It’s worth noting that Rolling Stone’s new updated version of their “500 Best Albums of All Time” significantly diminishes iconic titles from the classic country canon. Not only were some titles downgraded, some were eliminated entirely.
Over 112 artists and counting have been confirmed as victims of a sweeping intellectual property theft by having their recordings directly stolen and repurposed by fake artist accounts operating on all major streaming services, including Spotify, Amazon Music, Apple Music, Google Play, YouTube, and others. The theft includes at least 831 songs.
Adele, Charlie Mosbrook, Coldplay, Colter Wall, DistroKid, Ingrid Michaelson, John Randolph, Katrina Stone, Meghan Linsey, Michelle Branch, Rich O'Toole, Shania Twain, Sixpence None The Richer, Spotify, Taylor Swift, The Statesboro Revue, Vertical Horizon
Compiling both sales and streaming data over the last ten years, Chris Stapleton’s “Traveller” not only comes out on top, it does so even though its closest competitors had a head start. “Traveller” wasn’t released until halfway into the decade on May 5th, 2015, and unlike its Bro-Country counterparts, received only sporadic radio play.
We knew the release of the latest Luke Combs album ‘What You See Is What You Get’ would be big, and that’s exactly what it was, bringing in the biggest numbers for a country title all year, topping all the charts, and setting a new record in the country space. Luke Combs is now indisputably the biggest artist in country music.
For over 30 years, the album ‘Always and Forever’ by Country Music Hall of Famer Randy Travis held the record for the longest-running #1 country music album released by a solo male in country music history. Originally released in 1987 as Randy’s second proper studio album, it spent an incredible 43 weeks atop the charts.
Kid Rock is the wet cigarette of music. It’s not that the guy hasn’t accidentally stumbled into a few good songs over the years. But even if you’re a fan of his, you have to recognize he’s a total scuzzball. He might be your scuzzball, but he’s a scuzzball nonetheless. That’s why you love him, and why he has no business marshaling a parade.
Travis Tritt’s “team” has been revealed, and regardless of where this show goes, how many people watch, and who wins, Tritt has done a superb job picking out his contestants. I don’t think Hank done it this way, but if someone’s going to win, hopefully it’s Tritt’s hopefuls, 4 of which who’ve been featured on SCM recently.
When we first got word of a new reality TV singing competition coming down the pike via the USA Network called “Real Country,” and that the judges were going to be none other than pop country pretty boy Jake Owen and the Queen of Crossover Shania Twain, it was worth a chuckle to say the least.
Why exactly was a UK-based publication asking a Canadian pop country star with permanent citizenship in Switzerland about the American President? It was in hopes she would be naive enough to answer in a way that would result in a scandalous uproar, and that’s exactly what has happened.
We were so swept up in praising ourselves for all the gains made in the independent realm of country music in 2017, it wasn’t until here in the dwindling moments of the year that we realized just what a dreadful era 2017 posed in the mainstream.
Sorry to disrupt any Shania Twain fans out there enjoying their Tim Horton’s Canadian bacon breakfast, but this new album is complete junk. Yet the least worthy of blame might be the one whose name and visage grace the cover, trying uselessly to revitalize the 90’s relevancy of leopard print.
My life took a devastating and decidedly palpable turn for the worse when I cued up Shania Twain’s long-awaited new single, “Life’s About To Get Good.” Somewhere Robert “Mutt” Lange is cackling like the Wicked Witch of the West. Did someone pull a practical joke on Shania in the studio? Because this thing’s a stinker, and it’s all the fault of the production.
These Shania Twain fake-out’s about how new music is on the way, or surprise appearances that never occur, and the farewell tours or appearances have been going on for well over a decade now have finally got her fan base fed up. But let’s not entirely lay these new music shell games at the feet of Shania Twain.
All the information on the 52nd Annual ACM Awards in one place, including the presenters, the performers, the collaborations, the nominees, and other things to watch for. Will Chris Stapleton have another big night? What can traditional country fans have to look forward to? And awards that have already been handed out.
