa.com