When you think Hall & Oates, you think of albums like Private Eyes, which nearly defined schlocky 80s studio pop rock that wasn’t ballsy enough for hair metal, or refined enough for Yacht Rock. But like most all artists, early influences and overall acumen are rarely represented by what makes it onto the Billboard Hot 100.
Sturgill Simpson is such an enigma, to see his name crop up as the producer on the album from someone else is shocking and intriguing. Stugill has made a career out of saying “no” to reporters, industry professionals, and opportunities some artists would kill for. So how and why did he say “yes” to Tyler Childers?