The Tumbleweed Music Festival set to take place just outside of Kansas City May 30th through June 1st has just announced their initial lineup of headliners, and it appears the 2019 installment will have a strong Southern rock flavor to it. If nothing else, the 2019 Tumbleweed Music Festivasl will be LOUD.
Sarah Shook and the Disarmers
As we move past the musical halfway pole for 2018, it’s time once again to look back in the rear-view mirror and see what has wowed us the most so far. Along with some excellent albums that will go on to be considered for some of the best all year, the spring of 2018 has also revealed itself as one of the busiest release periods for in years.
Sarah Shook and the Disarmers have arguably the most badass record out there in country music right now with Years on Bloodshot Records, and they’re also one of the most badass bands to step foot in a dive bar and see live. This might be one of those bands you’ll be kicking your own ass for not seeing in a smaller venue when you had a chance.
There’s just something about certain artists and songs where it only takes a few seconds into a track before a smile cracks across your face, and you immediately know, “This is what I mean when I say country music.” Many had that feeling when they feasted their ears on the self-titled, full-length debut from Texas country artist Randall King.
What ‘Years’ has that so many albums fail to capture is a trump card that supersedes all other concerns, benchmarks, and gradients. It’s the part of music you can never learn, never practice up, never teach or toil to capture. Either you have it, or you don’t. And Sarah Shook has it. She has it in spades.
The good news about great artists releasing new albums just keeps coming, setting up 2018 as a potential bumper crop year of critically-acclaimed releases, with the latest being Bloodshot Records signee Sarah Shook and her band The Disarmers announcing the release of her sophomore record “Years” on April 6th.
“Sidelong” may find itself in a dark and troubled place much of the time, but it’s good old country music at its heart. You know, country music? That stuff they used to make before Music Row lost its everloving mind? Music that said something, and conveyed a feeling that bred a sense of commiseration and shared grief with the audience resulting in a strange healing? Yeah, that stuff.