Gone are the days of Loretta Lynn singing “One’s On The Way.” Gone are the days of adult issues like divorce, resonating with mature audiences. Gone are the days of originality, not only in style but in songwriting. In that classic era you could tell the difference between Johnny Cash and Waylon Jennings. Artists were easily discernible and legends arose because of their unique qualities…
Last night (2-25) as part of Country Radio Seminar festivities in Nashville, Dierks Bentley, aka Douglas “Big Rhythm Doug” Douglason, showed the depth of his commitment to his alter-ego 90’s country band called Hot Country Knights by taking the stage at “The Stage” on Lower Broadway and launching into renditions of big late 80’s & 90’s country hits.
The signs continue to point towards the country music radio format officially splitting in two, with Top 40 country, and “Icon” country covering music from as far back as the 80’s vying for equal share of the country music listenership. Now another local radio station has switched to the new country format, and the verbiage accompanying the format change shows just how much sway NASH Icon is having.
One of the big stories involving the back end of country music in 2014 has been the potential formation of a brand new radio format to give a home to the older artists quickly being shuffled off of mainstream radio in the movement towards youth. The big question that remains is how the new format for older country music could take shape.
So we now know who the big winner was for the Garth sweepstakes. But who was the biggest loser? That is certainly what you could call Scott Borchetta’s Big Machine Records in the situation. Why? Because they had the biggest stake in the Garth sweepstakes, because of Big Machine’s joint venture with the radio world’s Cumulus Media called NASH Icons.
Make no mistake about it, “Girl In A Country Song” will be a huge hit, because Scott Borchetta will make it that way. The pretty faces help, and so does the fact they they can write and sing a little bit—just exactly how much though has yet to be truly battle tested. But this one song is good enough apparently to give the duo a green light. Yes ladies and gentlemen, this is the brave new world of country music.
Big Machine Records, Blake Shelton, bro-country, Carrie Underwood, Dolly Parton, Dot Records, First Aid Kit, Girl In A Country Song, GIrl In A Country Song lyrics, Joe Dee Messina, Kacey Musgraves, Lee Ann Womack, Listen to Girl In A Country Song, Maddie & Tae, Maddie Marlow, Miranda Lambert, Review, Scott Borchetta, Shania Twain, Taelyn Elizabeth, The Dixie Chicks, Tyler Farr
If Cumulus Media and its CEO Lew Dickey have their way, in the coming years that big ‘N’ will be one of the most recognized brands in North America, especially if you’re a country music fan. The plans that Lew Dickey has for that big brown ‘N’ are ambitious to say the least, and look to permeate just about every segment of the consumer culture of the United States.
Alan Jackson, Big Machine Records, Bobby Bones, Clear Channel, Cumulus, Faith Hill, Garth Brooks, Jerry Del Colliano, Lew Dickey, NASH, Nash Icons, Rush Limbaugh, Scott Borchetta, Sean Hannity, Shania Twain
Like one of those stationary rides in the front of Wal-Mart for toddlers, “This Is How We Roll” makes a lot of noise, has a bunch of flashing lights, bumps up and down a little bit, but in the end, goes absolutely fucking nowhere. The Mighty Morphin Power Rangers soundtrack has more sincerity, depth, and nutritional value than this explosion of diarrhea in country music’s bikini cut man briefs.
It’s not that there aren’t some token homages to mark her move into the country format, but overall, except for one song that we will get to in due course, there is very, very little contrast between Feels Like Home and what Sheryl Crow was calling rock for the body of her career. But that doesn’t necessarily paint Feels Like Home, or Sheryl Crow, or her career as bad.
Aside from all the bad music, disappointing award winners, and ridiculous stage antics, the 2013 Academy of Country Music Awards may go down as one of the gremlin-riddled presentations in the modern award show era. An inordinate amount of technical problems plagued the night, along with other funny mishaps. Here are some of the major ones.