Sure, talk’s cheap. And we saw that illustrated perfectly when Sam Hunt released a new single recently called “Kinfolks.” But the case is a bit different with Carly Pearce. Unlike Sam Hunt and other current mainstream stars, Carly started out in the traditional country ranks, and she’s also backing up her claims with her music.
“Kinfolks” is Sam Hunt thinking you’ll consider this a country song just because the lyrical hook is a rural colloquialism. This is what passes for “country” in Sam Hunt’s book, while we’re supposed to ignore the clap track and hip-pop phrasing. Sam Hunt left a huge mess behind in country music when he disappeared a few years ago.
Yes, you read that headline correctly. Sam Hunt will be heading into the studio soon to start recording his long-delayed second album. And according to the man himself, he says the music he’s working on is more oriented towards traditional country music than the R&B pop of his previous album released now nearly five years ago.
Marty Stuart, who’s the documentary’s lead contributor and a staunch preservationist of country music’s history, says the new film is “like the cavalry coming.” Marty Stuart says, “The traditional end of country music sometimes gets overshadowed by the contemporary … It’s an awesome gift.”
Believe it or not, Sam Hunt released his debut record now nearly six years ago. Sam hasn’t just been slow on delivering a sophomore record, he’s been outright missing in action. There were rumors about Sam Hunt outright retiring. But his long drought of not recording new music is about to be over.
Here we are with a nice, tidy little bow wrapped around 2018, with the barrage of end-of-year lists finally published and in the past, the confetti from New Year’s celebrations all swept up, and the promise of an exciting new year of country music on the way. But how good or bad really was country music in 2018?
Brent Cobb, Chris Stapleton, Cody Jinks, Florida Georgia Line, Kacey Musgraves, Luke Combs, Marty Stuart and His Fabulous Superlatives, Midland, Miranda Lambert, Sam Hunt, Turnpike Troubadours, Tyler Childers
We took the time to celebrate some of the Best Songs Released in 2018, as well as some of the Best Albums, so now it’s time to place a clothespin firmly on our noses, slip on some elbow-length rubber gloves, and go digging through the cesspool that is radio country to dredge up the absolute worst offenses.
Now that the 2018 CMA Awards nominations have been announced, the people who care about the awards can pour over the lists and find things to complain about, while the people who complain about the awards can pour over the lists while professing to not care. This is the way of things, and what happens every year.
Game over. All efforts to stave off the irrelevancy of Billboard’s Hot Country Songs chart in the face of installing a pop star in the history books as the owner of the most successful single in the genre’s history ultimately failed. This week, the song “Meant To Be” by pop star Bebe Rexha with Florida […]
Well well well. Apparently Sam Hunt is part human, and is prone to fail, at least partially. That’s the pronouncement many are making after his current single “Downtown’s Dead” stalled at country radio outside the Top 10, and has subsequently had the support behind it pulled by his label MCA Nashville.
In the last 73 weeks of the Billboard Hot Country Songs chart, there have only been five total songs to crest the chart. That means that over the past 1 1/2 years, two songs have occupied the chart’s top spot 89% of the time. And those two artists very specifically benefit from pop attention.
Sam Hunt just needs to get out of music and start selling a signature line of flat-brimmed baseball caps, bedazzled ironic fanny packs, and fur murses. Even if he did a complete 180 in his career right here, right now, it would be impossible for him to reverse all the irreparable damage he’s done to country over the last few Godforsaken years.
The CMT Awards transpired Wednesday night, June 6th at the Bridgestone Arena in downtown Nashville. Did you notice? Most likely not. Did you tune in and follow along? Even more unlikely. But this isn’t just about ratings. This is about the overall impact of the awards, or the lack thereof.
Country music still needs saving ladies and gentlemen, and is still searching for the absolute statistical rock bottom when it comes to quality and substance in songs. Defining the “worst” has officially reached new parameters. So let’s cover our ears, pinch our noses, and set these stinking piles of refuse up to ceremoniously knock them down.
It’s 24 weeks atop the Billboard Hot Country Songs chart for Bebe Rexha’s collaboration with Florida Georgia Line, “Meant To Be.” This means the song first recorded and released solely as a pop single has now tied Florida Georgia Line’s “Cruise” for the 2nd longest-running #1 single in the Billboard Hot Country Songs history.
It’s not just that Sam Hunt isn’t country. It’s that Sam Hunt is the exact opposite of country. Quite literally. If you want to hear a song that is the direct antithesis of what a country song is, listen to a song by Sam Hunt. Country equals rural. Urban equals city. It’s very simple to understand.
For many true country music performers, the bug to write, sing, and play country music bit them at an early age, and never left. For others, country music is simply a vehicle for fame and riches. Specifically, many of them first tried to make it in professional sports before flunking out or getting sidelined with injury.
So here we are once again staring at a list of the nominees for the ACM Awards, with few surprises, lots of predictable stuff, and finding ourselves full of self-reflection on if we should even care about the annual country music gala that is most susceptible to bloc voting and horse trading.
Friends and neighbors, I know you would rather spend your time reading about something a bit more positive in nature than the rabid attitudinal protestations of some twisted up music critic spouting off about this grotesque specimen of audio diarrhea, and during what is supposed to be a festive season no less….
Man did Music Row in Nashville turn in a whole slew of stinkers this year, setting new lows for the substance, and non-country-ness of “country” songs in 2017. This year was a great example of how you should never think it can’t get any worse, because it can, and did, and by a long stretch.
That’s right. Think about the scores of female country music performers who have dedicated their entire lives to the craft, including many mainstream country pop performers, who have never enjoyed a debut at #1, or a #1 at all. And then a pop star you’ve probably have never heard of shows up and is cresting country music’s top metric for songs.
The nominations for the 2018 Grammy Awards were announced Tuesday morning (11-28), and among the most nominated names are multiple traditional country and roots music favorites, including Chris Stapleton who comes in with three nominations, tied with award show favorites Little Big Town for the most nominations in country.
I don’t care if Walker Hayes is the most upstanding citizen from his affluent suburb, donates to charity, is sweet as pie to his fans, and gives mouth to nose resuscitation to orphaned puppies. This is not the type of incendiarily vapid stuff we need infecting anything being sold as “country.”